Thursday, March 27, 2008

American Speedway - Ship Of Fools CD review

Random observation: listening to Ship Of Fools, American Speedway's debut album, is a lot like getting kicked in the head by a mule. Not your mundane, run-of-the-mill mule, mind you, but some sort of fire-snortin', iron-hoofed, juiced-up, steroidal, genetic mutant of a pseudo-equine. Due to the startling response on the part of our control group (my two kitty-cats, Bean Bag and Fluffy the Impaler), we decided to move Ship Of Fools into our research facility for further testing in a lab environment.

Once in our test kitchen, we hooked Ship Of Fools up to the AKM 2000*, a nifty little gadget that we picked up from a NASA bake sale. Cranking up the volume, we let 'er rip with the album's title cut. The song's opening barrage yanks-and-cranks like the Nuge of old with notes flyin' everywhere; monster riffs wandering the streets menacingly, kicking over garbage cans; and leather-lunged vocalist Michael Thursby sounding like he's getting a tonsillectomy. In the end, "Ship Of Fools" measured an impressive 3.46 kpm on the Jung/Young scale (as in Carl Jung, the respected psychiatrist and Angus Young, the revered guitarist).

The album's second song, "American Speedway," is a locomotive-leaping-from-the-tracks rave-up that is conveniently named after the band. It's always a good idea for a band to include a song of this sort on an album lest the listeners with shorter attention spans bang their heads into the wall one too many times in unison and think that they're actually spinning a new Mariah Carey CD.

It'd be hard to mistake the blistering axework, unrelenting rhythms and torch-the-village vocals of "American Speedway" for Carey's felinesque screeching, but with Thursby reminding you just who you're messing with on every chorus, we're probably all OK…well, at least I am. Dunno about you. In all fairness, though, I have to guess that Carey probably has nicer breasts than any of American Speedway's members. I have the charts and graphs to prove this, if necessary. However, I'd rather freebase one of Fluffy the Impaler's hairballs than ever be forced to listen to Ms. Carey's caterwauling….

But I digress. Back to Ship Of Fools, which has been careening across traffic lanes in the background throughout my tangent…well, hell, folks if you haven't figured it out yet, I'll share with you all just what all of this expensive electronic gear (a CD walkman and two tin cans with rusty barb wire tying them together) has revealed. Listening to Ship Of Fools really is like getting kicked in the head by a mule. Thursby's hard rock vox sound like he's being probed by alien visitors for rare minerals. Guitarist Johny Griswold grinds the strings like he was taught advanced fret torture techniques at the School of the Americas. The rhythm section of bassist Billy Angry – great rock & roll name, BTW – and drummer Chris Callahan are less skilled technicians than an armor-plated bulldozer keeping a steady metallic drone beneath the songs here.

All of the tests and lab reports in the world won't change the fact that Ship Of Fools is a world-class stompfest, and American Speedway is hardcore punk/metal geniuses. This is probably the logical end result of letting AC/DC, Motorhead, Zeke, H2O and Black Flag all share the same real estate in your local music store. There's nary a song on Ship Of Fools that runs more than three-anna-half on the clock, which means that every single one of 'em – from the blood-on-the-asphalt rocker "Drinkin' And Drivin'" and the remarkably un-PC druggie anthem "Cocaine" to the radioactive cheap thrills of "Don't Tread On Me" – simply muscle their way into the room, do their nasty bidness, zip up and bolt in search of a better party. (MVD Audio)

In other words, buy or die, fool….

(Click on the CD cover to buy a digital download of Ship Of Fools from Amazon.com)

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* Asskickometer, a device that measures the exact number of times that a song kicks your ass during a 60-second interval. Seriously. We're scientists here, so you can trust us with your ears, your cash and, yeah, even your girlfriends….

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Iron Maiden & the New Wave of British Heavy Metal

Back in the late-70s, British punks rose up in defiance to the status quo, in response to the milktoast corporate rock that the labels were cranking out by the truckload. For a while, it seemed like everybody had a mohawk haircut and a copy of the Sex Pistols' album.

Little did we know at the time that there would be a second front in this war against musical complacency...I'm talking 'bout the "New Wave of British Heavy Metal," gang, a movement spearheaded by bands like Judas Priest and the almighty Iron Maiden. Hindsight is always 20/20, as they say, but the NWOBHM has survived the test of time to be recognized as a special, downright magical time for fans of hard rockin' music.

A new DVD from our friends at Music Video Distributors takes a good, hard look at the NWOBHM. Iron Maiden And The New Wave Of British Heavy Metal is a two-hour retrospective on this historic movement, the documentary focusing on Focusing on Maiden and other pivotal bands of the time, such as Saxon, Samson, Praying Mantis, Diamond Head, Tygers Of Pan Tang and many more. The DVD includes rare video footage of NWOBHM bands as well as rare photographs and other uber-cool memorabilia that would fit on disc.

The DVD also includes exclusive interviews major players on the NWOBHM scene, including Iron Maiden's Paul DiAnno and Dennis Stratton; Diamond Head's Brian Tatler; Tygers Of Pan Tang's Rob Weir; Samson's legendary drummer Thundersticks; Tino and Chris Troy from Praying Mantis; the current line-up of Girlschool and others. There's also commentary from music journalists like Malcolm Dome (Kerrang, Classic Rock), Jerry Ewing (Metal Hammer) and Geoff Barton (staff writer at Sounds during the New Wave), among others.

Iron Maiden And The New Wave Of British Heavy Metal is scheduled for release on June 10, 2008.

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Wednesday, March 26, 2008

Journey tour dates confirmed

This one promises to be a real barn- burner! As we promised with our previous post on the new Revelation three-disc set from Journey, the band has announced the details of its summer tour and we've got the 4-1-1!

Journey will hit the road in July in support of Revelation, touring with Cheap Trick and Heart. The three classic rock bands promise to tear up a venue near you sometime this summer. Here is a list of the confirmed tour dates:

Date / City / Venue
Wed 7/9 - Denver CO @ Fiddler’s Green Amphitheatre
Fri 7/11 - Salt Lake City UT @ USANA Amphitheatre
Sat 7/12 - Lake Tahoe NV @ Harvey’s Lake Resort
Tue 7/15 - San Diego CA @ Coors Amphitheatre
Wed 7/16 - Irvine CA @ Verizon Amphitheatre
Fri 7/18 - Las Vegas NV @ Mandalay Bay Arena
Sat 7/19 - Tucson AZ @ Casino Anselmo
Tue 7/22 - Council Bluffs IA @ Mid America Center
Wed 7/23 - Oklahoma City OK @ Zoo Amphitheatre
Fri 7/25 - San Antonio TX @ Verizon Amphitheatre
Sat 7/26 - Houston TX @ Cynthia Woods Mitchell Pavilion
Sun 7/27 - Dallas TX @ Superpages.com Amphitheatre
Wed 7/30 - Tampa FL @ Ford Amphitheatre
Thu 7/31 - West Palm Beach FL @ Sound Advice Amphitheatre
Sat 8/2 - Charlotte NC @ Verizon Amphitheatre
Sun 8/3 - Atlanta GA @ Chastain Amphitheatre
Mon 8/4 - Atlanta GA @ Chastain Amphitheatre
Wed 8/6 - Orange Beach FL @ The Amphitheatre on the Wharf
Thu 8/7 - Nashville TN @ Sommett Center
Sat 8/9 - Birmingham AL @ Verizon Amphitheatre
Sun 8/10 - Raleigh NC @ Walnut Creek Amphitheatre
Tue 8/12 - Virginia Beach VA @ Verizon Amphitheatre
Thu 8/14 - Jones Beach NY @ Nikon at Jones Beach
Sat 8/16 - Scranton PA @ Toyota Amphitheatre
Sun 8/17 - Uncasville CT @ Mohegan Sun Casino
Tue 8/19 - Boston MA @ Tweeter Center
Thu 8/21 - Holmdel NJ @ PNC Bank Arts Center
Sat 8/23 - Syracuse NY @ New York State Fair
Sun 8/24 - Saratoga NY @ Saratoga PAC
Tue 8/26 - Camden NJ @ Susquehanna Bank Center
Wed 8/27 - Washington DC @ Nissan Pavilion
Sat 8/30 - Bethel Woods NY @ Center for the Arts
Sun 8/31 - Hershey PA @ Hersheypark Pavilion
Thu 9/4 - Watertown NY @ Watertown Baseball Diamond
Sat 9/6 - Cincinnati OH @ Riverbend Music Center
Sun 9/7 - Cleveland OH @ Blossom Amphitheatre
Tue 9/9 - Detroit MI @ DTE Energy Music Theatre
Wed 9/10 - Indianapolis IN @ Verizon Amphitheatre
Fri 9/12 - Chicago IL @ First Midwest Bank Amphitheatre
Sat 9/13 - St. Louis MO @ Verizon Amphitheatre
Mon 9/15 - Kansas City MO @ Midland Theatre
Tue 9/16 - Minneapolis MN @ Target Center/Casino
Fri 9/19 - Seattle WA @ White River Amphitheatre
Sun 9/21 - Portland OR @ Clark County Amphitheatre
Wed 9/24 - Concord CA @ Sleep Train Pavilion at Concord
Fri 9/26 - Sacramento CA @ Sleep Train Pavilion at Sacramento
Sat 9/27 - Mountain View CA @ Shoreline Amphitheatre
Tue 9/30 - Los Angeles CA @ Greek Theatre
Fri 10/3 - Phoenix AZ @ Cricket Pavilion
Sat 10/4 - Albuquerque NM @ Journal Pavilion

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Monday, March 24, 2008

Sahg - Sahg II CD review

No doubt, the axe-manglers in Sahg have drunk from the cup of Popoff and listened intently to their scratchy old Sabbath and Zeppelin elpees. Their obvious influences notwithstanding, Sahg aren't your garden-variety dirt-merchants, tilling the fertile doom-metal earth that so many others have plowed before them. Nosirree, these Norwegian knuckleheads have the audacity to believe that they can improve upon the original blueprint, adding a little razzle-dazzle here, and a bit o' stoned proggy vibe there, thinking that it would pass muster.

Ordinarily, the Reverend would give 'em the thumb and send the lot of them on their way back to the frozen fjords of northern Europe…'cept that Sahg II is a mighty nifty slice of good ol' fashioned ear sludge. This disc will provide the discriminating listener with all of the max-volume daily requirements of broken guitar strings, busted drumheads and jackhammer basslines that you need to go about yer daily bizness, whatever sordid debauchery said bidness might involve…

With their 2006 debut album, Sahg showed that they could successful create music that conveyed a sense of texture…yeah, that texture was mostly concrete-quicksand, threaded throughout with rebar-like six-string histrionics that would make Uncle Tony gleeful with gratitude. But, it was the kind of album that Sahg could bring home and hang on the Osborne family refrigerator.

With Sahg II, however, the boys have jumped in front of their glue-sniffing, gold-star elementary school classmates and are ready to spin-the-bottle on their junior high prom night. Sure, these songs still include the kind of plodding dino-dance rhythms and down-tuned guitars that send the cult of Iommi into ecstatic cold shivers and priapism. But Sahg has expanded its palette here, ya see, broadening the sound of their songs…and more power to 'em, I say. If their initial musical efforts displayed great texture, Sahg II brings ATMOSPHERE into the mix…thick, beefy, lung-smothering atmosphere, the kind of heavy drapery that inhabits nightmares and really, really good horror movies.

How Sahg made this major league leap o' faith, musically, is nobody's business but their own, I suppose…my job is to simply evaluate and criticize, yours is to shut your yap and listen up. My guess – if my lifetime batting average was better than .233 with these sort of pitches – is that the prog-metal flourishes that the band brings to the table this time out, along with a longer song structure (the tunes are 25% longer here on average than on Sahg I, by my cipherin'), has allowed Sahg to fully display their instrumental prowess, thus creating that wonderful atmospheric backdrop that I was raving about somewhere previously.

Simply put, there's a lot of meat on this bone, and you can really sink your teeth into some of the rabid rave-ups on Sahg II. "Echoes Ring Forever" sounds like Zep's "hammer of the gods" poundin' on yer noggin, but with vox that rip and tear at the fabric of reality while the music comes crashing down around your ears like shattered glass and twisted steel. The guitar solo in the middle of this one is so frightfully magnificent that it hurts.

"Star-Crossed" might pass for an outtake from Vol. 4 save for the song's rhythmic foundation, which just kind of shuffles along at a Vanilla Fudge pace while frowny-face guitars creepy-crawl all over the vocals. "Pyromancer" is the kind of alchemical firestarter that only Killing Joke has managed to conjure up during my lifetime, while the nearly eleven-minute dirge "Monomania" is a cinematic bloodbath. Breathless, hypnotic, exotic, and possibly addictive, this radioactive-relic of another era successfully molds the mystery of Sabbath, the lysergic-fueled insanity of Hawkwind, the dark occultism of Zeppelin, and Sahg's own unique, disturbing metallic vision into a saber-rattling golem hellbent on destruction…the song is just that damn good!

Bottom line, droogs: if you live and breathe for the holy trinity of Sabbath, Pentagram and St. Vitus, you'll probably dig this, too, even if it doesn't exactly adhere to the doom-metal orthodoxy. With only their second album, Sahg has delivered a near-masterpiece of HEAVY music, and you can't say that about many underclassmen. Can't wait to see what they drop on us when they get kicked out of high school…. (Regain Records)

(Click on the CD cover to buy Sahg II from Amazon.com)

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Friday, March 21, 2008

Yes go Close to the Edge and Back!

Celebrating their 40th anniversary as a band, prog-rock legends Yes will kick off a 26-night North American tour on July 12, 2008 with a show in Quebec City, Quebec Canada. Calling it their "Close to the Edge and Back Tour," this outing will be the band's first national tour in five years. The line-up this time around includes Yes founding members Jon Anderson and Chris Squire, along with Steve Howe, Alan White and Oliver Wakeman, son of former band keyboardist Rick Wakeman. Tickets will go on sale on March 29th through the Live Nation website.

Along with the upcoming tour, Yes will participate in a reality program called "VH1 Classic Presents: Your Move with Yes." Beginning in early-April on VH1Classic.com, the band and the cable network will be looking for a talented rock performer to join the Yes on stage. The winner will be invited to join Jon Anderson in performing "Give Love Each Day" from the Yes album Magnification.

Aspiring contestants will upload a 2-to-5 minute video of themselves performing an original rock song or piece of music. Submissions will be reviewed, and a panel of VH1 Classic judges and Jon Anderson will select three finalists. The VH1Classic.com audience will vote for the winner. Videos submitted and chosen as finalists will also be used in on-air promotional spots during the voting period. Additional details about the contest will be announced in early April.

Close to the Edge and Back tourdates:

July 12: Quebec City QUE @ Quebec City Festival
July 13: Toronto ONT @ Molson Amphitheatre
July 15: Columbus OH @ Nationwide Arena
July 16: Hershey PA @ Hersheypark Stadium & Star Pavilion
July 18: Chicago IL @ Charter One Pavilion at Northerly Island
July 19: Detroit MI @ Freedom Hill
July 22: Uncasville CT @ Mohegan Sun Arena
July 23: Boston MA @ Bank of America Pavilion
July 25: Atlantic City NJ @ Borgata Event Center
July 26: Wantagh NY @ Nikon at Jones Beach Theater
July 28: Holmdel NJ @ PNC Bank Arts Center
July 29: Baltimore MD @ Pier 6 Pavilion
July 31: Tampa FL @ Ford Amphitheatre
August 1: Miami FL @ Hard Rock Live Arena
August 2: Orlando FL @ Hard Rock Live
August 4: Atlanta GA @ Verizon Wireless Amphitheatre
August 6: Kansas City MO @ Starlight Theatre
August 8: Houston TX @ Cynthia Woods Mitchell Pavilion
August 9: Dallas TX @ Superpages.com Center
August 11: Denver CO @ Red Rocks Amphitheatre
August 14: Vancouver BC @ General Motors Place
August 15: Seattle WA - WaMu Theater at Qwest Field Events Center
August 19: Mountain View CA @ Shoreline Amphitheatre
August 20: Anaheim CA @ Honda Center
August 22: Universal City CA @ Gibson Amphitheatre

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New Meshuggah album charts high with debut!

In this age of diminished sales expectations, nobody expects a CD by an extreme metal band on an independent label to make waves on the charts, but that exactly what Meshuggah has done with their ground-breaking new album obZen.

The disc, released by Nuclear Blast Records, entered the Billboard Top 200 at a very respectable #59. That's not all that obZen achieved, either – the album clinched the #14 spot on the iTunes Top Rock Albums chart; it was the #1 "Most Added" metal album on both the CMJ Loud Rock and FMQB radio charts; and it set a new Swedish My Space pre-listening promotion record with over a quarter of a million album streams in seven days. Quite respectable, indeed, for a band whose name most non-metal fans can't even pronounce!

Of the album's early success, Meshuggah drummer Tomas Haake says, "we are SUPER-STOKED! With a diminishing market for CD sales, we didn’t quite know what to expect for obZen, but reaching a place on the Billboard charts is truly AWESOME! Of course, we feel that we have a strong album and all that, but kudos where it’s due. This would not have been possible without the tremendous work of all the gents and gals at EMI & Caroline, our label Nuclear Blast, and of course, our fans. Thank you ALL for helping us reach new levels!"

The band will hit the road next week in support of obZen, touring with Ministry and Hemlock.

(Click on the CD cover to buy obZen through Amazon.com)

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New Michael Schenker Group album in May!

Legendary guitarist Michael Schenker has made his mark on the music world through his work with Scorpions, UFO and, of course, the Michael Schenker Group.

On May 13th, 2008 MVD Audio will release In The Midst Of Beauty, the first new MSG album since 2006, and the first in years to reunite the guitarist with the band's original members, singer Gary Barden, drummer Simon Phillips and keyboardist Don Airy, along with journeyman rock bassist Neil Murray (Whitesnake, Black Sabbath).

In The Midst Of Beauty promises plenty of Schenker's trademark blend of hard rock, metallic riffs and bluesy overtones.

(Click on the CD cover to buy In The Midst Of Beauty from Amazon.com)

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Thursday, March 20, 2008

Rob Halford's Fight box set on the horizon

Back in the early-90s, Judas Priest lead singer Rob Halford took a break from his legendary band and formed a new heavy metal leviathan – Fight. Featuring a less classically-oriented, more thrash-n-bash styled metal sound, Fight found critical acclaim and a modicum of commercial success.

On May 26, 2008 Halford and Metal God Entertainment will be releasing Into The Pit, a four-disc box set that includes all three of Fight's original albums – War Of Words ('94), the remix disc Mutations ('94) and the band's finale, A Small Deadly Space ('95) – all remastered and spiffed up for the modern digital age. The fourth disc in the set will be the DVD, Live In Phoenix, which will feature unreleased Fight performance footage. The set will will debut as a numbered digi-pak edition with original Rob Halford autograph and 24-page booklet.

Further down the line, 0n September 23, 2008, Halford will be releasing the Halford Live At Rock In Rio III DVD in 5.1 sound that also includes a remastered version Halford's debut
recordin, Resurrection. The live footage was edited from a whopping 13 video cameras and captures Halford's performance in front of two hundred thousand screaming Brazilian metal fans.

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Friday, March 14, 2008

Ihsahn to release second solo album in May!

Candlelight Records has announced a May 27, 2008 release date for angL, the highly anticipated sophomore album from former Emperor vocalist/guitarist and heavy metal legend Ihsahn. Featuring nine new original songs, the album features guest performances by drummer Asgeir Mickelson, and bassist Lars Koppang Norberg, both of the band Spiral Architect, and Opeth's Mikael Akerfeldt.

With Emperor during the '90s, Ihsahn helped define the sound and sonic fury of black metal through albums like 1994's In the Nightside Eclipse and 1997's Anthems to the Welkin at Dusk, mixing elements of Norwegian folk music with a devastating metal assault. Despite the band's well-publicized trials and tribulations, Ihsahn and Emperor brought black metal into the new century with a handful of critically-acclaimed albums, culminating with 2001's Prometheus – the Discipline of Fire & Demise, after which the band called it quits.

Ihsahn launched his solo career with the release of the critically-acclaimed album The Adversary in 2006. Like that album, angL was recorded and mixed by Ihsahn at his Symphonique Studios in Notodden, Norway.

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Journey experiences Revelation!

Back in the late-70s and early-80s, AOR superstars Journey ruled the radio airwaves, but in the new millennium, the revamped band is just trying to get its music heard above the pop culture din. The band has toured and recorded without former frontman Steve Perry for years, forging a new Journey sound that is part classic melodic rock and part prog-styled instrumental virtuosity. The current Journey line-up features long-time guitarist Neal Schon, keyboardist Jonathan Cain , bassist Ross Valory, drummer Deen Castronovo, and new vocalist Arnel Pineda.

Journey opens a new chapter in the band's story with the June 3, 2008 release of Revelation, a massive three-disc set that will be sold exclusively through Wal-Mart stores (*shudder*). A gift for the band's loyal fans and new followers alike, the set's first CD will feature re-recordings of eleven classic Journey songs, the second CD will offer eleven new songs from the band, and the third disc will be a live concert DVD. All of the music on Revelation was produced by Kevin Shirley, who worked with the band on its Platinum-selling Trial By Fire album.

Journey will hit the road in July in support of Revelation, with exact details to be announced soon.

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Dark Funeral to release second DVD

Swedish black metal titans Dark Funeral are planning the release of their second live performance DVD. Titled Attera Orbis Terrarum - Part 2, this dangerous disc will be released in Europe on May 22, 2008 and in North America on June 8th by Regain Records.

Dark Funeral's first DVD, 2007's
Attera Orbis Terrarum - Part 1, was released with some acclaim in the metal community, and climbed as high as #5 on the Swedish DVD charts. That volume featured live performances from the band's recent European shows. The upcoming second DVD will include performances from the band's Attera Totus Sanctus album tour in South America, a metal-loving community with a fanatical Dark Funeral following.

Dark Funeral has also announced two new festival dates:
  • 05/30/08 @ Legacy Festival, Belgrade, Serbia [details]
  • 06/28/08 @ Peace & Love Festival, Borlänge, Sweden [details]

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Monday, March 10, 2008

Lair of the Minotaur new album & tour impending!

Mark your calendars for March 25th, 2008 'cause that's the day that the new Lair of the Minotaur album, titled War Metal Battle Master, hits the streets courtesy of Southern Lord Records. The band's third album, they say, is "a concept album about solving conflicts with a big fucking axe."

Recorded at Volume Studios in Chicago by Sanford Parker and mastered by Scott Hull, War Metal Battle Master features features art by Jeremy Mohler and layout by Seldon Hunt (Neurosis, Jesu, Isis). The CD version contains a 20-page booklet with graphic illustrations for each song. A limited edition version will contain dropcard with a password activated web link to download exclusive live tracks recorded at a show in Chicago in October 2007.

The LP version will be released on Southern Lord sometime this summer with bonus tracks. An upcoming raw-and-uncensored video for the title track "War Metal Battle Master" was directed by Gary Smithson (High on Fire, Exodus, Goatwhore). Catch Lair of the Minotaur at the free WMBM listening party on March 18th at Chicago's Kuma's Corner; the heavy metal burger joint where LOTM just had a burger named after them.

Lair of the Minotaur will be touring this spring with Today Is The Day, Mouth Of The Architect and Complete Failure. Here are the current tour dates, later dates will be announced soon:

03/29/2008 - Ravari Room, Columbus OH
03/30/2008 - Peabody's Pirate's Cove, Cleveland OH
03/21/2008 - Melody Inn, Indianapolis IN
04/01/2008 - The Note, Chicago IL
04/03/2008 - Mojo's, Columbia MO
04/04/2008 - Cactus Club, Milwaukee WI
04/05/2008 - Triple Rock Social Club, Minneapolis MN
04/06/2008 - Vaudeville Mews, Des Moines IA

(Click on the CD cover to buy War Metal Battle Master from Amazon.com)

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Meshuggah North American Tour Dates

Three years after the release of their groundbreaking Catch Thirty-Three album, Meshuggah is ready to drop a new disc, titled obZen, on March 11th, 2008 in the United States and Canada. The band will also be hitting the road in support of obZen, with Ministry and Hemlock. Here's where you can catch the show:

03/25/08 - Big Easy Concert Hall, Spokane WA
03/26/08 - Whiskey Nightclub, Calgary AB – CANADA
03/27/08 - Croatian Cultural Center, Vancouver BC – CANADA
03/28/08 - Commodore Ballroom, Vancouver BC - CANADA
03/29/08 - Showbox SoDo, Seattle WA
03/30/08 - Roseland Theatre, Portland OR
04/01/08 - The Fillmore, San Francisco CA
04/02/08 - The Fillmore, San Francisco CA
04/04/08 - House of Blues, Hollywood CA
04/05/08 - House of Blues, Hollywood CA
04/06/08 - House of Blues, Hollywood CA
04/07/08 - House of Blues, San Diego CA
04/08/08 - Marquee Theatre, Tempe AZ
04/09/08 - House of Blues, Las Vegas NV
04/11/08 - In The Venue, Salt Lake City UT
04/12/08 - Ogden Theatre, Denver CO
04/14/08 - Sunshine Theater, Albuquerque NM
04/15/08 - La Zona Rosa, Austin TX
04/16/08 - Cain’s Ballroom, Tulsa OK
04/17/08 - The Palladium, Dallas TX
04/18/08 - Verizon Wireless Theatre, Houston TX
04/19/08 - House of Blues, New Orleans LA
04/21/08 - Revolution, Ft. Lauderdale FL
04/22/08 - House of Blues, Lake Buena Vista (Orlando) FL
04/23/08 - Jannus Landing, St. Petersburg FL
04/24/08 - Tremont Music Hall, Charlotte NC
04/25/08 - The Masquerade, Atlanta GA
04/26/08 - Rams Head Live, Baltimore MD
04/27/08 - The Palladium, Worcester MA
04/29/08 - The Fillmore (at Theatre of Living Arts), Philadelphia PA
05/01/08 - The Fillmore (at Irving Plaza), New York NY
05/02/08 - The Fillmore (at Irving Plaza), New York NY
05/03/08 - Metropolis, Montreal Quebec - CANADA
05/04/08 - Koolhaus, Toronto Ontario - CANADA
05/06/08 - The Agora Theatre, Cleveland OH
05/07/08 - Emerald Theatre, Detroit MI
05/08/08 - House of Blues, Chicago IL
05/09/08 - House of Blues, Chicago IL

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Thursday, March 6, 2008

To-Mera - Delusions CD review

Not your ordinary snap-crackle-pop, this one; British pioneers To-Mera sail dangerously close to the jagged reefs at the end of the progressive metal universe with a bold new plan. Unlike your typical garden-variety prog-gnomes, these bounders bring big-voiced beauty Julie Kiss to the forefront of their syncopated slash-n-burn bacchanalian noisefest. The enchanting Ms. Kiss throws just the right amount of Goth-horror-sturm-un-drang and sultry jazz chanteuse swoon into the mix so that her vox are both frighteningly alluring and immensely invigorating.

In the meantime, the boys in the back are getting' jiggy with the instrumentation, pulling the kitchen sink out from the wall and tossing it into the mix with righteous glee. You name the prog and/or metal convention, and the odds are good that To-Mera has unconventionally brought the beast to bay, tied it up with a mic chord, and are prepared to bring the corpus delecti to slaughter. Rapid time changes, explosive blastbeats, haunting vocal interludes, monster riffs, overwhelming rhythms and squonky guitar lines hit your ears like many body-blows from some ragtag palooka with bricks in his gloves.

It takes a group of truly merry pranksters to pull off a musical coup like To-Mera has with Delusions, the band's impressive sophomore album, and a lot of credit has to go to the instrumentalists behind Kiss's sweet vocals. Guitarist Tom MacLean can thrash-and-burn with the best of them, or light up a freebase jazz line like Charlie Christian. Drummer Akos Pirisi is a master of both the African polyrhythmic and the Lousiville Slugger schools of thought, while bassist Lee Barrett offers up a bruising roar with every note. Classically-trained keyboard wiz Hugo Sheppard brings a multiple-personality style approach to his key-mangling and, as for Kiss, well, she's just so damn cute that you want to squeeze her…though methinks that you might get kicked for your efforts. The chemistry of the whole is undeniable, and the range of sound and fury that they coax from their instruments brightens up every song on Delusions like tracer rounds from an M-50 machinegun.

"The Glory of a New Day," for instance, pillages your ears with soaring vocals and galloping rhythms, an old-school Rick Wakeman-styled keyboard mugging and an old-fashioned six-string Breeko-block walloping, all within the space of eight minutes and change. A quiet piano intro masks the madness within "A Sorrow to Kill" before a blast of white heat/white light leads into Kiss's ethereal vocals. The song continues to run hot and cold, sweet and sour, you've got your chocolate in my peanut butter, before the squealing guitars come at you with a blade, and the crashing instrumentation lets go one last desperate howl beneath the grandeur of the vocals. The rest of Delusions runs a similar sort of gamut, providing the listener with an invigorating, maddening, challenging and, ultimately, entertaining musical experience.

Lump these hard-knockin' Brits in with fellow sonic adventurers King's X, Galactic Cowboys and Meshuggah for artistic imagination. The impact of To-Mera's Delusions may not be felt today, maybe not even next week. But the influence of this exciting and trailblazing album will certainly prove to be a catalyst, prompting some impressionable young teen to pick up an instrument at some point in the near future and bang away like there's no tomorrow. Delusions is that important, that unique and, yes, just that damn good…. (Candlelight Records)

(Click on the CD cover to buy Delusions from Amazon.com)

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Wednesday, March 5, 2008

Bassist Trish Doan leaves Kittie

Heavy metal felines Kittie announced today that bassist Trish Doan, will be leaving the band due to a medical condition.

Doan has been diagnosed with the eating disorder anorexia-athletica-nervosa, which she developed during the recording of Kittie’s 2007 album Funeral for Yesterday, Doan’s first release with the group. The bassist joined Kittie in 2006.

“It breaks my heart to say goodbye to this family that has given me the best two years of my life,” Doan said. “I wish my time with Kittie did not have to end, but this decision was made based on doctors’ orders. Unfortunately this is the only option that will allow for my full recovery.”

“Trish is a part of our family and her talents and friendship will be missed by all of us,” said Kittie's Tara McLeod, and sisters Mercedes and Morgan Lander. “We are continuing to be respectful and supportive of Trish’s needs during her period of healing. We wish her the best on her road to recovery and will remain close to her throughout this difficult time.”

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Daylight Dies launch album & tour

Critically-acclaimed North Carolina metal band Daylight Dies is preparing for a cross-country tour with the legendary Candlemass in advance of the band's anticipated third album, Lost to the Living. The tour kicks off on May 19th, 2008 and ends just before the June 24th Candlelight Records release of Lost to the Living.

Daylight Dies was formed by drummer Jesse Haff and guitarist Barre Gambling in 1996, the band releasing its first album, No Reply, on Relapse Records in 2002. Candlelight picked up the fledgling doom-metal band in time to release the second Daylight Dies' album, Dismantling Devotion, in 2006. Along with Haff and Gambling, he band includes vocalist Nathan Ellis, bassist Egan O’Rourke and guitarist Charley Shackelford.

"Everyone is taking a little time to catch their breath after working hard on bringing Lost to the Living to life,” says Haff. “We've continued to refine the music up until the last minute it was recorded and we all feel confident this is the strongest album we've made. As stated previously, the material is a mix of beautiful melancholic leads and harsh dissonant rhythms; despair driven hooks and the overall dark atmosphere you've come to expect from us. After an exhausting recording process, the one thing on all of our minds is the upcoming tour. We can't wait."

Daylight Dies tour dates w/Candlemass:

05/19/2008 - Jaxx Nite Club, West Springfield, VA
05/20/2008 - BB King Blues Club, New York, NY
05/22/2008 - Starland Ballroom, Sayreville, NJ
05/23/2008 - Peabody’s Down Under, Cleveland, OH
05/24/2008 - The Pearl Room, Mokena IL
05/25/2008 - Station 4, St. Paul, MN
05/28/2008 - Studio Seven, Seattle, WA
05/29/2008 - Hawthorne Theatre, Portland, OR
05/30/2008 - Slim’s, San Francisco, CA
05/31/2008 - Jumping Turtle, San Marcos, CA
06/01/2008 - Whiskey A Go Go, W. Hollywood, CA
06/03/2008 - Brickhouse, Phoenix, AZ
06/04/2008 - Launch Pad, Albuquerque, NM
06/05/2008 - Scout Bar, San Antonio, TX
06/06/2008 - Scout Bar, San Antonio, TX
06/07/2008 - Ridglea Theater, Ft. Worth, TX
06/08/2008 - The Muse, Nashville, TN

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Saturday, March 1, 2008

Pestilence - Spheres CD review

Dutch metal trailblazers Pestilence – along with contemporaries like Death, Cynic and Atheist – stood at the creative forefront of the late-80s death metal movement. They defined the sound, the stylistic vacuum-cleaner roar of the genre's vocals, and the instrumental fusion of fast-n-furious thrash with deliberately bone-crushing heavy metal…and tens of thousands of teenage listeners swapped their white t-shirts in for logo- clad black cotton battle armor.

For many of these bands, though, the purebred expectations of death metal and its rabid fans became chains to restrict their sound rather than supporting the expansion of their creative endeavors. Such as it was with Pestilence – the band charted its course with a pair of brutal, razor-blade bulldozers in 1988's Malleus Maleficarum and the following year's Consuming Impulse. They navigated off the map with 1991's Testimony Of The Agents though…when vocalist Martin VanDrunen left the band over creative differences, guitarist Patrick Mameli took over on vox…and the new helmsman steered the band towards a more progressive musical course.

Conservative death metal fans disliked that album, but not nearly as much as they hated 1993's Spheres, Pestilence's fourth and final effort. Mameli took his talented crew into uncharted waters with this masterpiece of complex, elemental, progressive metal that literally took the normal, accepted death metal blueprint and set it on fire, then drowned it in a vat of boiling oil. The first half of Spheres more or less walks a conventional death metal line. "Mind Reflections," for instance, offers up enough machine-gun drumbeats, tortured guitarwork, guttural vocals and manic energy to satisfy any died-in-the-wool hesher. "Multiple Beings" starts to get a little loosey-goosey with song structure, serving up some head-snapping time changes and discordant, Fripperian six-string squonk. "The Level of Perception" hides a complex and maddening rhythmic construct beneath its concrete-smashing fury.

The album's first "musical interlude" – the atmospheric "Aurian Eyes" – tip-toes not-so-elegantly into the avant-garden of composers like Phillip Glass, its stark beauty and crashing horizon painting a dark psychological portrait in a mere 92 seconds. By the time that the polyglot instrumental frenzy of "Soul Search" hits the listener's ears, the corpse-paint has been peeled from this edifice…Spheres has clearly entered into newfound, and dangerous territory. Mameli's six-string mangling throughout "Soul Search" is disturbingly brilliant, a chaotic tangle of razor wire, rusty chains and glass shards that shatters the artificial barriers of death metal propriety.

"Personal Energy" comes at you like a voice from the inner recess of your mind, the muted albeit industrial-strength rhythms complimented by a taut jazz-fusion guitar line that Stan Lassiter or Al DiMeola would have been proud to crank out. "Voices from Within," the second brief though incredible musical interlude on Spheres, sounds like Ralph Towner on steroids, second guitarist Patrick Uterwijk's electronically-altered axe carrying the Pestilence crew dangerously close to the siren's shore of Sun Ra's dreams. Steering away at the last minute with the raw, dissembled title track, its familiar cranium-crushing brutality should have soothed any disaffected death-kiddies' fears…until the third brilliant instrumental break of the album combines a chilling lead with a stabbing riff. The song ends with a cool prog-styled keyboard run, strictly anathema to young early-90s headbangers.

The martial "Changing Perspectives" foreshadows Sepultura's mid-90s work on Roots, Mameli's vocals reduced to a mere howl, tribal rhythms and muscular riffs creating a dense framework upon which the guitarist lays down more of his incredibly adventurous six-string embroidery. The last musical interlude, "Phileas," treads closely to the ambient work of Brian Eno, or maybe Stephan Micus. Although most metal-flakes tuned out and turned away from Spheres long before "Demise of Time" had a chance to properly assault their speakers, the loss is theirs, not ours. The song is a grand experiment of what could only be called "math metal," a cacophonic blitzkrieg of sound and fury that melds rapid-fire signature changes with crystalline string-bending and a hurricane of tumultuous rhythms and blustery vocals.

Sadly out-of-print for years, Spheres has been resurrected by the good folks of Poland's Metal Mind label, the disc distributed by our friends at MVD Audio in the United States. A limited edition of 2000 copies pressed onto a gold disc, including a booklet with informative liner notes and song lyrics, this deluxe reissue of Spheres adds four bonus tracks, including remix versions of "Soul Search" and "Demise of Time" that emphasize Mameli's freelance six-string work and bring the keyboards to the front of the mix, emphasizing the band's Killing Joke influences. Live versions of "Mind Reflections" and "Multiple Beings" showcase Pestilence's Godzilla-strength performance chops, the band bludgeoning the audience with a blistering drone that sounds like the ass-end of an F-14 Tomcat.

By the time that Pestilence recorded Spheres, the band had clearly jumped onto a higher musical plane. Mameli's fretwork was both more nuanced and literate as well as heavier, diamond hard. Drummer Marco Foddis hits the skins with the finesse of a jazzman and the power of a jackhammer, and his matured lyrical abilities veered sharply away from the stuffy death metal confines of doom-and-gloom to explore themes of psychology, philosophy and the cosmos. Bassist Jeroen Paul Thesseling is as creative in his realm as Jaco Pastorius was in his, while guitarist Patrick Uterwijk is a crazy, inventive player.

Altogether, the four created a metallic masterpiece that, although disdained and discarded at the time – Spheres reportedly sold about 25% of the copies of any of the band's previous three titles – the album's stature has nevertheless grown through the years. Pestilence's experimental metal paved the way for modern explorers like Nile and Meshuggah, and deserves to be respected and revered for the groundbreaking effort that Pestilence risked its career to lay down on tape. Yes, with the genre-expanding Spheres, Voidvod's The Outer Limits, Atheist's Elements and Cynic's Focus, 1993 was a great year for metal! (MVD Audio/Metal Mind)

(Click on the CD cover to buy Spheres from Amazon.com)

Pestilence - "Mind Reflections"

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