Many of country music’s greatest talents have considered him their favorite tunesmith, and his songs have been recorded by everybody from Bobby Bare and Kris Kristofferson to Elvis Presley. Chance are that you’re probably familiar with Billy Joe Shaver’s songs, even if you have no idea of who the man is himself. Suffice it to say that what makes Shaver a great songwriter is that, for good or for bad, he puts a large part of himself into each of his autobiographical songs. As such, listening to Billy Joe Shaver’s Greatest Hits is like opening a book and looking at a cracked and faded old portrait of the artist.
Shaver is a Texas storyteller in the vein of Guy Clark or Townes Van Zandt. He’s grizzled and gruff, humbled by too many miles and sobered by too much alcohol, and he pours his life into every song. Greatest Hits includes some of Shaver’s best known material, like “Georgia On A Fast Train” and “Old Chunk of Coal,” as well as some of his best songs in “Old Five and Dimers” and “I Couldn’t Be Me Without You.”
The album also offers up two previously-unreleased songs, but it’s the recent remake of the high-flying “Live Forever,” recorded with Big & Rich, that best showcases Shaver’s warm voice above his songwriting skills. Billy Joe Shaver’s Greatest Hits offers up old-school honky-tonk country with a bit of Lone Star spirit for both new and old listeners alike. (Compadre Records, released April 3rd, 2007)
Review originally published by Country Standard Time...
Showing posts with label Billy Joe Shaver. Show all posts
Showing posts with label Billy Joe Shaver. Show all posts
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Archive Review: Billy Joe Shaver’s Everybody’s Brother (2007)
There’s often a fine line between sin and salvation and, like most outlaws, Billy Joe Shaver has one foot in the honky-tonk and one in the church pew. Shaver has long expressed the desire to record a “gospel” album and it’s fitting…the same weathered voice that speaks convincingly of barrooms and broken hearts is also perfectly suited for singing the praises of Jesus. And it’s not like religion is a little-traveled path for Shaver; he has typically included a spiritual song on each album through the years.
With Everybody’s Brother, however, Shaver focuses more on salvation, bringing friends like Kris Kristofferson, John Anderson, Marty Stuart, Bill Miller, and Tanya Tucker along for the joyous ride. Listeners expecting a collection of staid church hymns will be disappointed; although Everybody’s Brother has its loftier moments, much of the material approaches God from the sinner’s side of the fence, and songs like the rollicking duet with Stuart, “Winning Again,” wouldn’t feel out of place in a beer-soaked honky-tonk.
Shaver’s performances, captured by producer John Carter Cash, are heartfelt and passionate while the album’s closer, a late ‘70s duet with Johnny Cash and a 15-year-old Eddy Shaver burning up the guitar, will put a smile on the face of any listener. (Compadre Records, released 2007)
Review originally published by Country Standard Time...
With Everybody’s Brother, however, Shaver focuses more on salvation, bringing friends like Kris Kristofferson, John Anderson, Marty Stuart, Bill Miller, and Tanya Tucker along for the joyous ride. Listeners expecting a collection of staid church hymns will be disappointed; although Everybody’s Brother has its loftier moments, much of the material approaches God from the sinner’s side of the fence, and songs like the rollicking duet with Stuart, “Winning Again,” wouldn’t feel out of place in a beer-soaked honky-tonk.
Shaver’s performances, captured by producer John Carter Cash, are heartfelt and passionate while the album’s closer, a late ‘70s duet with Johnny Cash and a 15-year-old Eddy Shaver burning up the guitar, will put a smile on the face of any listener. (Compadre Records, released 2007)
Review originally published by Country Standard Time...
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