For the past year or so the mainstream music press has been wetting itself over the “new rock ‘n’ roll” or “new garage rock” or whatever you want to call this mini-revival that we’re currently experiencing. Of course, Sha Na Na told us that “rock ‘n’ roll will never die” and, if Bowser sang it, then the Reverend believes it. Truth is, rock never went anywhere – it has been underground these past few years, hiding from corporate marketing geeks and fermenting, like grape in a jug, until the heady brew popped its top and we had the Strokes, the White Stripes, etc. Of course, for every great white wonder like Jack, there are dozens of bands like the Sons of Hercules and the Chesterfield Kings that carried the garage rock torch in obscurity for years while true believers at labels like Estrus and Crypt and Get Hip cranked out some righteous vinyl. Truth is, kiddies, there ain’t nothing new about the “new rock.”
Rather than bore you gentle readers with a 5,000-word essay on the Motor City roots of the garage rock revival, the Reverend will instead instruct you to run out and grab a copy of New Blood: The New Rock N Roll Vol. 2. A twenty-two song comp with lots of energy and attitude, this labour of love is the effort of a couple of British rock fans/musicians to put some balls back into the UK music scene. Growing out of a series of concerts, etc (read the liner notes fer chrissakes!), New Blood offers up producers Pete and Tom’s idea of the garage revival’s “cream of the crop.” The set includes some of the usual suspects, bands like the Hives, the Yeah Yeah Yeahs, (International) Noise Conspiracy, and the Mooney Suzuki, all of which were at the forefront of this garage thingie a year or so ago. Solid mid-card players like the Datsuns, the Von Bondies, the Catheters, and the Flaming Sideburns also step up to the plate with fine results while relative newcomers like Modey Lemon, the D4, and the Hotwires are ready to make an impact on the “new rock” scene.
Although the Reverend could bitch about the exclusion of some seaworthy performers (the Hellacopters, DOLL, the Paybacks), all in all, New Blood: The New Rock N Roll Vol 2 is a fine introduction to a growing worldwide rock ‘n’ roll phenomena that has its roots in three-chord, ‘60s-styled rock minimalism. If this is your first taste of the (major label) forbidden fruit, the Reverend would recommend you check out other current “new rock” comps like Epitaph’s How We Rock or take the plunge and buy the first Nuggets box set. Your ears will be glad you did. Now where did I put that Seeds album… (Artrocker, released 2002)
Review originally published by Alt.Culture.Guide™
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