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Photo courtesy strawbsweb.co.uk |
Cousins is best known as the frontman and creative force behind the Strawbs, the ground-breaking and influential 1970s-era British rock band. Cousins and the Strawbs took on many faces over the years. The band’s first incarnation was as the Strawberry Hill Boys, a traditional bluegrass band formed in 1964 by Cousins, guitarist Tony Hooper, and bassist John Berry, who would later be replaced by double-bass player Ron Chesterman.
The band changed its name to the Strawbs for a 1967 concert, and gradually began to move towards an original folk-rock sound fueled by Cousins’ imaginative lyrical prowess. The trio added singer Sandy Denny to the group and recorded 13 songs in Denmark for a proposed debut album, All Our Own Work. When the band couldn’t find a record deal in the U.K. Denny left to join Fairport Convention. All Our Own Work was later released in 1973 by budget label Pickwick Records, the album including one of Denny’s most beloved songs, “Who Knows Where the Time Goes?,” which she later re-recorded with Fairport Convention.
The Strawbs were the first British band signed to the American A&M Records label, the trio releasing their self-titled debut album in 1969, accompanied in the studio by bassist John Paul Jones (Led Zeppelin) and pianist Nicky Hopkins. The Strawbs followed up its debut a year later with the critically-acclaimed Dragonfly, after which Chesterman left the band. The Strawbs expanded its sound, adding keyboardist Rick Wakeman, bassist John Ford, and drummer Richard Hudson for the mostly live album Just a Collection of Antiques and Curios, which was the band’s first charting album, peaking at #27 in the U.K.
After recording 1971’s From the Witchwood, Wakeman left the Strawbs to join Yes, replaced by keyboardist Blue Weaver for the band’s 1972 breakthrough, Grave New World. Peaking at #11 on the U.K. charts and inching onto the Billboard ‘Top 200’ albums chart stateside, songs like Cousins’ “Benedictus” and Ford’s “Heavy Disguise” received heavy FM radio airplay. Feeling that the band was moving away from folk and deeper into rock ‘n’ roll, Hooper left after the release of Grave New World, replaced by guitarist Dave Lambert of the psych-rock band Fire.
During a short summer hiatus, Cousins recorded his 1972 solo album, Two Weeks Last Summer, with guest musicians like Deep Purple’s Roger Glover, Miller Anderson of the Keef Hartley Band, and Jon Hiseman from Colosseum as well as members of the Strawbs. Underpromoted by A&M, the album failed to chart on either side of the Atlantic. Returning to the Strawbs, Cousins pursued a harder-rocking, almost proggy sound for 1973’s Bursting At the Seams, scoring hit singles in the U.K. with Cousins’ “Lay Down” and the Hudson/Ford song “Part of the Union.” The album proved to be their most commercially successful, hitting #2 in the U.K. while also charting in the U.S. and Canada. Tensions grew during the album’s supporting tour, however; afterwards Hudson and Ford left to form the pop-oriented Hudson Ford band while Weaver went to work for the Bee Gees.
Cousins and Lambert recruited keyboardist John Hawken of the Nashville Teens and Renaissance along with bassist Chas Cronk and drummer Rod Coombes of Juicy Lucy. This is the line-up that recorded 1974’s classic Hero and Heroine and 1975’s Ghosts, the former being the last Strawbs’ album to chart in the U.K. while the latter achieved the band’s highest position on the U.S. chart, rising to #47 as the band toured heavily in North America. Released in late 1975, Nomadness found critical acclaim but continued the band’s commercial slide; it was their last album for A&M Records.
The band’s tenth album, 1976’s Deep Cuts, was released exclusively in the U.K. by Deep Purple’s Oyster Records imprint, while the following year’s Burning For You was picked up for North American distribution by Polydor Records. Cousins intended Burning For You to be the band’s swansong, but the band’s management got them a deal with Arista Records and the singer was convinced by label head Clive Davis to record one more album. Working with an unsympathetic producer for 1978’s Deadlines – one who Cousins felt didn’t understand the band – the Strawbs recorded Deadlines in Dublin, Ireland.
Disaster struck when the tapes for Deadlines were almost entirely accidentally erased; Strawbs re-recorded the songs, but as Cousins stated in the liner notes for the album’s CD reissue, the new performances failed to capture the unique flavor of the original recordings. The Strawbs completed a second Arista album in 1978, Heartbreak Hill, recorded largely without Lambert, who was working on a solo album. When Cousins decided in 1980 to leave Strawbs and get into the radio industry, the album was shelved and remained unreleased until 1995. Cousins recorded a second solo album, Old School Songs, in 1979 with guitarist Brian Willoughby.
Invited to headline the 1983 Cambridge Folk Festival, the Strawbs’ Grave New World line-up reunited to perform with Willoughby on guitar in place of Lambert. The reunion led to a 1987 album, Don’t Say Goodbye, released by the band’s own Strawberry Hill Productions label. It was fairly quiet for the Strawbs during the ‘90s, the band releasing a single album – 1991’s Ringing Down the Years – and touring the U.K. in 1993 in celebration of their 25th anniversary. Cousins’ second album with Willoughby, The Bridge, was released in 1994. Cousins staged a 30th anniversary Strawbs reunion performance at Chiswick Park in London in 1998, which led to a relatively prolific and productive period for the band, versions of which (“Acoustic Strawbs” and “Electric Strawbs”) toured the U.K. and North America throughout the early 2000s.
The Strawbs and Cousins were both busy in the studio during this period. Cousins released a number of acclaimed solo albums, including 2002’s Hummingbird (with Rick Wakeman), 2005’s High Seas (with German guitarist Conny Conrad), 2007’s The Boy In the Sailor Suit (with Miller Anderson), 2008’s Secret Paths, and the live 2008 set Duochrome (with violinist Ian Cutler), all distributed through the Cousins’ own Witchwood Media label. The Strawbs were no slackers during this period, either, the acoustic version of the band comprised of Cousins, Willoughby, and Lambert releasing 2001’s Baroque & Roll.
Strawbs’ 2003 album Blue Angel featured new material alongside re-worked versions of Cousins’ solo songs and 1970s-era Strawbs tunes. The album also featuring a literal Strawbs’ “Hall of Fame” of bandmembers, including Lambert, Willoughby, Blue Weaver, Richard Hudson, Chas Cronk, and Rod Coombes. The band’s 16th studio LP, 2004’s, Déjà Fou, brought John Hawkens back into the fold, and was followed by critically-acclaimed fare like Painted Sky (2006), The Broken Hearted Bride (2008), Dancing To the Devil’s Beat (2009 and featuring Rick’s son Oliver Wakeman on keyboards), Hero & Heroine In Ascencia (2011), the band’s previously-unreleased debut album Of A Time (2012), Prognostic (2014), The Ferryman’s Curse (2017), and Settlement (2021) as well as a number of live performance albums.
The Strawbs toured the U.S. in 2019 in celebration of the band’s 50th anniversary, including a three-day event in New Jersey that included former members and friends of the band like Annie Haslam (Renaissance), Larry Fast (Synergy), and singer/songwriter Wesley Stace. Cousins released his autobiography, Exorcising Ghosts: Strawbs and Other Lives, in 2014 and retired from live performances at the end of 2021 due to health reasons.
When South African filmmaker Niel van Deventer contacted Cousins about creating a Strawbs documentary, the director wanted to film the recording of new songs at a studio in Cape Town. These sessions, featuring Cousins, Blue Weaver, and John Ford resulted in the final Strawbs’ album, 2023’s The Magic of It All. Released by U.K. label Cherry Red Records, who had bought the entire Strawbs catalog, van Deventer’s documentary film will be completed sometime in the future. Cousins and Strawbs performed their final concert in August 2023.
Dave Cousins had a unique creative vision and performance style, and he managed to record a massive body of impressive work that spans seven decades and better than two dozen live and studio albums. In my dealings with the artist, he was also the consummate British gentleman, wryly humorous and as enchanting as Strawbs’ music. He will be missed by the band’s loyal worldwide legion of fans...
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