Archive Review: Faith No More’s King For A Day, Fool For A Lifetime (1995)

I first saw Faith No More some 7 or so years ago, around the time of their first disc, when “We Care A Lot” was on its way to becoming steady college FM fare. They played here in Nashville at a well-known club on a Thanksgiving night, opening for the Red Hot Chili Peppers. The two bands rocked the small club, a mosh pit was in full force, and my brother and myself, bolstered by several pitchers of cheap beer, tried to pick up a couple of leather-clad female beauties who were stationed smack dab in front of the right speaker column. Turns out that the lovely duo had their eyes on the band, however, and dragged Faith No More to their West Nashville abode for an evening of Nyquil intoxication and who knows what else. I ended up going to work the next morning with a dreadful hangover and significant hearing loss, but also, strangely, happy.

Faith No More made a name for themselves by cranking out a funky blend of hardcore and hard rock on stages in small clubs a couple of hundred nights a year. Their albums, no matter how good they might have been, took a back seat to their awesomely intense live performances. With King For A Day, Fool For A Lifetime, Faith No More head into a slightly different musical direction. They don’t entirely turn their backs on the chunky metallic hooks, roaring six strings and manic vocals that earned them a solid rep, but rather add an exciting bit of experimentation to the pot alongside their traditional rock frenzy.

“The Gentle Art of Making Enemies” mixes a hard Peter Gunn-styled guitar undercurrent to what is almost a jazzy, big band arrangement with swinging vocals while “Evidence” is a low-key ballad with a soulful, slightly funky backing rhythm. Cuts like “Cuckoo For Caca,” with its random syncopation and wild vocals, or “Digging The Grave,” chockful of harried guitar riffs and shouted lyrics return the band to their traditional roots. Overall, however, King For A Day, Fool For A Lifetime represents an important musical departure for Faith No More, one that serves them well, showcasing a more mature and more polished outfit. Bet the material would sound great live, too! (Slash Records, released March 28th, 1995)

Review originally published by Bone Music Magazine...