Showing posts with label Bandcamp. Show all posts
Showing posts with label Bandcamp. Show all posts

Monday, May 26, 2025

CD Review: Old Town Crier's Peterson Motel (2025)

Jim Lough a/k/a Old Town Crier got in touch to let me know that he has a brand spankin’ new album up on Bandcamp that I needed to check out. Curious, and always psyched to hear from Jim – I’ve reviewed previous Old Town Crier recordings like the four-song EP Motion Blur earlier this year, and the full-length A Night with Old Town Crier back in 2023 – I hustled over to Bandcamp and downloaded his latest five-song EP, Peterson Motel. Like its predecessors, half the proceeds from the EP’s sales will go to charity, in this case the ACLU, which can use the cash to, you know…fund its fight to keep democracy from dying in the good ol’ U.S. of A…

Old Town Crier’s Peterson Motel


Also like its predecessors, Peterson Motel rocks with the joyous abandon of the last day of school before summer vacation. The cover art – an antiquated photo of the sort of motor lodge that used to dot the highways of America in the 1950s and ‘60s – is a hint of the familiar sounds you’ll catch from the songs. The EP’s opening track, “Goodbye Jimmy D,” is an ode to the first Hollywood rock star, delivered with an echoey throwback vibe that mixes old-school rockabilly with a cool doo-wop vocal spirit. The breathless “Janeice” is equally engaging, an up-tempo slice of sly power-pop with a big heart and a bigger sound, with enough jangle to the guitarplay to satisfy even the most diehard rocker.

“Room 615” is a mid-tempo twang-banger with an explosive chorus and effective vocals while “Tell Me That You Love Me” is a romantic, ‘60s-styled garage-rock romp with clamorous instrumentation, a busy arrangement, and vocals that vary from a whisper to a shout, with Lough pulling it all together into a single magical performance. EP closer “Truck Drivin’ Man” is, in this scribe’s humble opinion, the finest country song you’ll hear this year…some Nashville type with a big hat and small ambitions could throw some pedal steel on this tune and take it to the top. Lough imbues the song with lovely fretwork and yearning lyrics, providing the performance with reckless country soul.

The Reverend’s Bottom Line


Peterson Motel offers a lo-fi production aesthetic but high-energy delivery, each and every song a real charmer with smart lyrics and carefully-crafted instrumentation. Lough did it all himself this time around, without a band and with only ‘Riley Coyote’ providing backing lyrics. The results speak for themselves – Lough, as ‘Old Town Crier’ – is a fine songwriter and an intuitive musician that brings fresh energy to old sounds on Peterson Motel. (Stinkbug Records, released May 21st, 2025)

Buy the CD or download from Bandcamp: Old Town Crier’s Peterson Motel

Saturday, August 6, 2022

Bandcamp Download of the Month: Old Town Crier's You

“Rock is dead!” is the tortured cry of dopey pundits and clueless label executives, proffered as an excuse for their own tone deafness, disregardful of the legions of loyal rockers roaming the American countryside with six-strings set on “stun.” Rock ‘n’ roll has lost its way, however, or at least lost the edge it once had as a medium for political commentary and reform. Although a few old-school survivors of the ‘60s like Neil Young and “Little Steven” Van Zandt still buzz and hum with righteous fury on vinyl from time to time, younger bands are afraid to take a political stance.

A lot of contemporary bands are looking for big dollar, “Big Rock Candy Mountain” levels of success, but a few are using their art as a catalyst for social change. “You”, a five-song digital EP and the second recording by Massachusetts outfit Old Town Crier, is a great example of rock ‘n’ roll being used to further a progressive political agenda that would benefit society. The EP’s title track is an infectious slab of guitar-driven power-pop with an energetic melody, cool vocal harmonies, and a stinging guitar solo that conceal some deceptively pointed lyrics. “Thin Blue Line” uses a throwback 1960s sound and Spector-esque production with chiming keyboards and crashing drumbeats to support its message whereas “Dawnland” is slower, more nuanced, evincing a shimmering psychedelic vibe with colorful guitars and gorgeous keyboards.

“Coal River Mountain” is an Americana-styled romp with wiry fretwork and a rhythmic sense of urgency (like a locomotive teetering down the track), a story-song set in the wilds of West Virginia with imaginative lyrics. The EP’s fast-paced five closes with “Radio On”, a clever, lofty pop-rock construct with hints of the Beatles, Big Star, and Harry Nilsson. Old Town Crier is the solo musical project of Massachusetts multi-instrumentalist Jim Lough, whose previous release was 2021’s five-song EP I’m Longing For You Honey In Middleboro, Mass. Recorded at The Fallout Shelter in Norwood, Massachusetts, You features Lough on vocals, guitarist Garrett Jones, bassist Alex Bilodeau, keyboardist Jenn Hwan Wong, drummer Avery Logan, and saxophonist Stephen Byth, who blows up a storm on a bonus live recording of “You”.  

A mere five simoleons for five rockin’ tunes is a better deal than you’re gonna get on anything you’ll find at Dollar General or Wal-Mart, so what are you waiting for? Buy it! All proceeds from the sale of the album will be donated to progressive Democrats running in key races, namely Christine Olivo (FL-26), Jason Call (WA-02), and Melanie D’Arrigo (NY-03), and if you have anything left after buying this Old Town Crier digital EP, consider throwing a few shekels to the progressive candidates in your area.   

You’ll find both of Old Town Crier’s EPs for sale RIGHT NOW on Bandcamp:
https://oldtowncrier.bandcamp.com/album/you