Archive Review: Various Artists - Movin' On Up, Volume 2 (1995)

A musical documentation of the struggle for equality and justice by people of color, the Movin’ On Up series is interesting as both a historical and an artistic artifact, a time capsule preserving the voices of a movement and a moment in American social and cultural experience. Whereas the first volume concerned itself with the fight for civil rights in the 1960s, volume two captures the thoughts and dreams and fears of the African-American community as they fought for the respect and dignity that they deserved during the riotous and uncertain ‘70s.

The collection of artists gathered here is an impressive one, indeed. Performers such as Curtis Mayfield, Marvin Gaye, Stevie Wonder, and War utilized their positions of popularity with audiences black and white to spread a lyrical message of unity, equality and brotherhood. Many of these songs were risky at the time of their release, ground-breaking works that continue to influence artists of all styles and genres, even today. Among the highlights to be found on Movin’ On Up, Volume Two are Curtis Mayfield’s haunting “We the People Who Are Darker Than Blue,” Marvin Gaye’s beautiful “Inner City Blues,” “The World Is A Ghetto” from War, Stevie Wonder’s landmark “Living For The City,” Gil Scott Heron’s “Winter In America,” and The Isley Brothers’ electric “Fight the Power.” The Staples Singers, Labelle, Donny Hathaway, The O’Jays and others are also represented on the disc.

Sadly, a few of the voices found on Movin’ On Up, Volume Two have been silenced by time and tragedy, others by the forced obscurity of commercial oblivion. Many, though, are still vital, creative artists, contributing to a still-influential body of work. The Movin’ On Up series serves to remind all of us of the importance of these artists, and that although a lot of work has been done, we still have a long way to go before we achieve the goals that these musical contributors fought for so long ago. (The Right Stuff, released 1995)

Review originally published by R Squared zine