If only for the classic song “Money Changes Everything” – covered so completely
by Cyndi Lauper – former Brains keyboardist and songwriter Tom Gray deserves
induction in somebody’s hall of fame. Unfortunately, by the time of that song’s
enormous success, the underrated band had disbanded and Gray moved from Atlanta
to Nashville to pursue a full-time songwriting career. He must have discovered
that Nashville isn’t the sort of creative mistress to nurture a gifted
wordsmith, as Gray returned to Atlanta and ended up forming the acoustic roots
band Delta Moon with
neighbors Gina Leigh on vocals and guitarist Mark Johnson in the early ‘90s.
Gray’s infatuation with traditional blues and roots-rock began to gain the band
a following, the threesome subsequently adding noted blues bassist Jon Schwenke
and drummer Scott Callison.
Goin’ Down South is Delta Moon’s
third album and second studio effort, the record illustrating the impressive
musical chemistry between the players as well as the band’s firm creative grasp
on a wide range of material. An entertaining mix of rootsy originals and
inspired covers, including Mississippi bluesman J.B. Lenoir’s “I Want To Go” and
hill country legend R.L. Burnside’s “Goin’ Down South,” the album is an
intricate mix of Delta blues, Southern-fried country funk, and roots-rock. Gina
Leigh is a gifted vocalist, belting out the bluesier numbers with passion and
finesse while Gray’s gruffer vocals are better suited for the more subdued and
countryish material.
It’s the songs that make or break an album,
though, and Delta Moon’s carefully considered material stands tall. “Poplar
Grove” is a disturbing tale of rural vengeance, Gray’s mournful vocals
complimented by his pedal steel playing and Mark Johnson’s nimble fretwork.
“Stone Cold Man” is a swamp-flavored blues track featuring Leigh’s amazing
pipes, the band delivering a funky groove behind the vocals. The unusual choice
of the David Bowie/Iggy Pop tune “Nightclubbing” to cover is a risky move pulled
off with skill by Delta Moon, the band interpreting the Teutonic cabaret of the
original as a smoky blues shuffle. “Shake Something Loose,” written by Gray with
fellow traveler Randall Bramblett, is a rocking number that bubbles over just
short of rowdy.
Delta Moon has attracted a lot of
attention from the blues/roots music segment of the industry, but based on the
strength of Goin’ Down South, I’d say that they could just as easily
appeal to the jam band audience as well. The band has two skilled
multi-instrumentalists in Gray and Johnson; Schwenke and Callison are a solid
and flexible rhythm section; and between Leigh and Gray, Delta Moon’s vocalists
can pull off a diverse range of material. Delta Moon may not meander off into
twenty-minute extended jams (tho’ I believe that they could), but they evince
the sort of rural southern “down-home” innocence and instrumental skills that
have made bands as disparate as moe, Phish, and Bela Fleck and the Flecktones
favorites on the festival circuit. Don’t believe me? Check out
Goin’ Down South…it’s all in the grooves. (Deep Rush Records, released
June 15, 2004)
Review originally published by Alt.Culture.Guide™
Buy the CD from Amazon.com:
Delta Moon’s Goin’ Down South
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