Showing posts with label Tedeschi Trucks Band. Show all posts
Showing posts with label Tedeschi Trucks Band. Show all posts

Friday, August 26, 2022

Archive Review: Tedeschi Trucks Band’s Made Up Mind (2013)

Tedeschi Trucks Band’s Made Up Mind
The Tedeschi Trucks Band grew out of the 2010 summer tour dubbed “Soul Stew Revival,” which itself was planned as a way for the real life married duo of singer/guitarist Susan Tedeschi and guitarist Derek Truck to spend some time together on the road with their family as opposed to launching solo tours. The Soul Stew Revival included members of each artist’s band as well as talented friends and, as time passed, it grew into the eleven-piece ensemble that makes up the Tedeschi Trucks Band. Revelator, the band’s 2011 debut album, dominated the blues chart for a couple of years with its inspired mix of blues, soul, gospel, and rock ‘n’ roll while Everybody’s Talkin’, a two-disc 2012 live set, picked up the slack on the charts when Revelator’s sales began to flag.

Now it’s 2013 and the Tedeschi Trucks Band returns after two years on the road with its second studio effort, Made Up Mind. While a lot has been made of the similarity of Tedeschi’s vocals to those of the great Bonnie Raitt, Made Up Mind brings another comparison to my mind, to the underrated Bonnie Bramlett and her late 1960s/early 1970s collaborations with her late husband Delaney. Much like Bramlett, Tedeschi wrings every bit of juice out of a lyric, and what is the Tedeschi Trucks Band but a modern-day conglomeration of talent like Delaney & Bonnie & Friends, with Trucks playing the role of both Delaney Bramlett and Eric Clapton?    

Tedeschi Trucks Band’s Made Up Mind


Made Up Mind opens with the title track, Trucks’ chunky guitar scrape accompanied by a funky, choogling groove and full, rich backing instrumentation. Tedeschi’s lovely voice kicks in, displaying her Etta James influences, the singer rolling with the groove and soaring above the fray when necessary only to trail off in favor of Trucks’ fluid, sizzling guitar solo. This is the kind of ready-made, radio-friendly jam that would have dominated the AOR airwaves in the early-to-mid-1990s but today it plays to a mainstream blues audience ill served by corporate radio.

“Do I Look Worried” takes the band back to an even earlier era, Tedeschi’s stunning torch-song styled performance creating a 1950s R&B vibe, as seen through a 1970s blues-rock lens, the sound reinforced by the band’s subtle, elegant use of horns in the background. The song’s lush instrumentation threatens to overwhelm the singer, Tedeschi nevertheless rising to the occasion, assisted by Trucks’ gorgeous guitar lines and stinging solos. “Idle Wind” is a pure 1970s construct, the sort of bluesy, folkie, acoustic rock hymn that many of us cut our eye teeth on back in the day, the song darkly imaginative, with a lovely use of Kofi Burbridge’s feathery flute runs and a soft layer of horns.

Calling Out To You

 

Derek Trucks & Susan Tedeschi
The throwback soul of “Part of Me” is delivered pitch perfect by the fine vocal interplay between Tedeschi and trombonist Saunders Sermons, who sounds like a young Curtis Mayfield. The 1960s soul ambiance is undeniable and, just in case you may not have caught the song’s reference point, Trucks kicks out his best Steve Cropper/James Burton guitar licks, spicing up an already enchanting performance. Tedeschi’s vocals on “It’s So Heavy” further underline the Bonnie Bramlett connection, the singer evoking no little emotion in an otherwise deceptively understated performance; Trucks’ accompanying solos are also appropriately muted, albeit with the strength of a rushing river.

Hands down, the most raucous tune on Made Up Mind, “The Storm” amps up Trucks’ rattletrap guitar riffs while the rhythm section cranks out a ramshackle juke-joint groove straight out of the Junior Kimbrough/R.L. Burnside playbook. There’s more at play here than a Mississippi Hill Country influence, however, Tedeschi throwing a little Memphis soul into her vocals while Trucks tosses off a golden jazz-flecked solo that invokes Luther Johnson as much as Luther Dickinson while Burbridge’s gospel-tinged keyboards ride shotgun before chaos descends at around the five-minute mark as Derek clearly loses his mind (speaking instrumentally, of course) and tears off a deadly swamp-blues solo mixing Duane Allman’s greasy tones with John Campbell’s Delta dirt. Providing a stark contrast, the album closes with the acoustic “Calling Out To You,” a fine showcase not only for Tedeschi’s vocal skills but also for Trucks’ six-string dexterity as the two record sans band for a charming and entirely intimate performance.   

The Reverend’s Bottom Line


The album’s songwriting is, admittedly, the weakest part of Made Up Mind, too many of the album’s tunes composed by committee and lacking a lyrical cohesion (several songs co-written by the Jayhawks’ Gary Louris). The best material seems to be that which echoes a singular voice, the title track, “Do I Look Worried,” and “Misunderstood” particularly standing out from the crowd. Whereas the size of the band may have created an obstacle in the instrumental composition of the material, the talents involved and the chemistry created by a couple years on the road has created an entertaining and musically exciting blend of blues, soul, and rock ‘n’ roll.

The Tedeschi Trucks Band has been accused of recording an album that is more “pop” than blues with Made Up Mind, and there’s no denying the mainstream appeal of these bright, shiny performances. It’s the band’s love of the music, however, that makes Made Up Mind a winner. This may not be your daddy’s blues, but this is a big tent that we’re all under, with plenty of room for newcomers, and Tedeschi Trucks Band is redefining rhythm and blues with a sound entirely its own... (Sony Masterworks, released August 20, 2013)

Buy the CD at Amazon: Tedeschi Trucks Band’s Made Up Mind

Archive Review: Tedeschi Trucks Band’s Everybody’s Talkin’ (2012)

Tedeschi Trucks Band’s Everybody’s Talkin’
On paper, it seemed like a perfect match – take the husband and wife team of Derek Trucks and Susan Tedeschi, surround them with nine talented musicians culled from their individual bands, put them in a studio and see what happens. Considering that Tedeschi and Trucks are two of the most popular, talented, and innovative artists on the blues scene today, expectations were high for the Revelator album. Nobody could have predicted what happened next, though. The album has spent over a year on the blues chart and won both a Grammy® and a Blues Music Award, while Tedeschi and Trucks also took individual BMAs.

Revelator was supported by a lengthy tour by the eleven-piece Tedeschi Trucks Band, several dates of which were recorded for Everybody’s Talkin’, a deluxe two-disc live set that is a real gift for the fans that climbed on board with the first album. In concert, the band stretches out on stage to jam on their signature blend of blues, rock, gospel, Southern soul, and funk music. While the two CDs here only offer up a mere eleven songs, every one of them is a revelation, with the well-chosen cover songs so perfectly meshing with the band’s original material that the listener would be hard-pressed to tell the difference if they weren’t already familiar with the song.  

Tedeschi Trucks Band’s Everybody’s Talkin’


The set kicks off with the Fred Neil-penned title track, a well-worn chestnut that was recorded by the great Harry Nilsson for the 1969 movie Midnight Cowboy. Since Nilsson’s up-tempo version first rode the airwaves to top ten chart success, the song has been covered in dozens of styles, from King Curtis’s jazz-tinged R&B take to Stephen Stills bluesy, guitar-driven version. Tedeschi straddles a line between the two, applying her warm voice to the Southern soul-flavored arrangement as the band creates a funky, fat groove behind her vocals, which capture the wistful nature of Neil’s original folkish lyrics. Trucks spices up the song with a tasteful, albeit short solo that cranks up the amperage for a big finish.

With a high energy level established, Everybody’s Talkin’ only soars higher towards the stratosphere from here. The hauntingly beautiful “Midnight In Harlem” is provided a (slightly) raga-styled intro with Trucks’ nimble fretwork at the fore before rolling into a mid-tempo performance that is dominated by Tedeschi’s languid, sultry vocals and Kofi Burbridge’s lively keyboard riffs. Another track from Revelator, the seeped-in-the-Delta “Learn How To Love,” is stretched out at better than twice its original length, the song dominated by Trucks’ fierce guitarplay, icy blasts of horn, the explosive  twin drums of Tyler Greenwell and J.J. Johnson, and Tedeschi’s powerful, roaring vocals. Trucks’ scorched-earth solo a little more than three minutes in is strong stuff, indeed.

Bound For Glory


“Bound For Glory” is introduced by Trucks’ scrappy Mississippi front porch country-blues picking before sliding into a deep Southern rock groove. Bassist Oteil Burbridge is the band’s secret weapon, a talented fat-string player that provides a subtle but ever-present rhythmic foundation for the rest of the band build upon. Tedeschi’s vocals sound a lot like Bonnie Raitt here, soaring from a whisper to a joyous shout, while the performance itself evolves into a swaggering instrumental jam with Kofi’s slippery keyboard licks and a spry percussive backdrop leading the way.

While usually credited to Muddy Waters, the raucous “Rollin’ and Tumblin’” has become a hallowed blues standard, with versions recorded by everybody from Elmore James and Memphis Slim to Cream and Johnny Winter. Tedeschi and Trucks build off the James’ version here, the band delivering an energetic shuffle behind Trucks’ raging guitar and Tedeschi’s roaring vocals. Disc one closes out with an inspired take on songwriter John Sebastian’s “Darling Be Home Soon,” Tedeschi displaying her excellent emotional phrasing on the song’s wan lyrics, backing harmony vocals lending a sort of Stax/Motown gospel/soul vibe to what is a wonderfully moving performance.

Stevie Wonder’s Uptight


Derek Trucks & Susan Tedeschi
Disc two is slightly shorter that the first set’s 70-minute runtime, clocking in at four songs and three-quarters of an hour, but the performances are no less potent. The R&B gem “That Did It” is afforded a big band-styled performance with gospel revival fervor, Tedeschi channeling her inner Koko Taylor with fine soul-shouter vocals bolstered by her often-overlooked guitar playing, which lends great tone and texture to the Bobby “Blue” Bland classic. A finger-snapping cover of the great Stevie Wonder’s “Uptight” is delivered as a quarter-hour-plus long rant ‘n’ rave-up that mix soul and jazz with Oteil Burbridge’s scat-singing, Tedeschi’s fine vocals, Kebbi Williams’ manic sax, and some of Trucks’ greasiest slide-guitar playing on the record.

Another Revelator gem, “Love Has Something Else To Say,” is funked-up on steroids, cranked way up to eleven minutes on the back of the R&B drenched horns of saxophonist Williams, Maurice Brown’s trumpet, and Saunders Sermons’ trombone. The horns get to be a bit much for my tastes, a little too free-wheeling and bleating for these ears, but Trucks’ fluid solos are just the tonic you need, and Sermons’ sonorous vocals provide a fine counterpoint to Tedeschi’s sweeter tones. The Sam Cooke classic “Wade In The Water” provides a big finish to Everybody’s Talkin’, showcasing everything that is good and grand about this band. A gospel-blues tune with hints of swamp-blues malevolence and dark-hued lyrics, the band’s reverent vocal interplay is complimented by a claustrophobic instrumental arrangement and shards of broken-glass guitar and crafty percussion work that slips in beneath the radar.

The Reverend’s Bottom Line


While the Tedeschi Trucks Band’s Revelator provided fans of both Susan Tedeschi and Derek Trucks with a long-awaited musical collaboration, the album’s mainstream appeal has gone a long way towards bridging the gap between rock, pop, and blues fans across the globe. Everybody’s Talkin’ takes the band’s enormous musical chemistry one step further, showcasing an outfit at the top of its game and opening the door for break-out success. If you were lucky enough to catch the Tedeschi Trucks Band on tour, Everybody’s Talkin’ will be a fond souvenir of the experience, and if you missed them last time around, this live set will assure that you’ll never make that mistake again! (Sony Masterworks, released May 22, 2012)

Buy the CD from Amazon: Tedeschi Trucks Band’s Everybody’s Talkin’

Monday, May 15, 2017

Blues Music Awards 2017 Winners

Bobby Rush's Porcupine Meat
The Blues Foundation held its annual Blues Music Awards ceremony in Memphis, Tennessee over the weekend. The event honors those talented bluesmen-and-women that are too often ignored by mainstream awards programs (cough *Grammys*) and if you’re a blues fan and you find yourself in the Bluff City in early May, it’s well worth your time to check out the BMAs ‘cause The Blues Foundation really knows how to throw a shindig!

Blues legend Bobby Rush deservedly earned a pair of Blues Music Awards for both his new album (Porcupine Meat) and his earlier work (the archival Chicken Heads: A 50 Year History of Bobby Rush). The Tedeschi Trucks Band were also big winners this year, winning BMAs for their album Let Me Get By as well as “Band of the Year” and “Contemporary Blues Female Artist of the Year” for Susan Tedeschi. Lest we forget, dynamite bluesman Kenny Neal won both “Contemporary Blues Male Artist of the Year” and “Contemporary Blues Album of the Year” for his fantastic Bloodline disc.

Blues-rock guitar prodigy Joe Bonamassa turned 40 years old this past week (he’s been performing since he was opening for B.B. King at the age of 13), and The Blues Foundation voters recognized the prolific, hard-touring bluesman’s contributions to the genre with the coveted B.B. King Entertainer of the Year Award.

We have a partial list of BMA winners below, with links to buy the winning albums from Amazon.com. Check out the full list of Blues Music Award winners on The Blues Foundation website!

BLUES MUSIC AWARDS 2017 WINNERS

Acoustic Album of the Year
Eric Bibb - The Happiest Man in the World (Stony Plain Records)

Acoustic Artist of the Year
Doug MacLeod

Album of the Year
Bobby Rush - Porcupine Meat (Rounder Records)


B.B. King Entertainer of the Year
Joe Bonamassa

Band of the Year
The Tedeschi Trucks Band

Best Emerging Artist Album of the Year
Jonn Del Toro Richardson - Tengo Blues (VizzTone Records)

Kenny Neal's Blood Line
Contemporary Blues Album of the Year
Kenny Neal - Bloodline (Cleopatra Records)

Contemporary Blues Female Artist of the Year
Susan Tedeschi

Contemporary Blues Male Artist of the Year
Kenny Neal

Historical Album of the Year
Bobby Rush - Chicken Heads: A 50-Year History of Bobby Rush (Omnivore Recordings)

Rock Blues Album of the Year
The Tedeschi Trucks Band - Let Me Get By (Fantasy Records)

Soul Blues Album of the Year
Curtis Salgado - The Beautiful Lowdown (Alligator Records)

Soul Blues Female Artist of the Year
Curtis Salgado's The Beautiful LowdownMavis Staples

Soul Blues Male Artist of the Year
Curtis Salgado

Traditional Blues Album of the Year
Lurrie Bell - Can’t Shake This Feeling (Delmark Records)

Traditional Blues Male Artist of the Year
Bob Margolin

Click on the album links to buy the CD from Amazon.com!