New album releases in 150 words or less…
Datura4 – West Coast Highway Cosmic (Alive Records)
Rock ‘n’ roll ain’t dead, it’s just been hiding “down under” in the form of Australia’s electrifying Datura4. Fronted by the legendary Dom Mariani (DM3), the band’s fourth long-player continues Datura4’s pursuit of the hard rock Holy Grail, a soaring blend of modernized psychedelic-rock with jagged veins of blues, boogie, and throwback ‘70s-inspired sounds delivered with all the subtlety of an angry Tsunami. The Moog-storm that opens the title track deceptively leads into a droning rocker with prog overtones while “A Darker Shade of Brown” is a delightfully bluesy bit o’ dinosaur-rock with plodding rhythms and screaming guitar. The guitar-driven “Rule My World” is a greasy slab o’ booger-rock and the chiming guitars and spry keyboards of the melodic “Give” deliver a superb rock ‘n’ roll listening experience. Rather than sit and pine for those classic rock days of yore, pick up on what Datura4 is laying down right now! Grade: A BUY!
Dream Syndicate – The Universe Inside (Anti- Records)
Steve Wynn and his ‘Merry Pranksters’ have delivered a masterwork with The Universe Inside. Really just a single, lysergic-fueled performance “cut-up” a la Burroughs into “songs,” the album redefines the quantum possibilities of psychedelic-rock for the modern age. These aren’t songs so much as magickal incantations. The low-fi vibe provided the mesmerizing “The Regulator” belies the overall karmic weight of the 20-minute jam while “The Longing,” at seven-and-a-half minutes the shortest song here, offers a dreamy pop experience that will have you skipping on clouds. “Apropos of Nothing” is a delightful Gregorian-chants-meets-Indian-raga trip while the rumbling bass lines and exotic rhythms of “Dusting Off the Rust” provide a whirling dervish-level ecstasy. Album-closing “The Slowest Rendition” is a peyote-tinged fever-dream of instrumental cacophony and muted vocals. The Universe Inside is comprised of aggressively beautiful music hiding in plain sight beneath your consciousness, offering hours of discovery of its many sonic landscapes. Grade: A+ BUY!
Drivin’ N’ Cryin’ – Live the Love Beautiful Live (Drivin’ N’ Cryin’ Records)
The only thing better than a new Drivin’ N’ Cryin’ album is a new LIVE D’n’C album! The Atlanta-based Southern rock lifers released Live the Love Beautiful, their first full-length LP in ten years, in mid-2019. Live the Love Beautiful Live documents an onstage performance of the album, including a smokin’ cover of the Stones’ “Jumpin’ Jack Flash,” released as a digital single with proceeds going to the family of the late Jeff Wall of Guadalcanal Diary. D’n’C stalwarts Kevn Kinney and Tim Nielsen have kept the band going for 30 years, and you either get ‘em or you don’t…Kinney is an imaginative songwriter with an unusual voice, and the band’s eclectic mix of rock, country, folk, and blues is on full display here. As such, this live set is unlikely to attract many new listeners, but represents a welcome addition to the band’s catalog for longtime fans nonetheless. Grade: B+ BUY!
Bryan Ferry – Live at the Royal Albert Hall, 1974 (BMG Music)
There was a time I would have paid to hear Roxy Music’s Bryan Ferry sing the phonebook; this vintage live recording dates back to those days. Recorded in December 1974, months after the release of Ferry’s second solo LP, Another Time, Another Place, this set includes a handful of songs from that album and a few from his 1973 solo debut, These Foolish Things. Roxy Music was still very much an ongoing thing, and Ferry is backed here by bandmates like guitarists Phil Manzanera and John Porter, multi-instrumentalist Eddie Jobson, and drummer Paul Thompson, and if they only revisit a single Roxy cut (“A Really Good Time”) they collectively have a lot of fun on raucous covers like “Sympathy For the Devil” and “Tracks of My Tears.” Ferry’s voice is an acquired taste, especially on “standards” like “The ‘In’ Crowd,” but if you dug him then, you’ll dig this now! Grade: B+ BUY!
Game Theory – Across the Barrier of Sound: Postscript (Omnivore Recordings)
Having restored the catalog of beloved ‘80s indie-rock darlings Game Theory with a series of bonus-packed CD reissues, Omnivore Recordings rewards fans with a big fat kiss in Across the Barrier of Sound: Postscript. Comprised of studio recordings from the final incarnation of the band (which included Michael Querico of the Three O’ Clock) along with Scott Miller’s home recordings, live performances, and demos, Across the Barrier of Sound boasts of nearly two-dozen unreleased tracks in providing the final word on Game Theory. Although Miller’s songwriting genius was clearly influenced by touchstones like the Beatles, Big Star, et al songs like the buoyantly folksy “Idiot Son” or the whimsically beautiful “Inverness” display an originality and maturity of vision that Miller would take with him into his second chapter with the Loud Family (reissues, please?!). Covers of the Fab Four, Todd Rundgren, Big Star, and Eno only sweeten the pot here. Grade: A BUY!
Supersuckers – Play That Rock ‘n’ Roll (Acetate Records)
Play That Rock ‘n’ Roll, the turbocharged new slab o’ red-hot wax from Eddie Spaghetti and his droogs in Supersuckers, reminds of bands of yore like Zodiac Mindwarp and Hanoi Rocks. Songs like “Ain’t Gonna Stop” and “You Ain’t the Boss of Me” evince the gonzo energy of the Love Reaction while “Bringing It Back” and “Die Alone” perfectly capture the ramshackle sound of Finland’s favorite sons (meanwhile, “Last Time Around” channels Motorhead). Spaghetti’s a rock lifer, so he manages to imbue each performance with his unique, Zen-like dedication to blowing the roof off of every studio, rehearsal space, and concert hall he conquers. Eddie’s six-string razor cuts and burns like a laser while the band crashes and bashes behind him with reckless abandon, creating a joyous din. There’s nothing in these grooves but pure, unvarnished rock ‘n’ roll, greasier than a chicken wing and crackling with high-voltage cheap thrills. Grade: B+ BUY!
Previously on That Devil Music.com:
Short Rounds, March 2020: The Bluefields, Dave Clark Five, Marshall Crenshaw, Gwil Owen, Gary Moore & Watermelon Slim
Short Rounds, February 2020: Beach Slang, The Bar-Kays, Booker T. & the M.G.'s, Delaney & Bonnie, Mott the Hoople & Television Personalities
Short Rounds, January 2020: The Band, Creedence Clearwater Revival, Dana Gillespie, Manfred Mann, Mick Ronson & An A-Squared Compilation
Short Rounds, December 2019 (Holiday Gift Suggestions): Cindy
Lee Berryhill, Black Pumas, Alice Cooper, Robyn Hitchcock & Andy
Partridge, Handsome Dick Manitoba, The Muffs, Harry Nilsson, The
Rosalyns & Bobby Rush
Showing posts with label Eddie Spaghetti. Show all posts
Showing posts with label Eddie Spaghetti. Show all posts
Friday, April 24, 2020
Short Rounds: Datura4, Dream Syndicate, Drivin' N' Cryin', Bryan Ferry, Game Theory & Supersuckers (2020)
Labels:
Bryan Ferry,
CD Review,
Datura4,
Dom Mariani,
Dream Syndicate,
Drivin' 'n' Cryin',
Eddie Spaghetti,
Game Theory,
Kevn Kinney,
Michael Quercio,
Roxy Music,
Scott Miller,
Short Rounds,
Steve Wynn,
Supersuckers
Location:
Buffalo, Rust Belt, USA
Sunday, August 5, 2018
New Supersuckers Album & 30th Anniversary Tour
The Supersuckers celebrate three decades in the trenches this year, and to celebrate the infamous Seattle-based band is releasing a new album and launching a lengthy support tour to bring the music to their legion of loyal fans. On September 21st, 2018 Acetate Records will release Suck It, the Supersuckers’ 12th studio album.
“We’ve finally become the band that we’ve always threatened to be,” states the band’s longtime singer and bassist Eddie Spaghetti in a press release for the new album. Fronting a raucous power trio that includes guitarist Marty Chandler and drummer Chris Von Streicher, Suck It was recorded in a mere four days at Bismeaux Studio in Austin, Texas. “And it sounds great," says Eddie, “there’s not a lick I wish we could have back.”
Originally formed in Tucson, Arizona in 1988 as the Black Supersuckers, the band moved to Seattle in 1990, dropped the ‘Black’ from their name, and recorded singles for a number of regional labels including eMpTy and Sympathy For the Record Industry before they signed with the indie Sub Pop Records label. The Supersuckers would become the legendary grunge imprint’s only country-flavored shit-kickin’ outfit, releasing their debut LP, the Jack Endino-produced The Smoke of Hell, in 1992.
They would release a total of four albums on the Sub Pop label before departing for the middle-major label Koch Records for their The Evil Powers of Rock ‘n’ Roll album in 1999. Interestingly, the Supersuckers were one of the few Seattle-area bands of the early-to-mid ‘90s that didn’t record for a major label (they were signed by Interscope Records and dropped before releasing an album), and after the lone LP for Koch, they formed their own label, Mid-Fi Recordings, to release their next couple of albums. After a lengthy hiatus following their 2008 album Get It Together, the Supersuckers returned in 2014 with Get the Hell for Acetate Records.
The Supersuckers are described by writer Steve Huey of All Music Guide as “kicking out a gleefully trashy brand of throttling, rockabilly-flavored garage punk. Their lyrics were a raucous, over-the-top celebration of all the attendant evils of rock & roll – sex, booze, drugs, Satan, and whatever other vices the band could think of, all glorified with tongue planted firmly in cheek.” While the album flirts with the band’s country-leanings on a couple of songs, Suck It mostly features the band’s rowdy, punkish, guitar-driven rock sound. The Supersuckers’ 30th anniversary tour spans much of the U.S. so check out the list of tour dates below and be sure to check out this trailer-park tornado of a band when they come roaring through a town near you!
Buy the CD from Amazon.com: The Supersuckers’ Suck It
Supersuckers’ 30th anniversary tour dates:
09/01/18 - Milwaukee, WI @ Harley-Davidson Museum
09/07/18 - Birmingham, AL @ Zydeco
09/08/18 - Huntsville, AL @ Sidetracks Music Hall
09/09/18 - Knoxville, TN @ The Concourse
09/11/18 - Tampa, FL @ Brass Mug
09/12/18 - Orlando, FL @ Soundbar
09/13/18 - Jacksonville, FL @ Jack Rabbits
09/14/18 - Savannah, GA @ The Jinx
09/15/18 - Charleston, SC @ The Royal American
09/16/18 - Atlanta, GA @ The Earl
09/18/18 - Asheville, NC @ Grey Eagle Music Hall
09/19/18 - Raleigh, NC @ The Pour House Music Hall
09/21/18 - Wilmington, NC @ Reggie's
09/22/18 - Richmond, VA @ The Camel
09/23/18 - Virginia Beach, VA @ Shaka's Live
09/24/18 - Washington, DC @ Pearl Street Warehouse
09/26/18 - New York, NY @ Mercury Lounge
09/27/18 - Cambridge, MA @ Middle East Upstairs
09/28/18 - Worcester, MA @ The Cove Music Hall
09/29/18 - New Haven, CT @ Cafe Nine
09/30/18 - Troy, NY @ Hangar on the Hudson
10/02/18 - Buffalo, NY @ Mohawk Place
10/03/18 - Cleveland, OH @ Beachland Ballroom
10/05/18 - Erie, PA @ Kings Rook Club
10/07/18 - Columbus, OH @ A&R Music Bar
10/09/18 - Minneapolis, MN @ Uptown VFW
10/10/18 - Des Moines, IA @ Vaudeville Mews
10/11/18 - Waterloo, IA @ Spicoli's
10/12/18 - Lombard, IL @ Brauerhouse
10/13/18 - Pekin, IL @ Twisted Spoke
10/14/18 - Nashville, TN @ Exit/In
“We’ve finally become the band that we’ve always threatened to be,” states the band’s longtime singer and bassist Eddie Spaghetti in a press release for the new album. Fronting a raucous power trio that includes guitarist Marty Chandler and drummer Chris Von Streicher, Suck It was recorded in a mere four days at Bismeaux Studio in Austin, Texas. “And it sounds great," says Eddie, “there’s not a lick I wish we could have back.”
Originally formed in Tucson, Arizona in 1988 as the Black Supersuckers, the band moved to Seattle in 1990, dropped the ‘Black’ from their name, and recorded singles for a number of regional labels including eMpTy and Sympathy For the Record Industry before they signed with the indie Sub Pop Records label. The Supersuckers would become the legendary grunge imprint’s only country-flavored shit-kickin’ outfit, releasing their debut LP, the Jack Endino-produced The Smoke of Hell, in 1992.
They would release a total of four albums on the Sub Pop label before departing for the middle-major label Koch Records for their The Evil Powers of Rock ‘n’ Roll album in 1999. Interestingly, the Supersuckers were one of the few Seattle-area bands of the early-to-mid ‘90s that didn’t record for a major label (they were signed by Interscope Records and dropped before releasing an album), and after the lone LP for Koch, they formed their own label, Mid-Fi Recordings, to release their next couple of albums. After a lengthy hiatus following their 2008 album Get It Together, the Supersuckers returned in 2014 with Get the Hell for Acetate Records.
The Supersuckers are described by writer Steve Huey of All Music Guide as “kicking out a gleefully trashy brand of throttling, rockabilly-flavored garage punk. Their lyrics were a raucous, over-the-top celebration of all the attendant evils of rock & roll – sex, booze, drugs, Satan, and whatever other vices the band could think of, all glorified with tongue planted firmly in cheek.” While the album flirts with the band’s country-leanings on a couple of songs, Suck It mostly features the band’s rowdy, punkish, guitar-driven rock sound. The Supersuckers’ 30th anniversary tour spans much of the U.S. so check out the list of tour dates below and be sure to check out this trailer-park tornado of a band when they come roaring through a town near you!
Buy the CD from Amazon.com: The Supersuckers’ Suck It
Supersuckers’ 30th anniversary tour dates:
09/01/18 - Milwaukee, WI @ Harley-Davidson Museum
09/07/18 - Birmingham, AL @ Zydeco
09/08/18 - Huntsville, AL @ Sidetracks Music Hall
09/09/18 - Knoxville, TN @ The Concourse
09/11/18 - Tampa, FL @ Brass Mug
09/12/18 - Orlando, FL @ Soundbar
09/13/18 - Jacksonville, FL @ Jack Rabbits
09/14/18 - Savannah, GA @ The Jinx
09/15/18 - Charleston, SC @ The Royal American
09/16/18 - Atlanta, GA @ The Earl
09/18/18 - Asheville, NC @ Grey Eagle Music Hall
09/19/18 - Raleigh, NC @ The Pour House Music Hall
09/21/18 - Wilmington, NC @ Reggie's
09/22/18 - Richmond, VA @ The Camel
09/23/18 - Virginia Beach, VA @ Shaka's Live
09/24/18 - Washington, DC @ Pearl Street Warehouse
09/26/18 - New York, NY @ Mercury Lounge
09/27/18 - Cambridge, MA @ Middle East Upstairs
09/28/18 - Worcester, MA @ The Cove Music Hall
09/29/18 - New Haven, CT @ Cafe Nine
09/30/18 - Troy, NY @ Hangar on the Hudson
10/02/18 - Buffalo, NY @ Mohawk Place
10/03/18 - Cleveland, OH @ Beachland Ballroom
10/05/18 - Erie, PA @ Kings Rook Club
10/07/18 - Columbus, OH @ A&R Music Bar
10/09/18 - Minneapolis, MN @ Uptown VFW
10/10/18 - Des Moines, IA @ Vaudeville Mews
10/11/18 - Waterloo, IA @ Spicoli's
10/12/18 - Lombard, IL @ Brauerhouse
10/13/18 - Pekin, IL @ Twisted Spoke
10/14/18 - Nashville, TN @ Exit/In
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