Showing posts with label video of the week. Show all posts
Showing posts with label video of the week. Show all posts

Sunday, February 21, 2021

Stuff I Like: Too Much Joy’s “Uncle Watson Wants To Think”

It would be an understatement to say that I’m overjoyed that one of my fave bands from the college rock era – the quirky, intelligent, indefatigable Too Much Joy – is returning in March with their first album in nearly a quarter-century. From indie rock records like 1987’s Green Eggs and Crack and the following year’s Son of Sam I Am (which includes the mirthful, insightful, classic tune “Clowns”) through their too-brief major label years, which yielded underachieving and overlooked albums like 1991’s Cereal Killers, 1992’s Mutiny, and the criminally-ignored …finally (1996), Too Much Joy never failed to deliver an entertaining musical experience. My long-lost interview with TMJ frontman Tim Quirk remains one of my favorite conversations with an artist but, since it was never published, I have no idea what we talked about…

Currently comprised of original band members Tim Quirk (vocals), Jay Blumenfield (guitar, vocals), Sandy Smallens (bass, vocals) and Tommy Vinton (drums) along with long-time member William Wittman (guitar, keyboards, vocals), Too Much Joy comes roaring back on March 19th, 2021 with Mistakes Were Made, and the band has released its first single from the album with an accompanying video. Needless to say, it sounds like they never left, with “Uncle Watson Wants To Think” displaying the same sort of bruised, wistful lyrics as their best songs along with an edgy pop-punk-drenched rock ‘n’ roll soundtrack…think of Weezer, but smarter and with balls. Of the song, the band writes that it “began life when critic/professor Gina Arnold shared a list of unused Raymond Chandler titles on Facebook and suggested her friends kill some pandemic lockdown time by writing stories to match.”

“Tim was struck by the title ‘Uncle Watson Wants to Think’, and asked if he could contribute a lyric, instead. He wrote the words quickly, while swimming laps in a swimming pool near his house: ‘I just saw Uncle Watson collapsed on a couch, and a little kid trying to sneak past him without disturbing the guy. The whole thing pretty much sprang to life fully formed, which is rare, for me. I could tell the guy was kind of a jerk, but I never like it when songs spend all their energy ridiculing someone else, so I tried to figure out what made him so sad and mean. Turns out Uncle Watson probably had his own Uncle Watson. Jay, Bill and Sandy worked up an appropriately melancholy arrangement for the tune, then Bill asked his pal Joan Osborrne to contribute some lady vocals to the mix, as we really needed to hear from the mother who brought this man into the house.’”

The video features singer/songwriter Joan Osborne on guest vocals and was directed and edited by Keegan Denery of 1596 Films. Says the band, “Jay had the idea for the video, which was assembled by young genius Keegan Denery after experimenting for several hundred hours with dozens of different images suggested by the band. Some looked uncannily real when they mouthed the song’s words, others were frightening failures. After a lot of trial and error, Keegan combined all the ones that worked into a seamless whole. Many of the characters are easter eggs for diehard Too Much Joy fans, based on old lyrics or PR mishaps.”

In the liner notes to the new album, the band writes “we weren’t really planning on making another record; this album only exists because 2020 sucked so goddamn much. Our humble hope is that, since it now exists, it can make whatever year you’re listening to it suck a little bit less.” Check out the video below and then get on over to Bandcamp to pre-order the brand-spankin’ new Too Much Joy album Mistakes Were Made. Tell ‘em that the Rev sent ya!



Buy the new CD: Too Much Joy’s Mistakes Were Made

Too Much Joy, circa 2021

Friday, August 3, 2018

Video of the Week: Little Steven’s “St. Valentine’s Day”



Although previous versions of this great song rock the house (especially the Twylight Zones, from the soundtrack for the David Chase film Not Fade Away), Little Steven’s take on last year’s Soulfire LP rings true, his aging voice and weary delivery bringing a lovely sense of gravitas to his lyrics.

Long working in the shadows of a legend like Bruce Springsteen, Steve Van Zandt doesn't get enough credit as a great songwriter in his own right. Aside from the delicate lovelorn lyrics here, there are concepts within the song that lesser scribes could only hope to create (the “your lifelong documentary” line still gets me).

The entire song is a lengthy story of a fascinating romantic relationship the equal of Springsteen’s classics like “Thunder Road” or “Born To Run.” The song is included on Little Steven & the Disciples of Soul’s Soulfire Live! album, released today, so what are you waiting for? Get it!




Tuesday, August 1, 2017

Video of the Week: Peter Himmelman’s “245th Peace Song”


Minnesota native Peter Himmelman has been kicking around on the fringes of polite society since the early 1980s when his band Sussman Lawrence released a pair of critically-acclaimed indie albums in 1980’s Hail To The Modern Hero! and 1984’s Pop City, which earned Himmelman not entirely unflattering comparisons to new wave icons like Elvis Costello and Joe Jackson. Sussman Lawrence evolved into the Peter Himmelman Band and recorded the 1986 album This Father’s Day, which earned Himmelman a major label deal on the strength of his intelligent, erudite songwriting skills and passionate lyrical delivery.

Island Records reissued This Father’s Day, as well as 1987’s Gematria and 1989’s Synesthesia before Himmelman jumped to 550/Epic Records for a number of albums, including what is probably his best-known and most acclaimed effort, 1994’s Skin. Himmelman has since released a bunch of well-received recordings like 1996’s Stage Diving on the indie Plump label and 1998’s Love Thinketh No Evil for Island’s Six Degrees imprint, as well as a number of acclaimed children’s albums. The singer/guitarist formed his own independent Himmasongs label to release his 2010 album The Mystery and the Hum and, in-between all this activity, somehow found time to compose music for TV shows like Bones and Judging Amy and movies like Snow In August and Heart of Dixie.

Despite his reasonably prolific output of music – I count a dozen or so studio albums in the past 20 years – Peter Himmelman is anything but a household name. Still, he persists, and his talents have shown no signs of diminishing after roughly 40 years in the game. Witness this video for his “245th Peace Song,” a stunning musical and lyrical tour de force that reminds of John Lennon’s plea for peace so long ago while sadly pointing out how far we still have to go, the heartfelt lyrics delivered with a personal perspective. The lead-off track from Himmelman’s upcoming There Is No Calamity album (due out on August 11th, 2017), the video for “245th Peace Song” was created by Peter’s son Isaac, a Brooklyn-based filmmaker.

Although Himmelman’s vocals do sound like a more sandpapered version of Elvis Costello’s singing style, they evince a gritty edge missing from the British rock icon’s music for decades. Partially inspired by the events in Ferguson, Missouri during the summer of 2014, the stark imagery gathered together for the song by Isaac Himmelman is perfectly matched with the song’s anti-racism, anti-violence message. The best singer/songwriter you’ve never heard of, “245th Peace Song” shows that Peter Himmelman is still creating challenging, entertaining, and thought-provoking music after all these years.

Buy the CD from Amazon.com: Peter Himmelman’s There Is No Calamity

Friday, June 2, 2017

Video of the Week: Goldray’s Rising



Sometimes you really can judge a book from its cover – in this case, an advertisement on the back cover of the latest issue of Shindig! music zine (the one with Jimi on the front cover) caught my eye. The ad is for the album Rising by British psych-rockers Goldray, a fairly new band formed by industry veteran Kenwyn House, guitarist for 1990s-era British band Reef, which enjoyed quite a few hits in the U.K. and developed somewhat of a cult following stateside. The colorful ad quoted Prog Magazine as saying that Goldray’s music was “a blend of Zeppelin and Kate Bush.”

My curiosity piqued, I tracked down this video for the title track of Goldray’s debut LP and was gleefully surprised. “Rising,” the song, pushes all of our favorite buttons here at That Devil Music world HQ – blues, psychedelia, guitar-driven hard rock, ethereal female vox, punchy percussion – the song an amalgam of all of the above and much, much more. Lead singer Leah Rasmussen does, indeed, sound a bit like Bush during her loftiest moments, but she’s just as likely to test her vocal chords like Grace Slick, imbuing the lyrics with muscular emotion. House is a badass guitarist who I’m surprised I haven’t heard of before, his unhinged lysergic fretwork on the song the freshest thing these tired ears have heard since King Gizzard’s “microtones.”

I ordered the band’s CD this afternoon and if this is your cuppa heady psych-rock brew, you should get one, too...

Buy the CD from Amazon.com: Goldray's Rising

Saturday, April 1, 2017

Video of the Week: Siena Root’s Tales of Independence



Sweden’s classic rockers Siena Root should be no strangers to That Devil Music readers – we picked their song “The Way You Turn” as a previous “Video of the Week” offering, and the Rev reviewed their 2014 album Pioneers, which included the aforementioned song, writing “Siena Root’s Pioneers is a solid collection of swaggering, Marshall-stacked, hard-knocking cock-rock the likes of which we’ve seen little of since the Stones went disco in the late 1970s.”

Well, we’re glad to say that the hard-rockin’ Swedes are back with a new album and a video worthy of showcasing as part of our infrequent “Video of the Week” feature. The album, A Dream of Lasting Peace, will be released on June 23rd, 2017 via Hänsel & Gretel/MIG Music and will be available in several formats including CD, double-disc black vinyl LP and limited edition colored vinyl, and as a digital download. It’s the seventh outing for the Stockholm band, who released their debut in 2004 and have been wreaking rock ‘n’ roll devastation across the European continent ever since.

Siena Root's A Dream of Lasting Peace
Pioneers was their first album to be distributed stateside, so Siena Root is still somewhat of an unknown quantity on these shores, but they’re definitely a band you should hear. Genuflecting at the old school altar, Siena Root tour with vintage equipment and are firm believers in the strength and power of analog sound, recording A Dream of Lasting Peace on traditional magnetic tape. Sojourning “deep into the Swedish forest” to avoid distractions and lay down their unique throwback sound, if the rest of the album is anything like “Tales of Independence,” it’s gonna be a monster!

The band features vocalist Samuel Björö, guitarist Matte Gustafsson, bassist Sam Riffer, keyboardist Erik Petersson, and percussionist Love Forsberg. The video for “Tales of Independence” doesn’t follow any specific narrative, but allows for a lot of face time for the hirsute rockers. Musically, it’s pure classic rock muscle, Björö’s vocals reminding of a more soulful version of Uriah Heep’s David Byron. Gustafsson’s switchblade guitar licks dance throughout the mix and the band’s backing harmonies are infectious but Petersson’s organ riffs are the steely thread that hold the performance together. It’s a dynamic, electrifying hard rock tune that incorporates a ‘70s-era vibe with contemporary instrumentation and it’s well worth your time to check out.

Buy the CD from Amazon.com: Siena Root’s A Dream of Lasting Peace

Previously on That Devil Music: Siena Root's Pioneers CD review 

Thursday, February 16, 2017

Video of the Week: Blackfield’s “From 44 to 48”

Blackfield's Blackfield V
Art-rockers Blackfield – a collaboration between prolific British prog-rock legend Steven Wilson (Porcupine Tree) and Israeli songwriter/musician Aviv Geffen – have released a “lyric” video for their latest song, “From 44 to 48,” from their upcoming album Blackfield V, which will be released on March 17th, 2017 by Kscope Records.

In a press release for the new album, Wilson comments “even though I don’t really write songs with specific projects in mind, as soon as I wrote this one I knew it was for Blackfield.” Continuing, Wilson says, “‘From 44 to 48’ is a song about growing older and letting go of dreams.” The song’s insightful, timeless lyrics and ethereal soundtrack is made all the more otherworldly by Geffen’s winsome string arrangement as performed by the London Session Orchestra. It’s a subtle, but powerful performance captured perfectly by the video.

Blackfield V was written and recorded over eighteen months in both Israel and England, the album featuring thirteen conceptually-linked songs that form a single 45-minute ocean-themed song cycle. Wilson and Geffen provide the album’s vocals, guitars, and keyboards, the duo backed in the studio by drummer Tomer Z and keyboardist Eran Mitelman. Legendary musician, producer, and engineer Alan Parsons worked on three of the album’s tracks. Blackfield V will be released in a number of formats, including a two-disc CD/Blu-Ray deluxe set that offers the album in both high-rez stereo and 5.1 surround sound mix and includes a 36-page color booklet.

Blackfield V will also be available as a single CD and as a two-disc 180g heavyweight vinyl set cut at 45rpm for better sound and packaged in gatefold sleeve with a four page booklet and free mp3 download. A limited edition single 140g vinyl picture disc featuring Lasse Hoile artwork (and including a mp3 download) will also be released on March 17th; a digital download of the album is already available.

Buy the CD from Amazon.com: Blackfield’s Blackfield V


Monday, January 16, 2017

Video of the Week: Quinn Sullivan's Midnight Highway

Our long-awaited return to That Devil Music's "Video of the Week" feature is not so much a 'video' but rather a sound file for the title track from 17-year-old blues guitar phenom Quinn Sullivan's debut album, Midnight Highway. Scheduled for January 27th, 2017 release by our friends at Provogue Records, the track displays enormous artistic maturity to go along with impressive instrumental talent.

Quinn began playing guitar at age three and came to the attention of Chicago blues legend Buddy Guy when he was but eight years old. Since that time, he's been mentored by Guy and has played on festival stages around the world with giants like B.B. King and Eric Clapton. As heard on this track, Sullivan possesses a soulful, smooth vocal style to go along with his six-string skills. Midnight Highway, the album, is the guitarist's official "coming out" party and it should be a helluva good time. We may be looking at the next Joe Bonamassa here, so check out the track and you'll agree, Quinn Sullivan is the real deal!




BONUS TRACK! Provogue has released "She Gets Me," another great track from guitarist Quinn Sullivan's debut album, Midnight Highway, out on Friday, January 27th, 2017.

Buy the CD from Amazon.com: Quinn Sullivan's Midnight Highway


Sunday, March 20, 2016

Video of the Week: Blackfoot Gypsies’ Under My Skin

Blackfoot Gypsies' Handle It
Blackfoot Gypsies hail from Nashville, which is an absolutely horrible place to be in a rock ‘n’ roll gang unless you’re willing to King’s wax Jann Wenner’s limo every weekend (and on holidays). The east-and-west-coast-based major labels want nothin’ to do with your band unless you sound exactly like everybody else on their roster, which has been hand-picked for conformity and exploitation by some coke-snorting empty suit with a six-figure expense account.

Even when a record label does take a chance on a band from the Music City, they usually don’t know how to “sell them,” which makes one wonder how they got their job in the first place ‘cause, well, selling records is really their only job…a task at which they fail as often as not (just ask Jason & the Scorchers, Webb Wilder, the Features, et al…). Instead, Blackfoot Gypsies are signed to local label Plowboy Records, co-founded by the legendary Cheetah Chrome, a man who knows a thing or two about both major label hijinx and making a joyous noise.  

Handle It is the band’s second full-length album, from which our video of the week comes from. “Under My Skin” has nearly everything you could want in a visual representation of the song – a scantily-clad, pissed-off voodoo priestess laying some serious black cat moan down on the band with her hoodoo witchery; a throbbing Delta blues mojo sound combined with eerie, hollowed-out production; wailing harmonica; and wiry, razor-edged fretwork that helps bring those long-gone Mississippi ghosts back to life.

The Gypsies lead singer looks like a cross between Buddy Holly and Rivers Cuomo, the harp player resembles a long lost Neville Brother, and the drummer looks like he should be behind the kit playing for some sludge-metal outfit like Mastodon. As for the bassist, well…he’s the bassist, the band’s pretty boy and the holy keeper of a heavy bottom end. Handle It is a pretty spiffy LP, though, the band cranking out an inspired mix of psychedelic blues, asphalt-munching hard rock, and roots-bound country twang that proves that these guys have visited Tootsie’s Orchid Lounge a time or two. Captured on tape, Blackfoot Gypsies evince a fierce groove that proves their status as young soul rebels. Don’t believe me? Check out the video for “Under My Skin” and make up your own damn mind...

Buy the CD from Amazon.com!

Sunday, November 9, 2014

Video of the Week: Siena Root’s The Way You Turn


This week’s video madness comes courtesy of Swedish heavy rockers Siena Root, who have a lot more on the ball than the usual “stoner rock” outfit. “The Way You Turn” displays some nuanced instrumentation to go along with the aural bludgeoning, the band’s hard-rocking sound evincing the same sort of “devil may care” experimental vibe as the best mid-1970s period Black Sabbath, but with a contemporary edge honed to a fine point by three decades of pioneering heavy metal. While Siena Root certainly has a sound rooted in the classic rock era of bands like Sabbath, Deep Purple, and Uriah Heep they manage to bring plenty of their own creative electricity to the game.

“The Way You Turn” comes from Siena Root’s upcoming disc Pioneers, the band’s first album to be released in the United States, due on November 18th, 2014 courtesy of the good folks at Cleopatra Records. The band’s riff-happy sound is complimented by its heavy use of throwback-vibe keyboards not dissimilar to Purple’s Jon Lord or Heep’s Ken Hensley. Throw in some heavy bass and explosive drumming, and you have a recipe for entertainment in any era. The album also includes a red-hot cover of Led Zeppelin's "Whole Lotta Love" guaranteed to singe the hair from your ears...

Although Siena Root has been kicking around its native Sweden since the late 1990s, they’re just now beginning to make a splash in the greater world of hard rock and heavy metal, earning the band no little praise from some of their obvious influences. In a press release for Pioneers, Uriah Heep guitarist and founder Mick Box says “it’s nice to hear a band like Siena Root playing it for real in this overly-processed world that we live in. Power to them, and I wish them all the success in the world!”

Fellow droogs, if anybody knows heavy rock ‘n’ roll music, it’s Mick Box, so you can take his endorsement of Siena Root to the bank…or just watch the video and make up your own bloody mind…

Buy the album on Amazon.com: Siena Root's Pioneers

Thursday, October 9, 2014

Video of the Week: Last Gasp Books Fall Publishing Kickstarter

Last Gasp Books holds a nostalgic fondness for the Reverend. While a comix-obsessed teenager living in the rural suburbs of Nashville, Tennessee back in the early 1970s, I eagerly bought every underground comic that I could find, and when I couldn't find them easily, I became a "sales rep" for Last Gasp and Rip Off Press, placing comix in local head shops on consignment, and selling enough copies to underwrite my own collection.

Last Gasp has launched a Kickstarter campaign to raise funds to publish its fall 2014 slate of books and other cool stuff. I know as well as anybody that publishing is a sucker's game these days (please buy my books!) but the good folks at Last Gasp branched out long ago beyond their initial comix fare to include lush art books, trading cards, and other alt-culture flotsam and jetsam. Check out their very cool video below, and then click on the "Save Strange" graphic at the bottom of the page to see what kind of rewards are available for contributing to their Kickstarter. I've already pledged my donation; you can help put Last Gasp over the top.




Thursday, October 2, 2014

Video of the Week: John Fairhurst's "Breakdown"

Our inaugural That Devil Music "video of the week" is from British bluesman John Fairhurst. His song "Breakdown" is the first single from the guitarist's upcoming album Saltwater.

The YouTube description for the video says that it was "filmed amongst some of Bristol's darkest alleys, rooftops, stairwells, toilets and the Kingsdown Wine Vaults" and it is, indeed, visually striking, outlining a sordid tale that doesn't end well for our protagonist.

Musically, the song offers up plenty o' greasy, gutbucket blues with Fairhurst's gritty, grunge slide-guitar displaying more than a little Delta mud among its raging Middle Eastern rhythms. Check it out for yourself...