Showing posts with label Shuggie Otis. Show all posts
Showing posts with label Shuggie Otis. Show all posts

Friday, October 7, 2022

Archive Review: Shuggie Otis’ Inspiration Information/Wings of Love (1974/2013)

Shuggie Otis’ Inspiration Information/Wings of Love
The truncated solo career of Shuggie Otis is one of those great mysteries of modern music. An enormously gifted guitarist and multi-instrumentalist born into a musical family (dad was R&B legend Johnny Otis – a singer, bandleader, and record producer who discovered Etta James), young Shuggie was playing professionally, in his father’s band by the age of twelve. He grew up amidst brilliant blues, jazz, and R&B musicians that helped inform and shape his talents, but Shuggie also found influences in 1960s-era artists like Jimi Hendrix, Sly Stone, and Arthur Lee of Love.

Otis had recorded several albums with his father as well as working on Al Kooper’s second Super Session LP (later re-named Introducing Shuggie Otis) before recording his solo debut, Here Comes Shuggie Otis in 1970, when he was just 16 years old. The phenomenal Freedom Flight album would follow a year later, yielding the classic song “Strawberry Letter 23,” a huge chart hit for the Brothers Johnson in 1977. Inspiration Information, which Otis began recording in 1971 and which was released in 1974, is widely considered to be the artist’s masterpiece. An understated collection of psychedelic soul and funk with the barest of blues influences, the album has grown in stature since its release, and artists as diverse as David Byrne of Talking Heads, Lenny Kravitz, Prince, and British electronic pop pioneers Stereolab have sung its praises.

Shuggie Otis’s Inspiration Information


Although a commercial disappointment upon its release in 1974, Inspiration Information has only grown in influence and importance since. The album opens with the title track, a low-key, soulful affair that boasts of a deep funky groove and syncopated vocals, with a little blues vibe creeping in at the edges. The lush instrumentation is balanced by ethereal backing harmonies, making for an odd combination of (then) contemporary soul-funk but harking back to the R&B jams of the 1950s and early ‘60s. The effervescent “Sparkle City” brings the fatback in a big way, Otis’s funky chicken-pickin’ accompanied by a big bass line and a slippery rhythm, the song boldly mixing jazz, blues, soul, and funk into a single invigorating listening experience. Otis’s vocals are understated and don’t drop into the mix until around two minutes in, but the meter of the lyrics matches the song’s overall rhythmic blueprint to create one fun mess!

Using a bossa nova styled rhythmic backdrop, “Aht Uh Mi Hed” is an odd piece, the tick-tock percussion running throughout the song delivered a stark counterpoint by lush strings and swells of exotic instrumentation, Otis adding minute amounts of finely-crafted, filigree guitar layered beneath the unusual vocals and violin flares. The short-but-sweet instrumental “Rainy Day” perfectly showcases Otis’s immense six-string skills, his jazz-infused licks bouncing off of mournful strings, while the sci-fi instrumental “XL-30” is electronic space-rock at its best, strange musical tangents jumping out unexpectedly from a droning keyboard hum.

This 2013 reissue of Inspiration Information includes four previously-unreleased bonus tracks tacked onto the original nine, two of which – the soulful, bluesy “Magic” and “Castle Top Jam” – were originally recorded in 1971 for the album but ultimately rejected, although both are quite good enough to have made the cut. “Things We Like To Do,” laid on tape in ‘77, is an unlikely marriage of old school R&B and 1970s-era soul, with muted vocals embroidered through a lush soundscape of rhythmic percussion, sumptuous strings, and “come hither” lyrics.   

Wings of Love


huggie Otis’ Inspiration Information
Inspiration Information circa 2013 also includes a second disc of tunes titled Wings of Love, a baker’s dozen of previously unreleased live and studio tracks pulled from the archive, cleaned up, and remastered by Otis personally. Offering material dating from as early as 1975 and as current as 2000, a lot of the songs on Wings of Love sound as good as, if not better, than those on Inspiration Information. Any combination of these 13 songs would have made a killer album in their own right, and the quality of performances from the late 1980s a the lone 1990 track show that Otis was still making great music even if few got the chance to hear it.

As Otis himself explains in the album’s liner notes, it’s not so much that he gave up on the music business when he all but disappeared from the spotlight after the 1974 release of Inspiration Information, it’s really more of a case of the business giving up on him. A lot of Wings of Love delves into the same soul-blues-funk turf as Information Inspiration, but material like the bouncy “Special” (1980) is every bit as satisfying as anything that Prince was dominating the R&B airwaves with at the time. “Give Me Something Good” should have owned radio in 1977, the song a dynamic mix of Hendrixian guitars and icy, Isley Brothers-styled funk, with strong vocals and a little R&B flavor added to the brew for good measure while “Tryin’ To Get Close To You” predates the aforementioned Prince’s best soul-funk efforts by a decade.     

Wings of Love’s title track is an ambitious eleven-minute jam recorded in 1990 that blows anything Otis had done previous right out of the water. With gorgeous Spanish guitar leading into classically-styled synthesizer riffs, the song explores decades of musical themes, and the careful listener can hear elements of jazzy, 1940s-era torch songs (think Billie Holiday); 1970s-era prog-rock (with a pop edge, like Todd Rundgren); adventurous 1950s-styled rhythm and blues; 1970s influenced flights of fanciful guitar; and much, much more. It’s a stunning musical tour de force. The shorter-by-half “If You’d Be Mine” is, perhaps, its creative equal, the 1987 recording perfectly fusing rock, soul, and pop music together seamlessly in the creation of a truly electrifying performance.  

The Reverend’s Bottom Line


To be honest, there’s not much in the way of blues music to be heard on Inspiration Information, Otis’s R&B roots hidden beneath mountains of psychedelic-soul and raunchy funk. “Fireball of Love” from the Wings disc probably veers the closest to a blues sound, the song’s raucous vocals and fretwork reminiscent of Johnny “Guitar” Watson’s funky 1970s era recordings. The acoustic “Black Belt Sheriff,” from 2000, is the most recent track and it displays a sort of Delta-styled country-blues vibe with some mighty tasty slide-guitar work.

Truth is, Shuggie Otis was a visionary musician of no little genius, his brilliance and talent unrecognized until a raft of acolytes picked up on Inspiration Information in the 1990s and spread the word to fellow travelers. Listening to the better than two-dozen tracks on this reissue, one can easily hear the pop, rock, soul, jazz, funk, and blues influences that Otis used to create a blueprint for some of the biggest, brashest, and most commercially-successful music of the 1980s and ‘90s. This is ambitious, sometimes complex stuff, to be sure, but it’s never difficult to listen to, and quite entertaining for those looking for depth, honesty, and artistry in their preferred music. (Legacy Recordings, released April 16, 2013)

Also on That Devil Music:
Shuggie Otis’ Shuggie's Blues CD review
Shuggie Otis’ Live In Williamsburg CD review
Shuggie Otis’ Inter-Fusion CD review
 
Buy the CD from Amazon.com: Shuggie Otis’ Inspiration Information/Wings of Love

Archive Review: Shuggie Otis’ Shuggie’s Boogie (1994)

Shuggie Otis’ Shuggie’s Boogie
Although there have been a handful of young guitar prodigies since that time, the late ‘60s emergence of fourteen year old six-string wizard Shuggie Otis was unheralded at the time. The son of R & B legend Johnny Otis, Johnny, Jr. – known as Shuggie – was discovered by the great John Hammond and signed to Epic Records. An enthusiastic Al Kooper featured Otis on one of his “super session” records soon afterwards, the young Otis making his recording debut in 1969 with Al Kooper Introduces Shuggie Otis.

Soon to follow was 1970’s Cuttin’ Up by Johnny Otis, which featured his multi-talented son on a number of cuts, playing a variety of instruments, including guitar, bass and keyboards. Later in the year came Shuggie’s full-fledged solo debut, Here Comes Shuggie Otis, on which he performed all of the instrumentation save for bass guitar and wrote or co-wrote all of the disc’s ten cuts. The critically-acclaimed album was a breath of fresh air, with the unique blues-based guitar style evinced by Otis ground-breaking in its scope and surprisingly mature in its execution. Otis would go on to record a total of three solo albums for Epic in the early 1970s, as well as continuing to do live work with his father’s band.

Shuggie’s Boogie draws its dozen cuts from the first two solo albums from Otis and his aforementioned work with Kooper and the elder Otis. It showcases an artist wise beyond his tender years, the work representing a striking stylistic ability and an enormous power of expression. Cuts like “Shuggie’s Boogie,” with its brief opening spoken autobiography, “I Can Stand To See You Die,” its country-styled slide guitar matched by the wonderful vocals courtesy of Sugarcane Harris, or “Shuggie’s Old Time Slide Boogie,” which brings up memories of Tampa Red or, more appropriately, Blind Willie McTell, all stand up well to the test of time. Shuggie’s subsequent slide into obscurity makes these early achievements all the more impressive. During his brief career, Shuggie Otis left a large mark on the blues, his youthful enthusiasm and skill captured here on Shuggie’s Boogie: Shuggie Otis Plays The Blues. (Sony Legacy Recordings, released 1994)

Review originally published by R.A.D! music zine

Also on That Devil Music:
Shuggie Otis’ Inspiration Information/Wings of Love CD review
Shuggie Otis’ Live In Williamsburg CD review
Shuggie Otis’ Inter-Fusion CD review
 
Buy the CD from Amazon.com: Shuggie Otis’ Shuggie’s Boogie

Friday, December 21, 2018

The Rev's Favorite Rock 'n' Roll Albums of 2018

Rock ‘n’ roll ain’t dead, people, it’s just thriving on the fringes of pop culture while a mess of young and old artists alike are banging the gong and getting it on. The following ten albums listed below aren’t necessarily the “best” of 2018 but rather those that were my favorite releases for the year and spent the most time on my stereo. I’ve also listed another ten albums that almost, but not quite made the cut but, truth is, any of these albums would make a great addition to your music library. Check out the Rev’s lists of favorite archive/reissue and blues music albums from 2018 while you’re here!


Joe Grushecky & the Houserockers – More Yesterdays Than Tomorrows (Schoolkids Records)
Joe Grushecky’s More Yesterdays Than Tomorrows is an entertaining, exciting work that takes full advantage of the Houserockers’ immense musical chemistry – forged by decades of hard knocks and a shared faith in the religion of rock ‘n’ roll – to create a wonderful collection of songs that rock recklessly but pump the brakes when needed. Reunited with his longtime band after a handful of solo albums, Grushecky displays a renewed fervor and commitment to rock music as both soapbox and as a catalyst for social change. With More Yesterdays Than Tomorrows, Grushecky delivers a career milestone, outdoing himself once again.   BUY!

Tom Guerra's American Garden

Tom Guerra – American Garden (Casa del Soul Records)
Singer, songwriter, and guitarist Tom Guerra is a veteran musician that’s been toiling in the shadows far too long while lesser talents grab the spotlight. American Garden features a high-octane blend of guitar-driven classic rock and blues music with Guerra’s smart (and often timely) lyrics paired with a clamorous soundtrack that reminds of similar rockers like Bruce Springsteen and Joe Grushecky. Tom Guerra’s American Garden is a solid collection of muscular, no-frills, old-school rock ‘n’ roll.   BUY!

Handsome Jack's Everything’s Gonna Be Alright

Handsome Jack – Everything’s Gonna Be Alright (Alive Natural Sound Records)
Buffalo NY area “boogie soul” power trio Handsome Jack have one foot in the blustery hard rock sound of the ‘70s and the other in the guitar-driven British blues explosion of the ‘60s; the band’s raw, immediate garage-rock worldview builds on the past while looking defiantly towards the future. Everything’s Gonna Be Alright is the band’s sophomore effort and it’s a real fine barn-burner, Handsome Jack the real thing, a switchblade-toting gang of ‘Rust Belt’ blues-rock thugs demanding your time, money, and attention.   BUY!

Peter Holsapple's Game Day

Peter Holsapple – Game Day (Omnivore Recordings)
The voice of the revered power-pop outfit the dB’s, Peter Holsapple hasn’t released a solo album in 21 years (since 1997’s Out of My Way), but he climbs back in the saddle effortlessly with the gorgeous, shimmering Game Day. Holsapple’s deft songwriting chops and emotive vocals have always fueled his band’s best material, and with his second solo effort, he dials up the intensity to eleven. Holsapple plays nearly every note on the excellent Game Day, making it a true “solo album.”   BUY!

Howlin Rain's The Alligator Bride

Howlin Rain – The Alligator Bride (Silver Current Records)
A damn fine rock band, Howlin Rain nevertheless brings a soupçon of its previous Americana-styled twang to the songs on The Alligator Bride, their fifth album. Infusing deceptively complex tunes with elements of the Grateful Dead, Neil Young, and even Joe Walsh, The Alligator Bride provides a shining display of frontman Ethan Miller’s songwriting chops and the band’s immense instrumental skills. There are a lot of echoes of the past in these grooves and the album’s wonderfully-balanced musical dynamics make it sound like it’s 1975 all over again.   BUY!

Willie Nile's Children of Paradise

Willie Nile – Children of Paradise (River House Records)
Longtime Willie Nile fans won’t be disappointed by the more topical material on Children of Paradise, most of which is delivered with a rock ‘n’ roll spirit. In spite of the album’s frequent lyrical vision of a world in flames, Nile closes out the song cycle with the hopeful, pastoral “All God’s Children.” The song offers salvation through faith in our fellow humans and (unspoken) the power of rock ‘n’ roll to transcend life’s indignities. Nile’s simple plea of “sing for the angels, sing for the sinners, all of the losers one day will be winners…” provides a ray of light piercing the darkness that has enveloped our society. You can ask of nothing more from the true artist.   BUY!

David Olney's This Side or the Other

David Olney – This Side or the Other (Black Hen Music)
Singer/songwriter David Olney has been making music in Nashville for over 40 years, and the humble, talented scribe has been exploring the depths of folk, rock, and country music just as long, breaking through genre barriers years before anybody coined the “Americana” term. This Side or the Other, Olney’s debut for Steve Dawson’s Black Hen label, proves to be a snug artistic fit, the like-minded Dawson producing and adding his considerable six-string skills to the songs. Olney’s poetic wordplay, intriguing story-songs, and world-weary vocals put him in a class by himself, the man’s talents transcending mediocrity to deliver the truly magnificent with This Side or the Other.   BUY!


Shuggie Otis – Inter-Fusion (Cleopatra Records)
When everybody else in popular music is running, lemming-like, in a single direction, Shuggie Otis is veering off towards left field. For his first studio album in better than forty years, the songwriter responsible for soulful gems like “Strawberry Letter 23” and “Inspiration Information” delivers a mostly-instrumental set guaranteed to blow your  mind. A buffet of rock, soul, funk, and jazz, Inter-Fusion is a breathtaking collection of virtuosity, proof that Otis has lost none of the chops, imagination, or innovation that made him a legend in the first place.   BUY!

Sour Ops' Family Circuit

Sour Ops – Family Circuit (Feralette Records)
Contrary to conventional industry wisdom, rock ‘n’ roll ain’t dead – and Sour Ops proves my point with the delightfully raucous Family Circuit. Price Harrison and his musical gang take their obvious cues from the legends of classic ‘70s and ‘80s rock but manage to provide this original material with a contemporary spin via their imaginative songwriting and skilled instrumentation. In addition to Family Circuit, Sour Ops also released a fab 12” single this year comprised of “Photograph” and “Mind Like Glue,” two of the album’s best tunes and a safe bet for vinyl collectors looking for cheap thrills.   BUY!

The Textones' Old Stone Gang

The Textones – Old Stone Gang (Blue Elan Records)
The Textones’ Carla Olson put the original band back together for another shot at the brass ring, and their first new album in 30+ years sounds like they never really left the game. The band’s pioneering hybrid of rock, country, and a touch of soul (i.e. ‘Americana’) is much in evidence here and the Textones’ Old Stone Gang offers a lot of twang and bang for your buck. If you didn’t know them back in the ‘80s, you owe it to yourself to discover the band today.   BUY!

Wilko Johnson's Blow Your Mind

Honorable Mention: Arthur Buck’s Arthur Buck; Crack the Sky’s Living In Reverse; The Damned’s Evil Spirits, Alejandro Escovedo’s The Crossing; Graveyard’s Peace; Wilko Johnson’s Blow Your Mind; King Crimson’s Live In Vienna; King Gizzard & the Lizard Wizard’s Gumboot Soup; Uriah Heep’s Living the Dream; Barrence Whitfield’s Soul Flowers of Titan.

Friday, May 25, 2018

Short Rounds: Brinsley Schwarz, Eric Corne, Roger McGuinn & Shuggie Otis (2018)

Brinsley Schwarz's Live Favourites
New album releases in 150 words or less…

Brinsley Schwarz – Live Favourites (Vogon Records)
British pub-rock legends Brinsley Schwarz never released a live album during their brief time in the spotlight (roughly 1969-1975), and ‘tis more the shame. Any band that can boast of Nick Lowe and, later, Ian Gomm as songwriters is aces in my book, and band namesake Schwarz’s fretwork is uniformly superb. Why they never made a commercial splash over the course of half-dozen studio albums is a mystery. Live Favourites is a semi-legit release of a June 1974 show, shortly before the release of The New Favourites Of..., their final album, and it’s a spankin’ fine effort at that. Sound quality is good with clear separation while the setlist – which includes treasures like “Country Girl,” “Trying To Live My Life Without You,” and “What’s So Funny ‘Bout) Peace, Love and Understanding” – displays the band’s deft alchemical mix of rock, country, and soul; highly recommended for any rock ‘n’ roll fan. Grade: A   BUY IT!

Eric Corne's Happy Songs For the Apocalypse
Eric Corne – Happy Songs For the Apocalypse (Forty Below Records)
In his role as studio engineer and producer, Forty Below Records founder Eric Corne has shepherded into the world some of the most essential blues albums of the past decade by legends Walter Trout and John Mayall. Few know that Corne is also a talented singer and songwriter in his own right, as attested to by Happy Songs For the Apocalypse, which offers an inspired blend of country-flavored folk-rock with blues influences. Corne’s “Mad World” is a lilting, folkish song featuring weeping pedal steel. The bluesy “The Gilded Age” reminds of Charley Patton with its high lonesome vocals, languid fretwork, and flowing harmonica tones. My favorite is “The Distance You Run,” a sort of country waltz with spry vocals and intelligent lyrics while the anguished “Forbidden Town” is wrought with emotion. With his sophomore solo LP, the talented Eric Corne delivers an altogether solid effort of primo-grade American music. Grade: B+   BUY IT!

Roger McGuinn's Peace On You
Roger McGuinn – Peace On You (Floating World Records)
The Byrds’ estimable catalog is revered, and rightfully so. As for Byrds’ frontman Roger McGuinn’s solo work, well, not so much…and for good reason, as many of his LPs are littered by lack of focus. For Peace On You, the singer/songwriter’s sophomore album, he’s backed by the cream of L.A. session musicians, including guitarist Tommy Tedesco and steel guitar maestro Al Perkins. McGuinn delivers a work that veers from the engaging folk-rock of his legendary band to weepy, subpar country-rock fare that former bandmate Gram Parsons would have hit out of the park. Part of the problem sits with McGuinn’s songwriting partner Jacques Levy, a pal of Dylan’s who never met a lyrical cliché he didn’t like. McGuinn has long blamed the musical excesses of Peace On You on producer Bill Halverson when he should have looked in the mirror. Although the album has its charms, it’s no Cardiff Rose. Grade: C+   NAH?

Shuggie Otis's Inter-Fusion
Shuggie Otis – Inter-Fusion (Cleopatra Records)
When everybody else in popular music is running, lemming-like, in a single direction, Shuggie Otis is veering off towards left field. For his first studio album in better than forty years, the songwriter responsible for soulful gems like “Strawberry Letter 23” and “Inspiration Information” delivers a mostly-instrumental set guaranteed to blow your  mind. Working with talented journeymen like bassist Tony Franklin and drummer Carmine Appice, Otis puts the emphasis on his flamethrower fretwork, contributing only a pair of songs to Inter-Fusion but leaving his fingerprints all over the grooves. A buffet of rock, soul, funk, and jazz, Inter-Fusion is a breathtaking collection of virtuosity and, when Otis opens his mouth to sing as on “Ice Cold Daydream,” there’s little rust in his voice, just silky lyrical flow. Inter-Fusion is proof that Otis has lost none of the chops, imagination, or innovation that made him a legend in the first place. Grade: A   BUY IT!

Previously on That Devil Music.com:
Short Rounds, April 2018: Catfish, Jimmie Vaughan Trio, King Crimson & Memphis Rent Party
Short Rounds, March 2018: 6 String Drag, The Doors, the Nick Moss Band & Jack White
Short Rounds, February 2018: 6 String Drag, Tinsley Ellis, Mabel Greer's Toyshop & Wishbone Ash

Sunday, April 15, 2018

CD Preview: Shuggie Otis’s Inter-Fusion

Shuggie Otis’s Inter-Fusion
This one almost slipped by the ol’ Reverend – on April 20th, 2018 the amazing Shuggie Otis will be releasing a new album titled Inter-Fusion. Recorded with a monster rhythm section comprised of veteran rockers Carmine Appice (Vanilla Fudge, Cactus, Rod Stewart) on drums and bassist Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd), the album was produced by keyboardist Kyle Hamood of L.A. rockers Them Guns. Inter-Fusion will be available on CD, vinyl, and as a digital download.

Shuggie Otis, of course, is the brilliant singer, songwriter, and guitarist who created such magical musical moments as “Strawberry Letter 23” and “Inspiration Information.” Shuggie honed his chops playing with his legendary father Johnny Otis’s band during the ‘60s, and had his official “coming out party” with the 1969 release of Al Kooper’s Kooper Session album, which featured Otis’s stellar guitar playing. He subsequently recorded a trio of albums for Epic Records, including 1974’s landmark classic Inspiration Information. After appearing on his father’s 1981 album The New Johnny Otis Show, Shuggie all but disappeared from the frenzied rock music scene. He was still writing and recording music, but he was also raising a family and seemed to be in no hurry to undergo the sort of roadwork necessary to sustain a career.

Otis reappeared in 2013 to promote an expanded reissue of Inspiration Information, touring with his sons Eric and Nick and recording a live album, Live In Williamsburg, which was released in 2014. Inter-Fusion is Otis’s first album of new material in over 40 years, a mostly instrumental collection that features his skilled fretwork on what is being called a “fusion rock” project (a mix of funk, blues, soul, and rock ‘n’ roll). In a press release for the new album, Carmine Appice says “this was one of the wildest sessions I’ve ever done in my career!” while Tony Franklin adds “Shuggie loved to jam, and was very open to everyone’s input. He was not afraid to experiment and try new directions and sounds. I think the music sounds very fresh and alive.”

Producer Hamood offers his perspective, saying “watching the songs come together over such a short period of time, and the diversity that each band member brought to the overall sound and vibe was truly magical. It was an honor to work and create with such a talented group of musicians.” You can check out the promotional video embedded below for a taste of things to come. Heck, I’d walk across the street anytime to hear Shuggie play guitar, so I’ve already ordered my copy of the CD and you can get one yourself from Amazon.com.

Also on That Devil Music.com: Shuggie Otis - Live In Williamsburg CD review


Archive Review: Shuggie Otis's Live In Williamsburg (2014)

Shuggie Otis's Live In Williamsburg
Shuggie Otis, the son of R&B legend Johnny, was a true musical prodigy, the guitarist recording his first album at 16 and retiring from the rigors of the biz by age 30 with a handful of classic recordings comprising his canon. With the 2013 reissue of Otis’s landmark 1974 album Inspiration Information (which included Wings of Love, a bonus disc of unreleased recordings), Otis went back on the road after a three-decade hiatus, performing with a band that included his brother Nick on drums and son Eric Otis as second guitar. Live In Williamsburg offers a snapshot of a single performance from the guitarist’s “comeback” concerts, the document a welcome reminder of Otis’s unique musical voice and enormous talent.

Otis runs through a dozen of his best songs on Live In Williamsburg, the performances ranging from the soulful groove of Inspiration Information or the Chicago-styled, guitar-driven electric blues of "Sweetest Thang" to the psychedelic soul of "Wings of Love." The guitarist’s signature "Shuggie’s Boogie" displays Otis’s deft hand at traditional blues guitar while the exotic "Aht Uh Mi Hed" blends reggae rhythms with lush fretwork, wistful lyrics, and bleating horns to create a new R&B sound. Otis is best known, perhaps, for the sly funk of "Strawberry Letter 23," the song a 1977 Top Ten chart hit for the Brothers Johnson. Here Otis tones down the song’s rhythmic backbone slightly in favor of shimmering instrumentation and soulful vocals, creating a transcendent musical moment. Otis’s vocals and guitar playing show little or no rust here, displaying the same livewire electricity as his groundbreaking 1970s work, albeit tempered with experience and wisdom. (Cleopatra Records, released October 14, 2014)

Review originally published by The Blues magazine in the U.K.

Buy the CD from Amazon.com: Shuggie Otis's Live In Williamsburg

Thursday, May 28, 2015

Shuggie Otis Summer 2015 Tour

Shuggie Otis

Rhythm & Blues legend Shuggie Otis came out of retirement – or a really long hiatus, depending on how you look at it – a couple of years ago to perform his first live dates in years. The critically-acclaimed artist shook off the ring rust and managed to lay the smackdown on audiences with an exciting live show that included new takes on classic Otis songs like “Inspiration Information,” “Shuggie’s Boogie,” and “Strawberry Letter 23.” A brief 2014 tour led to Otis’s first concert album, Live In Williamsburg, which was released last year on CD, vinyl, and DVD.

Otis will hit the road again in July for a coast-to-coast barnstorming tour across North America. To give you an idea of the kind of show to expect, I wrote in my review of Live In Williamsburg for The Blues magazine (U.K.) that “Otis’s vocals and guitar playing show little or no rust here, displaying the same livewire electricity as his groundbreaking 1970s work, albeit tempered with experience and wisdom.” Shuggie possesses a unique musical voice and blues-based guitar style that incorporates elements of funk, soul, and rock ‘n’ roll unlike any artist before or since.

Shuggie Otis Live In Williamsburg
Shuggie Otis is the son of West Coast R&B legend Johnny and a true musical prodigy that learned not only from his father but also by performing and recording alongside legendary talents like Al Kooper, Etta James, Frank Zappa, and Bobby “Blue” Bland. Otis recorded his first album at age sixteen and largely retired from the business by age 30 with a handful of classic recordings to his name. The 2013 reissue of Otis’s landmark 1974 album Inspiration Information (which included Wings of Love, a bonus disc of unreleased recordings) led to renewed interest in the skilled singer, songwriter, and guitarist and, subsequently, to last year’s tour. If you’ve never seen Otis perform – and chances are that you haven’t – you’re going to want to catch one of the below-listed shows. You can thank me later... 

Shuggie Otis Tour Dates

07/05 @ City Winery, Napa CA 
07/10 @ Continental Club, Houston TX
07/11 @ Continental Club, Austin TX
07/12 @ DADA Club, Dallas TX
07/15 @ Rev Room, Little Rock AR
07/16 @ City Winery, Nashville TN
07/17 @ City Winery, Chicago IL
07/19 @ Ottawa Bluesfest, Ottawa CAN
07/20 @ Lee's Palace, Toronto CAN 
07/22 @ The Sinclair, Boston MA
07/23 @ Iron Horse, North Hampton MA
07/24 @ Brooklyn Bowl, Brooklyn NY
07/25 @ B.B. King Blues Club, New York NY 
07/26 @ The Egg, Albany NY
07/30 @ Ardmore Music Hall, Lancaster PA
07/31 @ Howard Theater, Washington DC
08/01 @ Lincoln Theatre, Raleigh NC
08/03 @ Georgia Terminal West, Atlanta GA
08/06 @ Vinyl, Pensacola FL

Friday, September 12, 2014

CD Preview: Shuggie Otis’s Live In Williamsburg

Shuggie Otis's Live In Williamsburg
When legendary guitarist Shuggie Otis returned to music last year after a hiatus of better than three decades, he hit the road in support of the deluxe reissue of his Inspiration Information album, which was packaged with a disc of unreleased music he’d been recording through the years titled Wings of Love. The set received nearly unanimous positive reviews and opened the door for the second (third?) chapter in Otis’s lengthy and storied career.

One of the stops on what Otis called the “Never Ending World Domination Tour” was at the Music Hall of Williamsburg in Brooklyn, New York. On October 14th, 2014 Cleopatra Records will release this stunning performance on CD as Live In Williamsburg. A twelve-track collection that features some of Otis’s best-loved songs (“Strawberry Letter 23,” “Inspiration Information,” and “Shuggie’s Boogie” among them), Live In Williamsburg shows that Shuggie has lost none of the enormous talent that once earned him an invitation to join the Rolling Stones as guitarist Mick Taylor’s replacement.

For this 2013 “comeback” tour, Otis was backed by a band that included his son Eric on guitar and his brother Nick on drums. "It was a great feeling having my brother and my two sons playing with me in various parts of the globe last year," says Otis in a press release for the live album. "They have their own music as well, and I love them, and am also very proud of them. It's special to play with them, and it was really important to me to capture one of our performances on record."
     
Then again, for Shuggie Otis, music has always been a family affair. The son of R&B legend Johnny Otis (“Willie & the Hand Jive,” “Mambo Boogie,” etc), Shuggie began playing guitar at the tender age of 11 years old, performing with his father’s band and playing on recording sessions by greats like Big Joe Turner and T-Bone Walker. "Growing up musically in my father's band was a blessing," says Shuggie. "I was getting my second set of guitar lessons through having to perform on stage." Although he was already a veteran of the West Coast R&B scene by the age of 15, the young Otis was “discovered” by musician and producer Al Kooper, who enlisted Shuggie to play on his acclaimed 1968 album Kooper Session: Al Kooper with Shuggie Otis.

A year later, Otis recorded his solo debut album, Here Comes Shuggie Otis, produced by his father, followed in 1971 by Final Flight, which included his original song “Strawberry Letter 23,” which would later become a major hit for the Brothers Johnson. Otis’s seminal album, Inspiration Information, was released in 1974 when the guitarist was only 21 years old, and has since been cited by artists like David Byrne, Prince, and Lenny Kravitz, among many others, as a major influence on their own music.

Throughout this period, Otis continued to expand and build upon his talents, playing and recording with artists like Frank Zappa, Etta James (one of his father’s many discoveries), Bo Diddley, Billy Preston, and Johnny “Guitar” Watson, among others. After appearing on his father’s 1981 album The New Johnny Otis Show, Shuggie all but disappeared from the frenzied rock music scene. He was still writing and recording music, but he was also raising a family and seemed to be in no hurry to undergo the sort of roadwork necessary to sustain a career in the 1980s and ‘90s.     

We’re thrilled that Otis, one of our longtime favorites, has returned to music, and word is that he’ll be touring again in support of Live In Williamsburg. Cleopatra Records also has plans to release the performance on DVD, but until that time, you owe it to yourself to check out one of the most visionary talents of the 1970s either in person, or on Live In Williamsburg. We have the full track list for the album below.

Shuggie Otis’s Live in Williamsburg track list:

1. Inspiration Information
2. Tryin' To Get Close To You
3. Aht Uh Mi Hed
4. Island Letter
5. Me And My Woman
6. Sparkle City - Miss Pretty
7. Sweetest Thang
8. Picture of Love
9. Wings of Love
10. Doin' What's Right
11. Shuggie's Boogie
12. Strawberry Letter 23

Buy the CD on Amazon.com: Shuggie Otis's Live In Williamsburg