Showing posts with label Elvin Bishop. Show all posts
Showing posts with label Elvin Bishop. Show all posts

Friday, May 28, 2021

CD Review: Alligator Records 50 Years of Genuine Houserockin’ Music (2021)

Alligator Records celebrates its 50th anniversary this year – no mean feat for a staunchly independent label – and they have good reason to be proud. The Chicago-based label has released a lot of great music in the five decades since that first Hound Dog Taylor record, and Alligator’s catalog of over 300 titles features some of the best and brightest roots ‘n’ blues artists that have traveled the backroads of America. 50 Years of Genuine Houserockin’ Music is budget-priced (three discs for under $30) anniversary box set offering up a whopping 58 songs and nearly four hours of music, taking the listener for an entertaining stroll through the label’s storied history.

Alligator Records: 50 Years of Genuine Houserockin’ Music


Disc one includes legends like the aforementioned Mr. Taylor (whose “Give Me Back My Wig” defined the label’s mission statement of “genuine houserockin’ music”); the great Koko Taylor (whose “I’m A Woman” puts Muddy in his place); and skilled guitarslingers like Albert Collins, Roy Buchanan, Fenton Robinson, and Johnny Winter, who explore a variety of styles. You’ll also find harp maestros Big Walter Horton and James Cotton, and much-beloved artists like Son Seals, Lonnie Brooks, Luther Allison, and Saffire – The Uppity Blues Women. Throw in some blues-rock jams by the Paladins, and honky-tonk piano-pounding by New Orleans legend Professor Longhair and you have a nearly-perfect 18-track album.

If that’s not enough to get yer motor revving into overdrive, disc two will melt your brain with incendiary tracks from talents like the late, great Michael “Iron Man” Burks, the always-rowdy Little Charlie & the Nightcats, and more harmonica wizardry from masters like Carey Bell and Billy Boy Arnold. Disc two showcases the label’s incredible diversity, mixing songs from soul-blues outfits like the Holmes Brothers and the Kinsey Report with performances by great singers like Janiva Magness, Mavis Staples, and the underrated Katie Webster. The legendary “Steady Rollin’” Bob Margolin is represented here, as are talented cats like Kenny Neal and Joe Louis Walker, and lesser-known but influential artists like Corey Harris and Michael Hill. Throw in some classic Zydeco from C.J. Chenier and a track from the innovative blues-rock outfit the Siegel-Schwall Band, among other fine performances, and you have 21 red-hot tunes that will torch your stereo speakers with pure flamethrower blues…

Still not enough for ya? Man, you drive a hard bargain…how ‘bout disc three and 21 houserockin’ tracks from skilled bluesmen and women like Marcia Ball, Billy Branch, Toronzo Cannon, and Roomful of Blues. There’s no shortage of skilled fretburners like Tinsley Ellis, Christone “Kingfish” Ingram, Selwyn Birchwood, and Coco Montoya to be found, and bands like Lil’ Ed & the Blues Imperials, the Nick Moss Band (featuring the extraordinary harp player Dennis Gruenling), Rick Estrin & the Nightcats, and Tommy Castro & the Painkillers are among the most popular (and hardest-working) blues gangs haunting your local juke-joint these past few years. Shemekia Copeland and Curtis Salgado are two of the most talented blues singers on the scene today, and you can’t overlook legends like Elvin Bishop, Charlie Musselwhite, and Guitar Shorty.

The Reverend’s Bottom Line


Altogether, 50 Years of Genuine Houserockin’ Music does a great job of documenting a half-century of Alligator Records’ irreplaceable and invaluable contribution to American music. The three-disc set includes a 40pp color booklet and provides the listener a veritable roadmap of the evolution of roots ‘n’ blues music over the past five decades. It’s a great sampler of the wealth of talent the label has to offer, and if you pick up this box set and don’t immediate order a dozen or so discs from the featured artists, I have to seriously question your taste in music…maybe you’d be happier with a shiny new Justin Bieber album? For the rest of us, there’s nothing but “genuine houserockin’ music” on the menu. Kudos to Alligator founder Bruce Iglauer and his staff for this incredible musical milestone! (Alligator Records, released June 18th, 2021)

Buy the CD from Amazon: 50 Years of Genuine Houserockin’ Music

Also on That Devil Music:
Bruce Iglauer - Bitten by the Blues book review
Alligator Records 45th Anniversary Collection CD review

Friday, October 2, 2020

Short Rounds: Elvin Bishop & Charlie Musselwhite, The Hangfires, Kursaal Flyers, Nick Lowe & Los Straitjackets, Toots & the Maytals (2020)

Elvin Bishop & Charlie Musselwhite's 100 Years of Blues
New album releases in 200 words or less…

Elvin Bishop & Charlie Musselwhite – 100 Years of Blues (Alligator Records)
Guitar maestro Elvin Bishop and harp wizard Charlie Musselwhite are both bona fide blues legends, and it’s a cryin’ shame that they’ve never made an album together until now. This pairing of two beloved bluesmen, both masters of their craft, is as much of a sure thing as you’ll find in these sorry times, and 100 Years of Blues doesn’t disappoint. The duo’s blending of blues and roots-rock goes down like honey mead, ol’ Charlie handling the heavy lifting on the hardcore blues tunes with his soulful vocals and fluid harmonica-play while ol’ Elvin tackles the humorous material with his usual aplomb, peppering every performance with gut-wrenching tone and texture. For instance, “Birds of A Feather” is an old-school blues jam with plenty of harmonica and guitar boogie; the pointed topical lyrics of “What the Hell” are delivered with Bishop’s slyly disarming vocals and Musselwhite’s instrumental counterpoint; and the instrumental “South Side Slide” gives both musicians a chance to shine while transporting the listener back to Chicago circa 1966. Much like Musselwhite’s recent recordings with Ben Harper, the collaboration of these two seasoned blues veterans makes sense, and if you dig either artist, you’re gonna love 100 Years of Blues! Grade: A   BUY!

The Hangfires' Curly Q
The Hangfires – Curly Q (Underground Treehouse Records)

Former Georgia Satellite Dan Baird has played with fellow-traveler Joe Blanton in the Bluefields for a few years, developing an impressive musical chemistry and songwriting shorthand that reveals itself in the grooves of Curly Q. A Covid-quarantine project, the Hangfires is a studio amalgam featuring Baird and Blanton on guitars and vocals, with keyboardist Jen Gunderman and drummer Greg Morrow, all four recording remotely and swapping files online. The result is unbelievably cohesive, the talented foursome making a near-seamless album of joyful noise that blends the twang ‘n’ bang of the Bluefields with the Keef-inspired throwback sound of the Satellites. Unbridled rockers like “The Good Part” or “Mama Thinks I’m Alright” provide the cheap thrills we need in these dark times, with zealous vox and stinging six-strings, while the slower-paced “Wild Imagination” blends soulful vocals with lush instrumentation, slashing fretwork, and thoughtful lyrics. Not just another bunch o’ guitar-happy rawkers, the Hangfires bring hard-won wisdom and intelligence to their lyrics to go alongside their raucous musical soundtrack. R.I.Y.L. The Georgia Satellite, Jason & the Scorchers, Drivin’ ‘N’ Cryin’ Grade: A   BUY!
Kursaal Flyers' Little Does She Know

Kursaal Flyers – Little Does She Know (RPM Records, U.K.)

Pub-rock, that uniquely British sound, never grabbed more than a cult following stateside, with Brinsley Schwarz, Ducks Deluxe, and Dr. Feelgood getting all the love. But Southend’s Kursaal Flyers were one of the better bands of the era, as proved by Little Does She Know, a four-disc, career-spanning box. Including three studio and a live album circa 1975-77, plus the band’s 1988 reunion LP, the set throws in another seventeen bonus tracks, including live performances, that showcase the Flyers’ inspired blend of roots-rock, power-pop, and British R&B that was incredibly progressive at the time. The band’s guitarist, Graeme Douglas, would go onto success with Eddie & the Hot Rods, singer Paul Shuttleworth found solo success, and drummer Will Birch formed world-beating power-poppers the Records before becoming an esteemed music journalist. Pub-rock built the foundation for the punk-rock kiddies of ’77 before melting into obscurity, but the Kursaal’s timeless sound still echoes across the ages. Grade: A   BUY!

Nick Lowe & Los Straitjackets' Walkabout
Nick Lowe & Los Straitjackets – Walkabout (Yep Roc Records)

On paper, the pairing of British rock legend Nick Lowe with Mexican wrestling mask-clad American rockers Los Straitjackets seems an odd couple but, in practice, it’s a match made in heaven. The guys in Los Straitjackets have the instrumental chops to capture the nuance and elegance of Lowe’s songs and, with a rock-solid band playing behind him, ol’ Nick can climb out on a limb now and then. Walkabout is a compilation album originally only released in Australia, collecting songs from Lowe’s recent EPs with the Straitjackets, including the swinging, jazz-tinged rockabilly swing of “Tokyo Bay” and a soulful cover of the Bee Gees’ “Heartbreaker.” Los Straitjackets strut their stuff with instrumental surf-rock covers of Lowe gems like “Half A Boy and Half A Man” and “(What’s So Funny ‘Bout) Peace, Love and Understanding.” A previously-unreleased live version of Nick’s “Heart of the City” closes out Walkabout with a bang! Grade: A   BUY!

Toots & the Maytals' Got To Be Tough
Toots & the Maytals – Got To Be Tough (Trojan Jamaica)

Reggae legend Toots Hibbert passed away in September from that damned Covid, but he left us one helluva parting gift. Got To Be Tough is the first Toots & the Maytals album in a decade, but it’s an uncompromising, tough-as-nails collection of roots, rock, and soul that will make your speakers smile in ecstasy. Even at 77, Hibbert’s rough-hewn vocals have diminished little in power or subtlety, and his original songs showcase his underrated songwriting ability. “Drop Off Head” is a chainsaw rocker and the defiant “Just Brutal” matches hurricane-strength vocals with sassy horns and socially-conscious lyrics. The title track is a masterpiece of roots-reggae with empowering lyrics while the haunting “Stand Accuse” displays Toots’ ability to mix strength and vulnerability in a single verse. Produced with a deft hand by Zak Starkey (Ringo’s son), who also contributes musically alongside some of Jamaica’s most talented, Got To Be Tough is a fitting coda to an amazing career that spanned six decades. R.I.P. Mr. Hibbert. Grade: A+   BUY!    

Crawling Up A Hill
Various Artists – Crawling Up A Hill (Grapefruit Records, U.K.)

Thanks to the good folks at Grapefruit Records, you can now do a deep-dive into the British blues boom circa 1966-1971 with Crawling Up A Hill. The three-disc, clamshell-boxed, 56-song collection offers plenty of the usual suspects – John Mayall’s Bluesbreakers, The Yardbirds, Fleetwood Mac, Ten Years After, Alexis Korner, Free, Taste (w/Rory Gallagher), Status Quo, and Savoy Brown – among its wealth of entries. It’s between these grooves that the set really shines, Grapefruit plucking jewels from the lesser-known likes of Love Sculpture, Steamhammer Medicine Head, Stack Waddy, Black Cat Bones, Blodwyn Pig, Skid Row (w/Gary Moore) and Killing Floor to paint a brilliant picture of the then-thriving scene. There are a few notable exclusions, (Jethro Tull, Zeppelin?) due to licensing, but throw in often-surprising obscurities like Heavy Jelly, Red Dirt, Levee Camp Moan, and Dr. K’s Blues Band and you have a collection well worth the roughly $30 price tag. Grade: A   BUY!

 

Previously on That Devil Music.com:
Short Rounds, May 2020: The Burrito Brothers, Richie Owens & the Farm Bureau, Webb Wilder, Lucinda Williams & X

Short Rounds, April 2020: Datura4, Dream Syndicate, Drivin’ N’ Cryin’, Bryan Ferry, Game Theory & Supersuckers

Short Rounds, March 2020: The Bluefields, Dave Clark Five, Marshall Crenshaw, Gwil Owen, Gary Moore & Watermelon Slim

Short Rounds, February 2020: Beach Slang, The Bar-Kays, Booker T. & the M.G.'s, Delaney & Bonnie, Mott the Hoople & Television Personalities

Tuesday, September 1, 2020

New Music Monthly: September 2020 releases

September is upon us and the new music is flying high in spite of the pandemic and the lack of live shows across the country. The next best thing to rockin' your local venue is getting your kicks with new music, so pick yer poison, kiddies! There's blues and roots music from the New Moon Jelly Roll Freedom Rockers, Grant-Lee Phillips, Ronnie Earl & the Broadcasters, and the adept pairing of legends Elvin Bishop and Charlie Musselwhite. There's classic prog-rock from King Crimson and Flying Colors; high-octane rawk from Bob Mould and the duo of James Williamson and Deniz Tek; and groovy reissues from Little Richard, Johnny Thunders, and the Rolling Stones. Who could ask for anything more? 

Release dates are probably gonna change and nobody tells me when they do. If you’re interesting in buying an album, just hit the ‘Buy!’ link to get it from Amazon.com...it’s just that damn easy! Your purchase puts valuable ‘store credit’ in the Reverend’s pocket that he’ll use to buy more music to write about in a never-ending loop of rock ‘n’ roll ecstasy! If you're boycotting Amazon and don't have an indie record store close by, may we suggest shopping with our friends at Grimey's Music in Nashville? They have a great selection of vinyl available by mail order, offer quick service, and if you don't see what you want on their website, check out their Discogs shop!

New Moon Jelly Roll Freedom Rockers' Volume 1

SEPTEMBER 4
King Crimson - The Elements 2020 Tour Box   BUY!
New Moon Jelly Roll Freedom Rockers - Volume 1 [w/Charlie Musselwhite, Alvin Youngblood Hart, Jimbo Mathus & friends!]   BUY!
Grant-Lee Phillips - Lightning, Show Us Your Stuff   BUY!
Throwing Muses - Sun Racket   BUY!

Ronnie Earl & the Broadcasters' Beyond the Blue Door

SEPTEMBER 11
Blitzen Trapper - Holy Smokes Future Jokes   BUY!
Doves - The Universal Want   BUY!
Ronnie Earl & the Broadcasters - Beyond the Blue Door   BUY!
The Flaming Lips - American Head   BUY!
Gasoline Lollipops - All the Misery Money Can Buy   BUY!
Marilyn Manson - We Are Chaos   BUY!
Mastodon - Medium Rarities   BUY!
Johnny Thunders - Que Sera Sera: Resurrected [3-CD box set]   BUY!

James Williamson & Deniz Tek's Two To One

SEPTEMBER 18
Ace of Cups - Sing Your Dream   BUY!
Flyer Colors - Third Stage: Live In London [prog-rock supergroup w/Steve Morse, Mike Portnoy & Neal Morse]   BUY!
Gazpacho - Fireworker   BUY!
Little Richard - King of Rock and Roll   BUY!
Little Richard - The Rill Thing   BUY!
Napalm Death - Throes of Joy In the Jaws of Defeatism   BUY!
Sugar Ray & the Bluetones w/Little Charlie - Too Far From the Bar   BUY!
James Williamson & Deniz Tek - Two To One   BUY!

Elvin Bishop & Charlie Musselwhite's 100 Years of Blues

SEPTEMBER 25
Ayreon - Transitus   BUY!
Elvin Bishop & Charlie Musselwhite - 100 Years of Blues   BUY!
Bruce Cockburn - True North (A 50th Anniversary Box Set) [vinyl reissue]   BUY!
Deftones - Ohms   BUY!
Thurston Moore - By the Fire   BUY!
Bob Mould - Blue Hearts   BUY!
The Pretty Things - Bare As Bone, Bright As Blood   BUY!
The Rolling Stones - Steels of Wheel Live [unreleased 1989 concert]   BUY!
Surfer Blood - Carefree Theatre   BUY!

 

The Pretty Things' Bare As Bone, Bright As Blood

Album of the Month: Man, there's a lot of great music to choose from this month but I'm going to have to go with the Pretty Things' Bare As Bone, Bright As Blood LP. The final recording by legendary PTs' frontman Phil May, this collection of acoustic performances is basically May and PTs' guitarist Dick Taylor, literally finished up days after Mays death in May 2020. This promises to be a fitting swansong to a great, unheralded band. Check out the latest issue of Ugly Things music zine for more info on May's enormous musical legacy.

Sunday, July 1, 2018

New Music Monthly: July 2018 Releases

The industry typically slows down during the dog days of summer, but July this year has a bounty of great music by some solid rock, blues, and Americana artists. For you blooze fans, check out new tunes by Rory Block, Boz Scaggs, and the Apocalypse Blues Revue. For the rockers among you, there are reissues of classic LPs by folks like Guadalcanal Diary, Soul Asylum, and the almighty Lords of the New Church as well as new jams from folks like Ty Segall, Willie Nile, and Peter Holsapple.

I didn't forget my Americana friends, either, the genre represented this month by the legendary Kinky Friedman's first album of new music in 40 years as well as platters by the Jayhawks and Elvin Bishop (which, to be fair, treads the fine line between Americana and blues). And for those folks that prefer their music on vinyl, how about reissues of albums by Rolling Stone bassist Bill Wyman, Americana star Jason Isbell, British space music pioneers Hawkwind, Swans, and U2?! No matter your taste in music, there's something this month for everybody!

If we wrote about it here on the site, there will be a link to it in the album title; if you want an album, hit the 'Buy!' link to get it from Amazon.com...it's just that damn easy! Your purchase puts money in the Reverend's pocket that he'll use to buy more music to write about in a never-ending loop of rock 'n' roll ecstasy!

Kinky Friedman's Circus of Life

JULY 6
The Animals - Animalisms   BUY!
Rory Block - A Woman's Soul   BUY!
Fate's Warning - Live Over Europe   BUY!
Kinky Friedman - Circus of Life [first new album in 40 years]   BUY!
Hawkwind - Live Hits [vinyl]   BUY!
The Nude Party - The Nude Party   BUY!
Wishbone Ash - Here to Hear (import)   BUY!

Elvin Bishop's Big Fun Trio's Something Smells Funky 'Round Here

JULY 13
Cowboy Junkies - All That Reckoning   BUY!
Elvin Bishop's Big Fun Trio - Something Smells Funky 'Round Here   BUY!
Guadalcanal Diary - At Your Birthday Party   BUY!
Jason Isbell - Sirens of the Ditch [vinyl reissue]   BUY!
The Jayhawks - Back Roads and Abandoned Motels   BUY!
Bill Wyman - Monkey Grip [vinyl reissue]   BUY!
Bill Wyman - Stone Alone [vinyl reissue]   BUY! 

Lords of the New Church

JULY 20
Apocalypse Blues Revue - The Shape of Blues To Come   BUY!
Lords of the New Church - Lords of the New Church: Special Edition   BUY!
Ty Segall & White Fence - Joy   BUY!
Soul Asylum - Made To Be Broken   BUY!
Soul Asylum - Say What You Will...Everything Can Happen   BUY!
Swans - Soundtracks For the Blind [vinyl reissue]   BUY!

Dee Snider's For the Love of Metal

JULY 27
Galen Ayers - Monument [daughter of Kevin Ayers]  BUY!
Drivin N Cryin' - Too Late To Turn Back Now [reissue]   BUY!
Peter Holsapple - Game Day   BUY!
Willie Nile - Children of Paradise   BUY!
Michael Romeo - War of the Worlds, Pt. 1   BUY!
Boz Scaggs - Out of the Blues   BUY!
Dee Snider - For the Love of Metal   BUY!
U2 - Achtung Baby [vinyl reissue]   BUY!
U2 - The Best of 1980-1990 [vinyl reissue]   BUY!
U2 - Zooropa [vinyl reissue]   BUY!


Album of the Month: In a month with promising new albums from both Peter Holsapple of the dB's and Willie Nile, I'm going to have to go with Nile's Children of Paradise. Although Holsapple is an extremely talented songwriter and musician, he hasn't released a solo album in 21 years, and his last recording altogether was six years ago, with the wonderful dB's 2012 reunion album Falling Off the Sky. We're not sure what we're going to get, we just figure that it's going to be good. With Nile, though, who has been cranking out new music every couple of years, the singer/songwriter may be at the top of his game; his songwriting pen is sharp and his lyrics insightful and concise, the music rockin' like nobody's business. If you could only afford one album this month, I'd go with the Willie Nile. But if you can squeeze two CD purchases into July, grab the Peter Holsapple disc, too...you'll be glad that you did!  

Saturday, February 4, 2017

CD Review: Elvin Bishop - Elvin Bishop's Big Fun Trio (2017)

Elvin Bishop's Big Fun Trio
Venerable roots ‘n’ blues legend Elvin Bishop has long since passed the point where he could comfortably rest on his laurels and play out the string, wherever it leads. As shown by Elvin Bishop’s Big Fun Trio, the follow-up to the singer, songwriter, and guitarist’s Grammy™-nominated 2014 album Can’t Even Do Wrong Right, there’s still a lot of joy in the music for Bishop, and he continues to look at fashionable new ways to dress up his tried-and-true signature sound.

Fear not, true believers, Mr. Bishop isn’t trying to reinvent the blues in, say, the same manner that Run the Jewels has challenged hip-hop traditions. Nor is he trying to appeal to younger listeners by radically changing his sound, attitude, or appearance…he’s still the same fun lovin’, happy-go-lucky Elvin that hundreds of thousands of fans around the world have come to love and respect as a sincere, talented Americana traditionalist.    

Elvin Bishop’s Big Fun Trio


No, what Bishop has done with Elvin Bishop’s Big Fun Trio is to alter the angle at which he approaches these songs. As he says in the album’s liner notes, he and a couple of buddies began jamming in the studio and it sounded so good and they were having such a good time that the ‘Big Fun Trio’ was formed with guitarist Bishop, singer and percussionist Willy Jordan, and pianist and guitarist Bob Welsh. The proof is in the grooves, as they say, and the album-opening “Keep On Rollin’” is a great example. A rollicking, humorous, mostly-spoken piece with Elvin and Willy trading verbal jabs, Welsh’s New Orleans-flavored piano runs are paired with a funky, foot-shuffling rhythm and Bishop’s jagged fretwork.

The fun continues with the scorching “Honey Babe,” a rockabilly-tinged romp that offers up some of Bishop’s finest guitar pickin’ and great tone. A solid reinvention of a song that originally appeared on Bishop’s 1974 album Let It Flow, it’s a fine showcase for the guitarist’s often-underrated talents. Jordan takes the microphone for the Chicago blues-styled rave-up “It’s You Baby,” his soulful vocals riding high atop Welsh’s juke-joint piano-pounding and guest Kim Wilson’s raging harp play. Bishop fills in with some red-hot licks, Jordan’s vox reaching Little Richard level intensity in a great performance that is certain to stomp listeners into submission in a club setting.

Bishop brings in another friend, harp wizard and Chicago blues legend Rick Estrin to blow some notes on the rockin’ “Delta Lowdown,” a spry instrumental that showcases Estrin’s immense skills and Welsh’s keyboard mastery. A cover of the Bobby Womack gem “It’s All Over Now” offers up Jordan’s lively vocals and a raucous, rhythmic arrangement that showcases Bishop’s stinging six-string  solos while Bishop’s rootsy sense of humor shines on the hilarious story-song “That’s What I’m Talkin’ About” as he and Jordan swap culinary-obsessed verses over a Southern-fried soundtrack. Friend and compatriot Charlie Musselwhite joins in on the biographical “100 Years of Blues,” a rowdy, low-slung history of the music that name-checks legends like Sonny Boy Williamson and Muddy Waters while Charlie blasts some mean harp and Bishop lays out some choice git licks above the shufflin’ rhythm.

The Reverend’s Bottom Line


Working in a stripped-down trio format, the song shorn of everything but the essence of the performance, what’s left is pure salt-of-the-earth roots ‘n’ blues. Bishop always sounds like he’s having fun in the studio, but with Elvin Bishop’s Big Fun Trio, the three musicians play with reckless abandon, reveling in the sheer joy of making music. Bishop could have begun phoning it in years ago and fans would still enjoy his immense talents and charisma; that he is still looking for new ways to excite himself and his bandmates musically is both the key to Bishop’s longevity and a testament to the heart and soul that he brings to every performance. Grade: B+ (Alligator Records, released February 10, 2017)

Buy the CD from Amazon.com: Elvin Bishop's Big Fun Trio

Sunday, January 29, 2017

New Music Monthly: February 2017 Releases

It may be  cold outside, but February's "New Music Monthly" offers up some scorching hot sides for the music lover's rock 'n' roll gratification! Black Star Riders' hard-rockin' third album Heavy Fire arrives this month, and roots 'n' blues veteran Elvis Bishop delivers joyful noise with Elvin Bishop's Big Fun Trio while new albums from the Sadies, Son Volt, Otis Taylor, and the Feelies are sure to please. Here's the music you'll be spending your hard-earned coin on in February!

Black Star Rider's Heavy Fire

FEBRUARY 3
Black Star Riders - Heavy Fire   BUY!
Communions - Blue   BUY!
The Soul of John Black - Early In The Moanin'   BUY!

Elvin Bishop's Big Fun Trio

FEBRUARY 10
Elvin Bishop - Big Fun Trio   BUY!
Arthur Lee - Arthur Lee   BUY!
Chuck Prophet - Bobby Fuller Died For Your Sins   BUY!
The Sadies - Northern Passages   BUY!

Otis Taylor's Fantasizing About Being Black

FEBRUARY 17
Merrell Fankhauser - Things   BUY!
Son Volt - Notes of Blue   BUY!
Otis Taylor - Fantasizing About Being Black   BUY!

Eric Gales' Middle of the Road

FEBRUARY 24
The Feelies - In Between   BUY!
Eric Gales - Middle of the Road   BUY!
Wesley Stace - Wesley Stace's John Wesley Harding (w/the Jayhawks)   BUY!

(Album release dates are subject to change without notice and they don't always let me know, so there...)

The Feelies' In Between

Album of the Month: The Feelies' In Between, the band's first album in six years. The Feelies reformed in 2016 in celebration of the band's 40th anniversary and the reissuing of their classic albums Time For A Witness and Only Life. The new LP promises more of the same avant-pop genius that inspired bands like R.E.M. and Yo La Tengo, among many others. Get a taste of the new Feelies album below.


Friday, November 4, 2016

Get “Real Gone” with Paul Butterfield & Timothy Leary This Black Friday!

Paul Butterfield Blues Band's Got A Mind To Give Up Living – Live 1966
Record Store Day’s November “Black Friday” event is rapidly becoming as big a deal as the original “Record Store Day” held every April. While there is a diverse selection of vinyl goodies available for purchase at your local indie retailer on Friday, November 25th, 2016 why not consider one of these daring releases from our friends at Real Gone Music?

The Paul Butterfield Blues Band’s sophomore effort East-West is now considered a classic blues-rock album, one upon which a lot of other musicians have built their own sound and careers. At the time of its release, though, East-West was a daring, adventuresome collection that grabbed the improvisational aspects of jazz and retro-fitted the concept to a Chicago blues framework. Featuring the raging harp play of frontman Butterfield, the band also boasted of two world class fretburners in guitarists Michael Bloomfield and Elvin Bishop, whose intertwined instruments broke through the barriers of blues tradition to soar into free-form jams with modal instrumental passages that were unlike anything previously heard in blues or rock ‘n’ roll.

Earlier this year, Real Gone released Got A Mind To Give Up Living – Live 1966, the first legit release of a legendary bootleg that captured the Paul Butterfield Blues Band in its full glory on the stage of Boston’s Unicorn Coffee House some 50 years ago, just prior to the release of East-West. The Reverend reviewed this live set back in July, and now Real Gone is making this longtime tape-traders’ favorite available for the very first time on vinyl.

This special “Black Friday” vinyl release adds four previously-unreleased songs that weren’t included on the CD, including red-hot covers of Percy Mayfield’s “Danger Zone” and the classic “In The Midnight Hour,” featuring the band’s bassist Jerome Arnold on vocals. With liner notes by Chris Morris that include new quotes from Bishop and keyboardist Mark Naftalin, as well as rare photos and re-mastered sound courtesy of Mike Milchner at SonicVision, Got A Mind To Give Up Living – Live 1966 will be released on “Butter” yellow and “Bloom” blue vinyl in a limited edition of 2,000 copies in a gatefold package.

Timothy Leary, Ralph Metzner, and Richard Alpert's The Psychedelic Experience
The other notable “Black Friday” release from Real Gone Music is the return of the notorious The Psychedelic Experience LP to vinyl. In the mid-1960s, authors and psychedelic experimenters Timothy Leary, Ralph Metzner, and Richard Alpert (a/k/a “Ram Dass”) wrote The Psychedelic Experience, a groundbreaking 1964 book based on The Tibetan Book of the Dead that addressed themes of death and rebirth in the context of the use of hallucinogenic drugs like LSD, psilocybin, and peyote. The three authors recorded an audio version of the book which was released by Broadside Records in 1966, the album proving to be a major influence on John Lennon of the Beatles, among many other musicians.

For the 50th anniversary of the original album’s release (it was reissued on CD in 2003 but has long been out-of-print), Real Gone is reissuing The Psychedelic Experience as a “Black Friday” exclusive as a limited edition of 1,700 copies on psychedelic magenta ‘splatter’ vinyl in a package that features the original album’s four-page insert and vintage album graphics. Look for both of these vinyl albums at your favorite vinyl sales location; check out the Real Gone Music website for more info.

Sunday, July 10, 2016

CD Review: The Paul Butterfield Blues Band’s Got A Mind To Give Up Living - Live 1966 (2016)

The Paul Butterfield Blues Band’s Got A Mind To Give Up Living
The Paul Butterfield Blues Band were musical trailblazers not because they were fusing blues music and rock ‘n’ roll unlike any band before them – John Mayall’s Bluesbreakers and the Yardbirds, among others, had already been doing so on the other side of the pond, even if they were relatively unknown to American audiences. No, Butterfield’s group was influential because they were the first interracial band to emerge from the 1960s, and they played Chicago blues with a rock ‘n’ roll edge that retained the emotional soul of the former and the unbridled energy of the latter.

The band was formed in Chicago in 1963 by homegrown blues fan Paul Butterfield and transplanted Oklahoman Elvin Bishop, both of who were ostensibly attending the University of Chicago at the time but, in reality, spent more time in the city’s notorious blues clubs than in classes. The offer of a regular performing gig prompted Butterfield to lure bassist Jerome Arnold and drummer Sam Lay from Muddy Waters’ band, and the Paul Butterfield Blues Band was formed. The band caught the eye of Elektra Records producer Paul Rothchild and, adding the phenomenal guitarist Michael Bloomfield to the line-up, they secured a record deal with the label and thus a legend was born.

The Paul Butterfield Blues Band’s Got A Mind To Give Up Living


After several misfires in the studio, the band released its self-titled debut album in late 1965; keyboardist Mark Naftalin was brought on board during the album’s recording sessions to expand the band’s sound. With Butterfield on the microphone and blowing a mighty blues harp (influenced by the likes of Junior Wells and Little Walter), Bloomfield adding his innovative lead guitar, Bishop providing solid rhythm guitar, and a seasoned rhythm section holding down the bottom end, the Paul Butterfield Blues Band quickly made a name for themselves as an electrifying and imaginative live outfit. Although the band’s debut album only rose to #123 on the Billboard album chart, it has since become a blues-rock touchstone and is widely considered one of the truly pioneering albums of the blues.

The band toured across the country in the wake of their debut album, appearing at the Newport Folk Festival in ’65 (even playing behind Bob Dylan); opening for the Jefferson Airplane in San Francisco; and hitting the east coast with a May 1966 performance at the Unicorn Coffee House in Boston, Massachusetts. By this time, Sam Lay had fallen ill and was replaced by jazz drummer Billy Davenport, himself an alumnus of Muddy Waters’ and Howlin’ Wolf’s bands. One of the Butterfield band’s rafter-shaking performances at the Unicorn Coffee House was recorded, the performance recently rediscovered and released on CD by the good folks at Real Gone Music as Got A Mind To Give Up Living – Live 1966. Previously unreleased – I can’t even find mention of this particular show in any of my bootleg LP references – this dynamite 13-track live set earns its legit release status.

Born In Chicago


Capturing the band at the peak of its performance skills, Got A Mind To Give Up Living offers up a mix of songs from the band’s debut and their upcoming musical tour de force, East-West, which was recorded and released later in 1966. Providing an hour-plus of low-fidelity, high-energy jams, the albums kicks off with a rattletrap instrumental vamp to introduce the band, jumping directly into an inspired take on Elmore James’ “Look Over Yonders Wall” that features Butterfield’s vibrant harp, Bloomfield’s stinging guitar licks, and the rhythm section’s rollicking instrumental backdrop. The band’s signature song, the Nick Gravenites-penned “Born In Chicago,” offers up a rowdy good time; Butterfield’s rapid-fire reading of the lyrics matched by a similarly fast-paced but multi-textured rhythm track, which itself is neatly embroidered by the frontman’s fluid harp playing.

“Love Her With A Feeling” is a vintage 1930s-era Tampa Red blues song famously covered by guitarist Freddie King; never recorded to album by Butterfield and crew, it’s delivered this night as a slow-burn Chicago blues dirge, Bloomfield’s amazing fretwork leaping out of the arrangement as Butterfield’s emotional vocals are underlined by his mournful harp and the band’s steady, traditional Chicago blues beat. Later recorded for East-West, “Get Out Of My Life, Woman” was written by New Orleans music legend Allen Toussaint, and the band evinces a funky Crescent City groove atop which Butterfield lays down his vocals and Naftalin adds his lively, melodic keyboard flourishes. With a similar vibe, the band’s cover of Smokey Robinson & the Miracles’ R&B gem “One More Heartache” is an up-tempo lil’ rocker that benefits from Davenport’s jazzy percussion and Butterfield’s upbeat vocals and brilliant accompanying harp.

The instrumental “Work Song,” also from the band’s then-forthcoming album, is a romping, stomping extended jam courtesy of jazz trumpeter Nat Adderley (brother of saxman Cannonball), the song allowing each of the band members to step into the spotlight for a little solo time. The performance never loses cohesion or energy, though (and the listener never loses interest, even after 12+ minutes). The title track here is one of the darker numbers from East-West, a real blues tear-jerker that features some of Butterfield’s most emotional and nuanced harp-play as well as Bloomfield’s frenetic guitar solos. The Muddy Waters’ blues standard “Got My Mojo Working” closes out the album, Arnold and Davenport laying down a fine shuffling groove that allows Butterfield’s harp and Bloomfield’s guitar to run free.

The Reverend’s Bottom Line


Let’s address the elephant in the room first, shall we? The sound on Got A Mind To Give Up Living is, to put it mildly, “less than perfect.” I have no doubt that engineer Mike Milchner did the best he had with the tapes he was provided, but as the old adage goes, “you can’t make a silk purse out of a sow’s ear.” Recording technology in 1966 was still in the cave-painting era, and whatever rig was used to capture this otherwise blistering performance was probably somewhat Neanderthal in nature. Bloomfield’s usually nuanced vocals are often washed out or redlined, too hot for the tape. There’s an overall echoed sound that club spelunkers will readily recognize, and more than a little fuzz growing on the cave walls, if you catch my meaning...

That being said, Got A Mind To Give Up Living documents a prime performance by the Paul Butterfield Blues Band, and there just ain’t that many of those around, Bunkie! Milchner seems to have brightened up the instruments so that, for instance, Butterfield’s wired harp playing and Bloomfield’s electrifying fretwork stand tall in the mix, while Davenport’s steady pounding of the skins provides an anchor for many of the performances. Arnold’s fluid bassplay is almost altogether lost in the din and distortion, and Bishop’s skilled rhythmic work is mostly indiscernible.

Longtime fans of Butterfield and Bloomfield will certainly appreciate the performance, but newcomers should probably start with The Paul Butterfield Blues Band and East-West albums before venturing into these waters. There’s no arguing, though, that at their prime the Butterfield gang was simply explosive on stage, and Got A Mind To Give Up Living captures the full megatonnage of the band’s performance. Grade: B+ (Real Gone Music, released June 3, 2016)

Buy the CD from Amazon.com: The Paul Butterfield Blues Band’s Got A Mind To Give Up Living - Live 1966 

Monday, April 25, 2016

Real Gone releases Paul Butterfield Blues Band and Fairport Convention live albums

Paul Butterfield Blues Band's Got A Mind To Give Up Living – Live 1966
Due to a quirk in European copyright laws, there’s a steady stream these days of semi-legit CD releases featuring rare, live performances by legendary artists like Steve Miller, Warren Zevon, Randy California, and Country Joe & the Fish (and those are only those that I’ve recently acquired). Caught in some gray area between authorized releases and underground bootlegs, these loophole CDs typically use FM radio broadcasts and/or live-in-the-studio performances as their source, so the sound quality of these dodgy discs is frequently lo-fi, and there’s typically little in the way of liner notes, photos, or other perks expected by those fans who still buy compact discs.

As much as we hardcore collectors may appreciate these releases, you can’t really beat the quality of the albums you get from a dedicated archive label like Real Gone Music. On June 3rd, 2016 the label will release the often-bootlegged but never surpassed Got A Mind To Give Up Living – Live 1966 by the legendary Paul Butterfield Blues Band. The first legitimate release of this classic performance, Real Gone has done Got A Mind To Give Up Living – Live 1966 up right, including rare photos and band memorabilia as well as liner notes by Chris Morris including new quotes from band members Elvin Bishop and Mark Naftalin.

Got A Mind To Give Up Living – Live 1966 presents the earliest incarnation of the Paul Butterfield Blues Band, featuring the band’s namesake on vocals and harmonica, and the incredible fretwork of guitarists Bishop and Michael Bloomfield. Recorded live in May 1966 at Boston’s Unicorn Coffee House, the band’s performance was two months before the release of their classic East-West album and features songs from that album, as well as tunes that would be recorded for subsequent albums, and a pair of previously-unreleased songs that were never recorded by the band. A significant historical find, Got A Mind To Give Up Living – Live 1966 is one that every blues fan is going to want to check out.

Fairport Convention's Live In Finland 1971
But Real Gone isn’t just rolling the Butterfield CD down the distribution highway and taking the rest of the month off, nosirree! Also on June 3rd, the label will be rescuing another gem from obscurity when they release Fairport Convention’s Live In Finland 1971on CD. Legitimizing another fan-fave bootleg, Live In Finland 1971 features the lesser-known – but no less talented – Fairport Convention line-up of guitarist Simon Nicol, bassist Dave Pegg, fiddler Dave Swarbrick, and drummer Dave Mattacks. This is the roster that recorded a pair of acclaimed but underrated studio albums in 1971’s Angel Delight and the conceptual “Babbacombe” Lee.

This post-Richard Thompson incarnation of the band shared vocals and, as displayed by Live In Finland 1971, they leaned harder toward the rock side of their trademark British folk-rock sound. Capturing the band performing in support of the U.K. Top 10 charting Angel Delight, Live In Finland 1971 features a set that includes fan favorites like “Sir Patrick Spens” and “Matty Groves” as well as rare tracks like “Mason’s Apron” and “Sir B. McKenzie’s Daughters Lament.” The Real Gone Music release of Live In Finland 1971 includes liner notes by noted rock historian Richie Unterberger that feature quotes from band members Simon Nicol and Dave Pegg as well as rare photos and memorabilia from the band’s archive. Both the Butterfield and Fairport sets feature re-mastered sound courtesy of Mike Milchner at SonicVision…so you really can’t go wrong with Real Gone!  

Paul Butterfield Blues Band - Got A Mind To Give Up Living – Live 1966 setlist:

1. Instrumental Intro
2. Look Over Yonders Wall
3. Born in Chicago
4. Love Her with a Feeling
5. Get Out of My Life, Woman
6. Never Say No
7. One More Heartache
8. Work Song
9. Coming Home Baby
10. Memory Pain
11. I Got a Mind to Give Up Living
12. Walking by Myself
13. Got My Mojo Working

Buy the CD from Amazon.com: Paul Butterfield Blues Band's Got A Mind To Give Up Living

+ + + + +

Fairport Convention - Live In Finland 1971 setlist:

1. Bridge Over the River Ash
2. The Journeyman's Grace
3. Mason's Apron
4. Sir Patrick Spens
5. Matty Groves
6. Sir B. McKenzie's Daughter's Lament
7. Sir William Gower

Buy the CD from Amazon.com: Fairport Convention's Live In Finland 1971

Sunday, October 26, 2014

CD Review: Elvin Bishop's Can't Even Do Wrong Right

Elvin Bishop's Can't Even Do Wrong Right
At this point in his lengthy career, roots ‘n’ blues legend Elvin Bishop is unlikely to bring about any sort of musical revolution. The guitarist has followed a pretty simple formula on albums like Red Dog Speaks and The Blues Rolls On, and over most of the past 20 or so years, really – a bit of good-natured humor, a little heartfelt emotion, a few inspired cover songs, and plenty of greasy git licks. It’s not a particularly innovative formula, but Bishop’s not out to set the woods on fire, he’s just trying to have a good time and play some entertaining music.

And entertaining it is…Bishop’s latest, Can’t Even Do Wrong Right, is the perfect showcase for the guitarist’s bawdy humor and his signature musical blend of twang ‘n’ bang. Marking his return to the Alligator Records label after an absence of better than a decade, Bishop teams up with some old pals – singer Mickey Thomas (he of “Fooled Around And Fell In Love” fame) and harp player Charlie Musselwhite – to crank out a set of songs that offer the perfect mix of talent, blues tradition, and humor.

The title track is a jocular tale of a sad sack named “Maurice” who always finds himself in hot water, the humorous lyrics matched by Bishop’s swinging vocals and engaging fretwork. A cover of the legendary Little Walter’s “Blues With A Feeling” substitutes Bishop’s raging guitarplay for Walter’s dancing harp, while Musselwhite brings his best game for “Old School,” a statement of defiance by a couple of aging bluesmen that offers up plenty of red-hot instrumentation and as funky a groove as you’ll ever hear.

Mickey Thomas takes the microphone for the original “Let Your Woman Have Her Way,” an effective ballad with torch vocals and Bishop’s subtle, elegant fretwork. Fat Domino’s “Bo Weevil” is a New Orleans-styled romp with crackling accordion and undeniable rhythm. Bishop is an underrated instrumentalist, his six-string skills often overshadowed by his playful charisma. As shown by Can’t Even Do Wrong Right, though, while the guitarist may joke around a bit, deep in the grooves where it counts, he’s all business…and Bishop seldom fails to bring energy and passion to his performances.

Buy the CD from Amazon.com: Elvin Bishop's Can't Even Do Wrong Right