Lotsa great music this month, with new tunes from friends old and new like Wilco, the Wildhearts, Joseph Arthur, the Muffs, Swans, and others. Not enough? How 'bout a new album from prog-rock supergroup Flying Colors (with Steve Morse, Neil Morse, and Mike Portnoy)? The first new LP in decades from glam-rockers Angel? A new set from Mississippi bluesman Jimmy "Duck" Holmes (produced by Dan Auerbach of the Black Keys)? Maybe archive releases and reissues from Frank Zappa, Jethro Tull, Neil Young, and Big Star will scratch that itch. No? There's just no pleasing you people...
Release dates are subject to change and nobody tells me when they do. If you’re interesting in buying an album, just hit the ‘Buy!’ link to
get it from Amazon.com...it’s just that damn easy! Your purchase puts
valuable ‘store credit’ in the Reverend’s pocket that he’ll use to buy
more music to write about in a never-ending loop of rock ‘n’ roll
ecstasy!
OCTOBER 4
Angel - Risen BUY!
Flying Colors - Third Degree [prog supergroup w/Steve Morse, Neal Morse & Mike Portnoy] BUY!
North Mississippi Allstars - Up and Rolling BUY!
that dog. - Old LP BUY!
Wilco - Ode To Joy BUY!
The Wildhearts - Diagnosis EP BUY!
OCTOBER 11
808 State - Transmission Suite BUY!
Joseph Arthur - Come Back World BUY!
Babymetal - Metal Galaxy BUY!
Kim Gordon - No Home Record BUY!
Lacuna Coil - Black Anima BUY!
Vinnie Moore - Soul Shifter BUY!
OCTOBER 18
Alter Bridge - Walk the Sky BUY!
Fastball - The Help Machine BUY!
Rob Halford - Celestial BUY!
Jimmy "Duck" Holmes - Cypress Grove [produced by Dan Auerbach] BUY!
Jim James - The Order of Nature BUY!
Jethro Tull - Stormwatch [40th anniversary box] BUY!
Mark Lanegan Band - Somebody's Knocking BUY!
Refused - War Music BUY!
OCTOBER 25
Jan Akkerman - Close Beauty BUY!
Big Star - In Space [CD & vinyl reissue] BUY!
Longwave - If We Ever Live Forever BUY!
The Muffs - No Holiday BUY!
Grace Potter - Daylight BUY!
Sunn O))) - Pyroclasts BUY!
Swans - Leaving Meaning BUY!
Neil Young & Crazy Horse - Colorado BUY!
Frank Zappa - Halloween 73 BUY!
Album of the Month: Big Star's In Space, a reissue of the band's 2005 "reunion" album on both CD and vinyl. Big Star founder Alex Chilton had put together a new version of the band a decade previous, built around original drummer Jody Stephens and the talented duo of Jonathan Auer and Ken Stringfellow from the Posies. In Space was the only studio LP released by this line-up and would prove to be Chilton's last album released before his death in 2010. Although it's often criticized as no better than a Chilton solo album, one has to ask "what's wrong with that?"
Showing posts with label Big Star. Show all posts
Showing posts with label Big Star. Show all posts
Tuesday, October 1, 2019
New Music Monthly: October 2019 releases
Labels:
#newreleases,
Angel,
Big Star,
Frank Zappa,
Jethro Tull,
Joseph Arthur,
Kinky Friedman,
Mark Lanegan,
Neil Young,
New Music Monthly,
North Mississippi Allstars,
Rob Halford,
Swans,
Vinnie Moore
Location:
Buffalo, Rust Belt, USA
Sunday, February 10, 2019
Short Rounds: Pete Berwick, Big Star, Ted Drozdowski, Walter Trout & Watermelon Slim (2019)
New album releases in 150 words or less…
Pete Berwick – Island (Shotgun Records)
Second-generation country outlaw Pete Berwick made his bones playing the honky-tonks and juke-joints that existed on the fringes of late 20th century Nashville. Berwick’s intelligent wordplay has always been his strength and previous albums like Ain’t No Train Outta Nashville show that he could rock a bit as well. Island is a departure for Berwick, a collection of mostly-introspective, insightful mid-tempo tunes that lean more country than rock, more blues than folk. You can’t argue with the results, songs like “Anyway” and “Island” speaking to the heartbreak of love and loneliness while “The Streets of Pasadena” is country tear-jerker worthy of George or Merle. “One Setback At A Time” gallops by comparison, the song a statement of defiance set to a lush soundtrack that would make it a hit single in a more enlightened era. Island is Berwick’s most melodic and mature album yet, a masterwork from a unique craftsman. Grade: A+ BUY!
Big Star – Live On WLIR (Omnivore Recordings)
After the release of 1974’s sophomore effort Radio City, power-pop pioneers Big Star sojourned to Ultrasonic Studios in Long Island, NY to record this live-in-the-studio radio broadcast. Although this performance was previously released by RykoDisc as Live, it’s been out-of-print for the better part of a quarter-century until rescued by the good folks at Omnivore. Working from the original studio session tapes, the often-bootlegged performance captured by Live On WLIR displays all the rawness and immediacy of the radio broadcast but provided a modern-sounding sonic clean-up. The then-new line-up of Alex Chilton, John Lightman, and Jody Stephens crank out an energetic 14-song set that includes “September Gurls,” “Mod Lang,” “Thirteen,” and “I’m In Love With A Girl,” classic tunes upon which the Big Star mythology would later be built. If you’re a fan of Big Star and/or power-pop and don’t have Live On WLIR, what are you waiting for? Grade: A BUY!
Ted Drozdowski – Coyote Motel (Dolly Sez Woof Records)
Nashville-by-way-of-Boston blues guitarist Ted Drozdowski steps aside from his regular band the Scissormen to explore the outer edge of Americana with Coyote Motel. Not surprisingly, given his status as a well-respected music journalist, Drozdowski is a superb, if underrated lyricist and his intelligent story-songs here are accompanied by apt, imaginative music and wickedly effective six-string play. The based-on-a-true-story “Still Among the Living” benefits from Drozdowski’s devastating fretwork, somber vocals, and an overall ominous vibe. The “whimsical” apocalyptic tale “Los Alamos” is deceptively poetic with a maddening riff. The heartfelt “My Friend” is a powerful tribute to R&B great “Mighty” Sam McClain while the anti-racism ode “Jimmy Brown” is an artistic maelstrom, roaring with a punkish fury. Altogether, Coyote Motel is a hell of a lot of fun, a near-perfect fusion of blues, country, rock, and folkish elements that shouldn’t work but instead sounds like Drozdowski invented the entire Americana genre. Grade: A BUY!
Walter Trout – Survivor Blues (Provogue Music)
Contemporary blues artists stand on the shoulders of giants, and the great Walter Trout pays tribute to some of these legendary talents with Survivor Blues. Not your run-of-the-mill covers album with predictable results, the guitarist digs deep into blues history to unearth long-hidden gems by often-overlooked talents like Sunnyland Slim, Luther Johnson, and J.B. Lenoir, among others, each performance provided Trout’s unique creative spin. Trout inhabits Chicago bluesman Jimmy Dawkins’ “Me, My Guitar, and the Blues” with soaring solos while Floyd Lee’s “Red Sun” is a potent blues-rock stomp with classic rock riffs. Guitarist Robbie Krieger of the Doors sits in on Mississippi Fred McDowell’s country-blues classic “Goin’ Down To the River,” providing elegant solos above Trout’s hypnotic riffs. The twelve tracks chosen by Trout for Survivor Blues serve as a primer for the genre, each performance imbued with the passion and sincerity that has long been the guitarist’s trademark. Grade: A BUY!
Check out the Reverend’s interview with Walter Trout on the Rock and Roll Globe website!
Watermelon Slim – Church of the Blues (Northern Blues Music)
Erudite singer/songwriter Watermelon Slim worships at the Church of the Blues, delivering his typically droll brand of roots-rock and traditional blues music with whip-smart lyrics and no little insight. Slim is fronting a trio here, but he’s joined in the studio by a wealth of musical talent including legendary guitarists Bob Margolin and Joe Louis Walker and soul-blues singer John Nemeth. The results are stunning, Slim layering his half-spoken, half-sung Okie drawl and greasy slide-guitar atop original tracks like the topical “Charlottesville (Blues For My Nation),” “Too Much Alcohol,” and “Post Modern Blues” as well as covering gems from legends like Muddy Waters, Allen Toussaint, Mississippi Fred McDowell, and Howlin’ Wolf. Church of the Blues provides the listener with an entertaining, spiritual experience that rocks like a tent revival, Watermelon Slim a true believer preaching the power of the blues. Grade: A BUY!
Previously on That Devil Music.com:
Short Rounds, January 2019: Badfinger, Big Brother & the Holding Company, Billy Bremner, Dave Davies & Midnight Oil
Short Rounds, December 2018: Doug Deming, Tom Guerra, Handsome Jack, Tom Morello, NRBQ & Unicorn
Short Rounds, November 2018: Joe Bonamassa, Peter Holsapple & Alex Chilton, Winston Jarrett, Permanent Green Light, The Posies & Rolling River Royalty
Pete Berwick – Island (Shotgun Records)
Second-generation country outlaw Pete Berwick made his bones playing the honky-tonks and juke-joints that existed on the fringes of late 20th century Nashville. Berwick’s intelligent wordplay has always been his strength and previous albums like Ain’t No Train Outta Nashville show that he could rock a bit as well. Island is a departure for Berwick, a collection of mostly-introspective, insightful mid-tempo tunes that lean more country than rock, more blues than folk. You can’t argue with the results, songs like “Anyway” and “Island” speaking to the heartbreak of love and loneliness while “The Streets of Pasadena” is country tear-jerker worthy of George or Merle. “One Setback At A Time” gallops by comparison, the song a statement of defiance set to a lush soundtrack that would make it a hit single in a more enlightened era. Island is Berwick’s most melodic and mature album yet, a masterwork from a unique craftsman. Grade: A+ BUY!
Big Star – Live On WLIR (Omnivore Recordings)
After the release of 1974’s sophomore effort Radio City, power-pop pioneers Big Star sojourned to Ultrasonic Studios in Long Island, NY to record this live-in-the-studio radio broadcast. Although this performance was previously released by RykoDisc as Live, it’s been out-of-print for the better part of a quarter-century until rescued by the good folks at Omnivore. Working from the original studio session tapes, the often-bootlegged performance captured by Live On WLIR displays all the rawness and immediacy of the radio broadcast but provided a modern-sounding sonic clean-up. The then-new line-up of Alex Chilton, John Lightman, and Jody Stephens crank out an energetic 14-song set that includes “September Gurls,” “Mod Lang,” “Thirteen,” and “I’m In Love With A Girl,” classic tunes upon which the Big Star mythology would later be built. If you’re a fan of Big Star and/or power-pop and don’t have Live On WLIR, what are you waiting for? Grade: A BUY!
Ted Drozdowski – Coyote Motel (Dolly Sez Woof Records)
Nashville-by-way-of-Boston blues guitarist Ted Drozdowski steps aside from his regular band the Scissormen to explore the outer edge of Americana with Coyote Motel. Not surprisingly, given his status as a well-respected music journalist, Drozdowski is a superb, if underrated lyricist and his intelligent story-songs here are accompanied by apt, imaginative music and wickedly effective six-string play. The based-on-a-true-story “Still Among the Living” benefits from Drozdowski’s devastating fretwork, somber vocals, and an overall ominous vibe. The “whimsical” apocalyptic tale “Los Alamos” is deceptively poetic with a maddening riff. The heartfelt “My Friend” is a powerful tribute to R&B great “Mighty” Sam McClain while the anti-racism ode “Jimmy Brown” is an artistic maelstrom, roaring with a punkish fury. Altogether, Coyote Motel is a hell of a lot of fun, a near-perfect fusion of blues, country, rock, and folkish elements that shouldn’t work but instead sounds like Drozdowski invented the entire Americana genre. Grade: A BUY!
Walter Trout – Survivor Blues (Provogue Music)
Contemporary blues artists stand on the shoulders of giants, and the great Walter Trout pays tribute to some of these legendary talents with Survivor Blues. Not your run-of-the-mill covers album with predictable results, the guitarist digs deep into blues history to unearth long-hidden gems by often-overlooked talents like Sunnyland Slim, Luther Johnson, and J.B. Lenoir, among others, each performance provided Trout’s unique creative spin. Trout inhabits Chicago bluesman Jimmy Dawkins’ “Me, My Guitar, and the Blues” with soaring solos while Floyd Lee’s “Red Sun” is a potent blues-rock stomp with classic rock riffs. Guitarist Robbie Krieger of the Doors sits in on Mississippi Fred McDowell’s country-blues classic “Goin’ Down To the River,” providing elegant solos above Trout’s hypnotic riffs. The twelve tracks chosen by Trout for Survivor Blues serve as a primer for the genre, each performance imbued with the passion and sincerity that has long been the guitarist’s trademark. Grade: A BUY!
Check out the Reverend’s interview with Walter Trout on the Rock and Roll Globe website!
Watermelon Slim – Church of the Blues (Northern Blues Music)
Erudite singer/songwriter Watermelon Slim worships at the Church of the Blues, delivering his typically droll brand of roots-rock and traditional blues music with whip-smart lyrics and no little insight. Slim is fronting a trio here, but he’s joined in the studio by a wealth of musical talent including legendary guitarists Bob Margolin and Joe Louis Walker and soul-blues singer John Nemeth. The results are stunning, Slim layering his half-spoken, half-sung Okie drawl and greasy slide-guitar atop original tracks like the topical “Charlottesville (Blues For My Nation),” “Too Much Alcohol,” and “Post Modern Blues” as well as covering gems from legends like Muddy Waters, Allen Toussaint, Mississippi Fred McDowell, and Howlin’ Wolf. Church of the Blues provides the listener with an entertaining, spiritual experience that rocks like a tent revival, Watermelon Slim a true believer preaching the power of the blues. Grade: A BUY!
Previously on That Devil Music.com:
Short Rounds, January 2019: Badfinger, Big Brother & the Holding Company, Billy Bremner, Dave Davies & Midnight Oil
Short Rounds, December 2018: Doug Deming, Tom Guerra, Handsome Jack, Tom Morello, NRBQ & Unicorn
Short Rounds, November 2018: Joe Bonamassa, Peter Holsapple & Alex Chilton, Winston Jarrett, Permanent Green Light, The Posies & Rolling River Royalty
Labels:
#bluesmusic,
#classicrock,
Big Star,
CD Review,
Pete Berwick,
Short Rounds,
Ted Drozdowski,
Walter Trout,
Watermelon Slim
Location:
Buffalo, Rust Belt, USA
Tuesday, January 1, 2019
New Music Monthly: January 2019 Releases
Meager pickings await the music lover with the passing of a new year, but January often means quality over quantity, and while there’s not an abundance of fresh tunes coming your way this month, who can complain about new albums from Walter Trout, the Flesh Eaters, and Watermelon Slim as well as archive releases by Soul Asylum and Big Star? January will be easier on your bank account, but will tickle your ears nonetheless!
If we wrote about it here on the site, there will be a link to it in the album title; if you want an album, hit the ‘Buy!’ link to get it from Amazon.com...it’s just that damn easy! Your purchase puts money in the Reverend’s pocket that he'll use to buy more music to write about in a never-ending loop of rock ‘n’ roll ecstasy!
JANUARY 4
Gaye Adegbalola - The Griot BUY!
JANUARY 11
The Delines - The Imperial BUY!
Eric Schenkman - Who Shot John? BUY!
Soilwork - Verkligheten BUY!
JANUARY 18
Deerhunter - Why Hasn't Everything Already Disappeared? BUY!
The Flesh Eaters - I Used To Be Pretty BUY!
Guster - Look Alive BUY!
Juliana Hatfield - Weird BUY!
Joe Jackson - Fool BUY!
Pedro the Lion - Phoenix BUY!
Soul Asylum - While You Were Out/Clam Dip & Other Delights BUY!
JANUARY 25
Big Star - Live On WLIR BUY!
Michael Franti & Spearhead - Stay Human, Vol. II BUY!
Steve Hackett - At the Edge of Light BUY!
Rival Sons - Feral Roots BUY!
Walter Trout - Survivor Blues BUY!
Watermelon Slim - Church of the Blues BUY!
Album of the Month: Walter Trout’s Survivor Blues. The talented fretburner follows up on 2017’s critically-acclaimed album We're All In This Together with an inspired collection of vintage blues tunes. Trout doesn’t settle for the low-hanging fruit, however, eschewing the usual blues standards in favor of more obscure tracks by legends like Jimmy Dawkins, Sunnyland Slim, J.B. Lenoir, and Otis Rush, among others. Silk-toned soul-blues vocalist Sugaray Rayford guest stars on Luther Johnson’s “Woman Don’t Lie” while Robbie Krieger of the Doors appears on Mississippi Fred McDowell’s “Goin’ Down To the River.” I’ve heard Survivor Blues and suffice it to say, Walter has another hit on his hands!
If we wrote about it here on the site, there will be a link to it in the album title; if you want an album, hit the ‘Buy!’ link to get it from Amazon.com...it’s just that damn easy! Your purchase puts money in the Reverend’s pocket that he'll use to buy more music to write about in a never-ending loop of rock ‘n’ roll ecstasy!
JANUARY 4
Gaye Adegbalola - The Griot BUY!
JANUARY 11
The Delines - The Imperial BUY!
Eric Schenkman - Who Shot John? BUY!
Soilwork - Verkligheten BUY!
JANUARY 18
Deerhunter - Why Hasn't Everything Already Disappeared? BUY!
The Flesh Eaters - I Used To Be Pretty BUY!
Guster - Look Alive BUY!
Juliana Hatfield - Weird BUY!
Joe Jackson - Fool BUY!
Pedro the Lion - Phoenix BUY!
Soul Asylum - While You Were Out/Clam Dip & Other Delights BUY!
JANUARY 25
Big Star - Live On WLIR BUY!
Michael Franti & Spearhead - Stay Human, Vol. II BUY!
Steve Hackett - At the Edge of Light BUY!
Rival Sons - Feral Roots BUY!
Walter Trout - Survivor Blues BUY!
Watermelon Slim - Church of the Blues BUY!
Album of the Month: Walter Trout’s Survivor Blues. The talented fretburner follows up on 2017’s critically-acclaimed album We're All In This Together with an inspired collection of vintage blues tunes. Trout doesn’t settle for the low-hanging fruit, however, eschewing the usual blues standards in favor of more obscure tracks by legends like Jimmy Dawkins, Sunnyland Slim, J.B. Lenoir, and Otis Rush, among others. Silk-toned soul-blues vocalist Sugaray Rayford guest stars on Luther Johnson’s “Woman Don’t Lie” while Robbie Krieger of the Doors appears on Mississippi Fred McDowell’s “Goin’ Down To the River.” I’ve heard Survivor Blues and suffice it to say, Walter has another hit on his hands!
Labels:
#newreleases,
Big Star,
Guster,
Joe Jackson,
Julianna Hatfield,
Leo Bud Welch,
New Music Monthly,
Soilwork,
Steve Hackett,
The Flesh Eaters,
Walter Trout,
Watermelon Slim
Location:
Buffalo, Rust Belt, USA
Monday, December 17, 2018
The Rev's Favorite Archive and Reissue Albums of 2018
The Reverend listens to a heck of a lot of music over the course of any single year – a half-dozen albums a day, typically – and I spend way too much money on CDs and vinyl records each month. Or maybe I don’t spend enough, who’s to judge? A lot of that spending goes towards archival releases and, along with the handful of promotional albums I get for review, an inordinate amount of time is spent each day listening and groovin’ to archival releases and album reissues.
There’s a lot of great vintage music from the 1960s, ‘70s, and ‘80s being made available again on vinyl these days, or on CD for the first time, and the follow dozen selections aren’t necessarily the “best” of 2018 but rather those that were my favorite releases for the year, as well as another ten “honorable mention” discs that fell just short. Any of these albums would make a great addition to your music library. Check out the Rev’s lists of favorite rock ‘n’ roll and blues music albums from 2018 while you’re here!
Big Star – Live at Lafayette’s Music Room (Omnivore Recordings)
Sounding more like a pretty good audience bootleg than a sterile soundboard recording, Big Star’s Live At Lafayette’s Music Room still does an admirable job of capturing the band’s live dynamic and preserving it for modern ears. Representing an undeniable invaluable addition to the band’s canon, Live At Lafayette’s Music Room is an entertaining collection for those of us too young to have seen Big Star in the band’s prime. BUY!
The Damnation of Adam Blessing – The Damnation of Adam Blessing (Exit Stencil Records, vinyl reissue)
The heavy, psych-drenched guitar rock and molten sludge riffs of the self-titled 1969 debut album by Cleveland, Ohio’s The Damnation of Adam Blessing was easily five years ahead of its time. The band’s complex, textured, and highly-amplified hard rock sound reminds of Blue Cheer while beating Black Sabbath to the gates of doom with guitarists Bob Kalamasz’s blistering leads and Jim Quinn’s thick rhythmic designs. One of the great overlooked bands of the era finally gets the reissue treatment (Exit Stencil also reissued the band’s sophomore album, Second Damnation, this year). BUY!
Guadalcanal Diary – At Your Birthday Party (Omnivore Recordings)
Guadalcanal Diary was often overshadowed by upstarts like Pylon or R.E.M. but, truth is, they were a damn fine studio outfit and even better live rock band. Taken from a pair of January 1998 reunion shows in Atlanta, At Your Birthday Party was originally released independently by the band. Omnivore’s reissue puts the album back in print after almost 20 years, providing wider distribution for this entertaining disc. Like the college rock radio playlist of your misspent youth, At Your Birthday Party is a very fine present, indeed. BUY!
Moby Grape – 20 Granite Creek (WEA International)
Yeah, it’s a Japanese import and hard to find (check Amazon), but this long-overdue CD reissue of the legendary Moby Grape’s 1971 “reunion” album 20 Granite Creek is a throwback to the band’s critically-acclaimed self-titled debut of four years earlier and, by most estimations, second only to that 1967 debut album in terms of performance and song quality. With the enigmatic Skip Spence back in the fold, albeit temporarily, longtime Grape members Peter Lewis, Jerry Miller, James Mosley, and Don Stevenson, along with new guy Gordon Stevens, played like their career depended on it…and in many ways, it did, as it was the band’s final studio work for over a decade. BUY!
Permanent Green Light – Hallucinations (Omnivore Recordings)
At the end of his legendary “Paisley Underground” band the Three O’Clock, Michael Quercio went looking for new rock ‘n’ roll cheap thrills. He formed obscure psych-rockers Permanent Green Light, which released a handful of singles and a full-length album, building a loyal West Coast following before breaking up. Hallucinations compiles sixteen of the band’s best performances, including three previously-unreleased demos, all of which rocks with an urgency, creativity, and honesty directly in opposition to most ‘90s era bands. Hallucinations is an exceptional collection of guitar-rock from one of the best bands you never heard. BUY!
The Posies – Dear 23 (Omnivore Recordings)
One of the great overlooked bands of the ‘90s, avowed Big Star acolytes the Posies took Alex Chilton’s ‘60s-bred power-pop sensibilities and blew the sound up large for the grunge decade. This approach left the band woefully out-of-date at the time, but their music became timeless as a result. The album’s British Invasion influences and charming songwriting on Dear 23 – courtesy of the band’s Jonathan Auer and Ken Stringfellow – is ready-made for the tuneless 21st century, its original ten tracks wonderfully melodic, with the duo’s gorgeous vocal harmonies, and whip-smart, insightful lyrics. BUY!
Bob Seger & the Last Heard – Heavy Music (Abkco Records)
Bob Seger & the Last Heard were one of the legendary rock singer’s earliest bands. Signed to the Cameo-Parkway label, they released five singles, ten songs total circa 1966-67, all of which are collected on CD for the first time with Heavy Music. An artist in search of a sound (hint: he’d glimpse it a couple years later with “Ramblin’ Gamblin’ Man”), Seger checks several then-contemporary cultural boxes with these long out-of-print 45s. There are only ten tracks on Heavy Music, but each one is a slab of raw, energetic, prime-grade rock ‘n’ roll from the early Motor City scene. BUY!
Phil Seymour – Prince of Power Pop (Big Beat Records)
Phil Seymour was an integral part of power-pop legends the Dwight Twilley Band, singing and co-writing with longtime friend Twilley. Breaking up after Shelter Records crashed and burned after just two albums, Seymour launched a modestly successful solo career mining much the same ‘60s-influenced pop-rock musical territory as his former band. Prince of Power Pop is a fine tho’ incomplete career retrospective, its main selling point the inclusion of eleven previously-unreleased tracks recorded in 1980 with Seymour’s touring band, all of ‘em red-hot and ready to rock, and all displaying the man’s enormous talents. BUY!
Various Artists – Rockers OST (MVD Audio, vinyl reissue)
Reissued on red, green, and yellow-splashed vinyl that looks simply glorious spinning on your turntable, this soundtrack to the 1978 semi-documentary film Rockers provides a brief but toothsome history of reggae music with songs by legends like Junior Murvin, Peter Tosh, the Maytones, Bunny Wailer, Gregory Isaacs, Burning Spear, and others. Featuring fourteen burning tracks, Rockers is “must have” LP for any serious reggae collection. BUY!
Various Artists – Ska Authentic (Studio One)
Released nearly 55 years ago, Studio One’s wonderful Ska Authentic provides a snapshot of Jamaica’s homegrown music scene in the early 1960s, preserving long-lost tracks by legends like the Skatalites, Toots & the Maytals, and Lee “Scratch” Perry. Echoing the American R&B heard on transistor radios in Jamaica circa 1955-65, these songs are dance-oriented with foot-shuffling rhythms with blasts of soulful horns. Studio One’s Ska Authentic captures the island’s sounds with all their fresh naiveté and energy, taking the listener back in time to a more innocent age. BUY!
Webb Wilder & the Beatnecks – Powerful Stuff! (Landslide Records)
If you don’t have a good time listening to a Webb Wilder album, then you’ve probably assumed room temperature. Sure, Powerful Stuff! is an “odds ‘n’ sods” collection culled from Wilder’s archives, but the material is delivered with every bit the same level of energy and commitment as anything that Webb has previously put on record. For those of us who became fans with Wilder’s It Came From Nashville LP, Powerful Stuff! is yet another welcome addition to the (slowly-growing) Webb Wilder canon. As the man says, “work hard, rock hard, eat hard, sleep hard, grow big, wear glasses if you need ‘em.” Amen... BUY!
Frank Zappa – Chunga’s Revenge (Zappa Records, vinyl reissue)
If the preceding Zappa/Mothers albums – Burnt Weeny Sandwich and Weasels Ripped My Flesh – served as an artistic catharsis necessary for Zappa to move on from his original vision for the Mothers and towards “phase two,” Chunga’s Revenge reveals his pure joy in playing with a new and, arguably, more highly-skilled cast of musicians. The addition of two talented vocalists in Mark Volman and Howard Kaylan to the band added a new dimension to the musical possibilities, freeing Zappa from the microphone and allowed him to develop the innovative and influential guitar style that is a large part of his enduring legacy. Chunga’s Revenge represented the dawn of a new era and the beginning of Zappa’s “solo career” in earnest. BUY!
Honorable Mention: Brinsley Schwarz’s Live Favourites; Gene Clark’s Gene Clark Sings For You; Chris Hillman’s The Asylum Years; Moloch’s Moloch [vinyl reissue]; Mothers of Invention’s Burnt Weeny Sandwich [vinyl reissue]; Chris Squire’s Fish Out of Water; Stray’s Live at the Marquee; The Who’s Live at the Fillmore East 1968; Steve Wynn’s Kerosene Man and Dazzling Display. The ATO Records CD and vinyl reissues of King Gizzard & the Lizard Wizard’s first five, Australia-only indie releases stand in a category entirely their own...
There’s a lot of great vintage music from the 1960s, ‘70s, and ‘80s being made available again on vinyl these days, or on CD for the first time, and the follow dozen selections aren’t necessarily the “best” of 2018 but rather those that were my favorite releases for the year, as well as another ten “honorable mention” discs that fell just short. Any of these albums would make a great addition to your music library. Check out the Rev’s lists of favorite rock ‘n’ roll and blues music albums from 2018 while you’re here!
Big Star – Live at Lafayette’s Music Room (Omnivore Recordings)
Sounding more like a pretty good audience bootleg than a sterile soundboard recording, Big Star’s Live At Lafayette’s Music Room still does an admirable job of capturing the band’s live dynamic and preserving it for modern ears. Representing an undeniable invaluable addition to the band’s canon, Live At Lafayette’s Music Room is an entertaining collection for those of us too young to have seen Big Star in the band’s prime. BUY!
The Damnation of Adam Blessing – The Damnation of Adam Blessing (Exit Stencil Records, vinyl reissue)
The heavy, psych-drenched guitar rock and molten sludge riffs of the self-titled 1969 debut album by Cleveland, Ohio’s The Damnation of Adam Blessing was easily five years ahead of its time. The band’s complex, textured, and highly-amplified hard rock sound reminds of Blue Cheer while beating Black Sabbath to the gates of doom with guitarists Bob Kalamasz’s blistering leads and Jim Quinn’s thick rhythmic designs. One of the great overlooked bands of the era finally gets the reissue treatment (Exit Stencil also reissued the band’s sophomore album, Second Damnation, this year). BUY!
Guadalcanal Diary – At Your Birthday Party (Omnivore Recordings)
Guadalcanal Diary was often overshadowed by upstarts like Pylon or R.E.M. but, truth is, they were a damn fine studio outfit and even better live rock band. Taken from a pair of January 1998 reunion shows in Atlanta, At Your Birthday Party was originally released independently by the band. Omnivore’s reissue puts the album back in print after almost 20 years, providing wider distribution for this entertaining disc. Like the college rock radio playlist of your misspent youth, At Your Birthday Party is a very fine present, indeed. BUY!
Moby Grape – 20 Granite Creek (WEA International)
Yeah, it’s a Japanese import and hard to find (check Amazon), but this long-overdue CD reissue of the legendary Moby Grape’s 1971 “reunion” album 20 Granite Creek is a throwback to the band’s critically-acclaimed self-titled debut of four years earlier and, by most estimations, second only to that 1967 debut album in terms of performance and song quality. With the enigmatic Skip Spence back in the fold, albeit temporarily, longtime Grape members Peter Lewis, Jerry Miller, James Mosley, and Don Stevenson, along with new guy Gordon Stevens, played like their career depended on it…and in many ways, it did, as it was the band’s final studio work for over a decade. BUY!
Permanent Green Light – Hallucinations (Omnivore Recordings)
At the end of his legendary “Paisley Underground” band the Three O’Clock, Michael Quercio went looking for new rock ‘n’ roll cheap thrills. He formed obscure psych-rockers Permanent Green Light, which released a handful of singles and a full-length album, building a loyal West Coast following before breaking up. Hallucinations compiles sixteen of the band’s best performances, including three previously-unreleased demos, all of which rocks with an urgency, creativity, and honesty directly in opposition to most ‘90s era bands. Hallucinations is an exceptional collection of guitar-rock from one of the best bands you never heard. BUY!
The Posies – Dear 23 (Omnivore Recordings)
One of the great overlooked bands of the ‘90s, avowed Big Star acolytes the Posies took Alex Chilton’s ‘60s-bred power-pop sensibilities and blew the sound up large for the grunge decade. This approach left the band woefully out-of-date at the time, but their music became timeless as a result. The album’s British Invasion influences and charming songwriting on Dear 23 – courtesy of the band’s Jonathan Auer and Ken Stringfellow – is ready-made for the tuneless 21st century, its original ten tracks wonderfully melodic, with the duo’s gorgeous vocal harmonies, and whip-smart, insightful lyrics. BUY!
Bob Seger & the Last Heard – Heavy Music (Abkco Records)
Bob Seger & the Last Heard were one of the legendary rock singer’s earliest bands. Signed to the Cameo-Parkway label, they released five singles, ten songs total circa 1966-67, all of which are collected on CD for the first time with Heavy Music. An artist in search of a sound (hint: he’d glimpse it a couple years later with “Ramblin’ Gamblin’ Man”), Seger checks several then-contemporary cultural boxes with these long out-of-print 45s. There are only ten tracks on Heavy Music, but each one is a slab of raw, energetic, prime-grade rock ‘n’ roll from the early Motor City scene. BUY!
Phil Seymour – Prince of Power Pop (Big Beat Records)
Phil Seymour was an integral part of power-pop legends the Dwight Twilley Band, singing and co-writing with longtime friend Twilley. Breaking up after Shelter Records crashed and burned after just two albums, Seymour launched a modestly successful solo career mining much the same ‘60s-influenced pop-rock musical territory as his former band. Prince of Power Pop is a fine tho’ incomplete career retrospective, its main selling point the inclusion of eleven previously-unreleased tracks recorded in 1980 with Seymour’s touring band, all of ‘em red-hot and ready to rock, and all displaying the man’s enormous talents. BUY!
Various Artists – Rockers OST (MVD Audio, vinyl reissue)
Reissued on red, green, and yellow-splashed vinyl that looks simply glorious spinning on your turntable, this soundtrack to the 1978 semi-documentary film Rockers provides a brief but toothsome history of reggae music with songs by legends like Junior Murvin, Peter Tosh, the Maytones, Bunny Wailer, Gregory Isaacs, Burning Spear, and others. Featuring fourteen burning tracks, Rockers is “must have” LP for any serious reggae collection. BUY!
Various Artists – Ska Authentic (Studio One)
Released nearly 55 years ago, Studio One’s wonderful Ska Authentic provides a snapshot of Jamaica’s homegrown music scene in the early 1960s, preserving long-lost tracks by legends like the Skatalites, Toots & the Maytals, and Lee “Scratch” Perry. Echoing the American R&B heard on transistor radios in Jamaica circa 1955-65, these songs are dance-oriented with foot-shuffling rhythms with blasts of soulful horns. Studio One’s Ska Authentic captures the island’s sounds with all their fresh naiveté and energy, taking the listener back in time to a more innocent age. BUY!
Webb Wilder & the Beatnecks – Powerful Stuff! (Landslide Records)
If you don’t have a good time listening to a Webb Wilder album, then you’ve probably assumed room temperature. Sure, Powerful Stuff! is an “odds ‘n’ sods” collection culled from Wilder’s archives, but the material is delivered with every bit the same level of energy and commitment as anything that Webb has previously put on record. For those of us who became fans with Wilder’s It Came From Nashville LP, Powerful Stuff! is yet another welcome addition to the (slowly-growing) Webb Wilder canon. As the man says, “work hard, rock hard, eat hard, sleep hard, grow big, wear glasses if you need ‘em.” Amen... BUY!
Frank Zappa – Chunga’s Revenge (Zappa Records, vinyl reissue)
If the preceding Zappa/Mothers albums – Burnt Weeny Sandwich and Weasels Ripped My Flesh – served as an artistic catharsis necessary for Zappa to move on from his original vision for the Mothers and towards “phase two,” Chunga’s Revenge reveals his pure joy in playing with a new and, arguably, more highly-skilled cast of musicians. The addition of two talented vocalists in Mark Volman and Howard Kaylan to the band added a new dimension to the musical possibilities, freeing Zappa from the microphone and allowed him to develop the innovative and influential guitar style that is a large part of his enduring legacy. Chunga’s Revenge represented the dawn of a new era and the beginning of Zappa’s “solo career” in earnest. BUY!
Monday, December 3, 2018
Big Star’s 1974 WLIR sessions resurrected!
Memphis power-pop legends Big Star released their classic sophomore album, Radio City, in February 1974, recording as a trio after the departure of founding member Chris Bell. Minus the overt pop sheen that Bell brought to the band’s material as a songwriter, Radio City features Chilton’s rock ‘n’ roll influences on gems like “September Gurls,” “Mod Lang,” “I’m In Love With A Girl,” and “Back of A Car.” The critically-acclaimed album didn’t sell particularly well, though it would later come to be considered a classic, influential work.
To tour in support of Radio City, Big Star singer and guitarist Alex Chilton and drummer Jody Stephens were joined by John Lightman, who replaced the band’s original bassist Andy Hummel, who was returning to school. The trio subsequently recorded a session for broadcast by New York City radio station WLIR-FM at the legendary Ultrasonic Studios. That near-mythical session was later released under the title Live on CD by Rykodisc in 1992, but would be out-of-print by the end of the decade.
On January 25th, 2019 Omnivore Recordings – those herald keepers of the Big Star flame – will release that legendary Ultrasonic recording on CD and double-vinyl as Live On WLIR. The fifteen-track set features material from the first two Big Star albums as well as a cover of singer/songwriter Loudon Wainwright III’s “Motel Blues.” Live On WLIR has been restored and remastered from the original tapes and features liner notes by Memphis native and music historian Robert Gordon (no relation) and includes an interview with bassist John Lightman by Rich Tupica, author of There Was A Light: The Cosmic History of Chris Bell and the Rise of BIG STAR.
As Gordon writes in the album’s liver notes: “Alex is, in this trio, playing all the guitar and singing lead, and he’s giving it about all he’s got. The road and the march of time eventually wore down that Alex, as time wears on all of us. But this recording is a clear window into the impenetrable past, making it a thrill today to hear Alex so young and enthusiastic.” Check out the complete tracklist below and watch Omnivore’s video trailer for the album before sprinting over to Amazon.com to buy a copy of Big Star’s Live On WLIR on your choice of formats.
Buy the album from Amazon.com:
Big Star’s Live On WLIR CD
Big Star’s Live On WLIR vinyl
Big Star’s Live On WLIR track list:
1. September Gurls
2. Way Out West
3. Mod Lang
4. Don’t Lie To Me
5. O’ My Soul
6. Interview
7. The Ballad Of El Goodo
8. Thirteen
9. I’m In Love With A Girl
10. Motel Blues
11. In The Street
12. You Get What You Deserve
13. Daisy Glaze
14. Back Of A Car
15. She’s A Mover
To tour in support of Radio City, Big Star singer and guitarist Alex Chilton and drummer Jody Stephens were joined by John Lightman, who replaced the band’s original bassist Andy Hummel, who was returning to school. The trio subsequently recorded a session for broadcast by New York City radio station WLIR-FM at the legendary Ultrasonic Studios. That near-mythical session was later released under the title Live on CD by Rykodisc in 1992, but would be out-of-print by the end of the decade.
On January 25th, 2019 Omnivore Recordings – those herald keepers of the Big Star flame – will release that legendary Ultrasonic recording on CD and double-vinyl as Live On WLIR. The fifteen-track set features material from the first two Big Star albums as well as a cover of singer/songwriter Loudon Wainwright III’s “Motel Blues.” Live On WLIR has been restored and remastered from the original tapes and features liner notes by Memphis native and music historian Robert Gordon (no relation) and includes an interview with bassist John Lightman by Rich Tupica, author of There Was A Light: The Cosmic History of Chris Bell and the Rise of BIG STAR.
As Gordon writes in the album’s liver notes: “Alex is, in this trio, playing all the guitar and singing lead, and he’s giving it about all he’s got. The road and the march of time eventually wore down that Alex, as time wears on all of us. But this recording is a clear window into the impenetrable past, making it a thrill today to hear Alex so young and enthusiastic.” Check out the complete tracklist below and watch Omnivore’s video trailer for the album before sprinting over to Amazon.com to buy a copy of Big Star’s Live On WLIR on your choice of formats.
Buy the album from Amazon.com:
Big Star’s Live On WLIR CD
Big Star’s Live On WLIR vinyl
Big Star’s Live On WLIR track list:
1. September Gurls
2. Way Out West
3. Mod Lang
4. Don’t Lie To Me
5. O’ My Soul
6. Interview
7. The Ballad Of El Goodo
8. Thirteen
9. I’m In Love With A Girl
10. Motel Blues
11. In The Street
12. You Get What You Deserve
13. Daisy Glaze
14. Back Of A Car
15. She’s A Mover
Monday, February 5, 2018
CD Review: Big Star’s Live At Lafayette’s Music Room (2018)
In the 45 years that have elapsed since the original event, the May 1973 promotional concert by Memphis rock legends Big Star has become a large part of the band’s (still thriving) mythology. Performing at Lafayette’s Music Room in their hometown in front of an audience of critical cognoscenti attending the Memphis Rock Writers Convention, the band’s high-octane performance and whipsmart songwriting convinced a not insignificant number of members of the rock ‘n’ roll media to pen overwhelmingly positive reviews for #1 Record, Big Star’s recently-released debut album, for their respective publications. Critical acclaim doesn’t pay the bills, however, and when the record-buying public didn’t buy into the hype, the band pursued a slow and very public break-up.
The casual Big Star fan may be unaware, however, that the band played essentially the same set at Lafayette’s Music Room a couple months earlier. Opening for R&B legends Archie Bell & the Drells, Big Star performed as a three-piece with singer and guitarist Alex Chilton, bassist Andy Hummel, and drummer Jody Stephens (Chris Bell having quit the band). The show had been taped for posterity and was originally released on CD as disc number four of Big Star’s 2009 box set Keep An Eye On the Sky. Omnivore Recordings has provided the concert with its first-ever standalone release on CD, double-LP, and as a digital download. Featuring material from Big Star’s #1 Record as well as covers of song of the band’s favorite songs by Todd Rundgren, the Kinks, and the Flying Burrito Brothers, the performance has been sonically restored and newly re-mastered for this reissue.
Sadly, I never got the chance to see Big Star perform in person – I was still in high school during their early touring days – and I only really caught up with the band via the solo Alex Chilton single “Bangkok,” which had received heavy airplay in the early ‘80s on Vanderbilt University’s WRVU-FM station in Nashville. Nevertheless, Live At Lafayette’s Music Room sounds a lot like I had always imagined Big Star would sound like, the set list offering up plenty of jangly power-pop and British Invasion-styled rock ‘n’ roll. The album opens with “When My Baby’s Beside Me” from #1 Record, the song a perfect distillation of the band’s seldom-expressed romantic yearnings, with Chilton doing his best to sing the lines Chris Bell had perfected in the studio.
A new Chilton track, “She’s A Mover,” had been written for a solo project but was repurposed for the band. Delivered as a soulful but muscular rocker with fractured vocals, angular guitar, and an irregular but slightly funky rhythmic undercurrent, the song would later re-appear on Big Star’s second album, 1974’s Radio City. The teenage ennui displayed by “In The Street” is amplified by the raucous live setting, the song’s undeniable melody and propulsive percussion peppered with Chilton’s stinging guitar licks. The wistful ballad “Thirteen” is one of the shining gems of the Chilton songbook, its lyrics cutting through the songwriter’s cynical facade to reveal the heart of a romantic; Chilton’s acoustic fretwork enhances the song’s fragile emotion.
Of the cover tunes performed by the band this night, Gram Parson’s “Hot Burrito #2,” originally recorded by the Flying Burrito Brothers, is imbued with a ramshackle, late ‘60s Rolling Stones vibe with reckless percussion and shards of guitar rising through the muddy mix. The T. Rex obscurity “Baby Strange” is offered a solid reading, Stephens’ powerful drumbeats providing a foundation for Chilton’s jagged riffs and Hummel’s fluid bass lines. An inspired reading of Todd Rundgren’s “Slut” showcases the trio’s growing rock ‘n’ roll muscles, capturing the original zeal and odd meter of the song with a unique energy and pacing of its own. It’s with their original songs that Big Star really shines, though, as with Bell’s lovely “I Got Kinda Lost” or his Beatlesque “O My Soul” with its R&B-tinged melody, syncopated percussion, and jangly guitar (later revisited on Radio City).
Big Star’s Live At Lafayette’s Music Room includes in-depth liner notes written by noted rock critic and music historian Bud Scoppa, who places the performance in proper context amidst the swirl of rumour and myth that swirls around the band. A downloadable vintage interview with Chilton and bassist Andy Hummel by local radio DJ Jon Scott provides fans with a look behind the curtain. The CD’s sound quality is above-average, with a slight hollow echo to the performances, which is to be expected from any antique recording. Sounding more like a pretty good audience bootleg than a sterile soundboard recording, Live At Lafayette’s Music Room does a solid job of capturing the band’s live dynamic and preserving it for modern ears.
Although undeniably a major addition to the Big Star canon, Live At Lafayette’s Music Room raises as many questions as it answers. An important bridge between #1 Record (created as a foursome) and the band’s fractured 1974 sophomore effort Radio City (performed as a trio), Chris Bell’s absence is apparent in spite of his lingering presence on a large number of the 20 songs performed here. What might have Big Star achieved if Bell had remained and helped make Radio City a more cohesive band statement? What would be his contribution to the band’s live sound? Some things just weren’t meant to be known, perhaps. Live At Lafayette’s Music Room is nevertheless an entertaining and invaluable collection for those of us too young to have seen Big Star in the band’s prime. Grade: A- (Omnivore Recordings, released January 12, 2018)
Buy the CD from Amazon.com: Big Star’s Live At Lafayette’s Music Room
Also on That Devil Music.com:
Alex Chilton’s A Man Called Destruction CD review
Chris Bell’s I Am the Cosmos CD review
Big Star’s Nothing Can Hurt Me DVD review
The casual Big Star fan may be unaware, however, that the band played essentially the same set at Lafayette’s Music Room a couple months earlier. Opening for R&B legends Archie Bell & the Drells, Big Star performed as a three-piece with singer and guitarist Alex Chilton, bassist Andy Hummel, and drummer Jody Stephens (Chris Bell having quit the band). The show had been taped for posterity and was originally released on CD as disc number four of Big Star’s 2009 box set Keep An Eye On the Sky. Omnivore Recordings has provided the concert with its first-ever standalone release on CD, double-LP, and as a digital download. Featuring material from Big Star’s #1 Record as well as covers of song of the band’s favorite songs by Todd Rundgren, the Kinks, and the Flying Burrito Brothers, the performance has been sonically restored and newly re-mastered for this reissue.
Big Star’s Live At Lafayette’s Music Room
Sadly, I never got the chance to see Big Star perform in person – I was still in high school during their early touring days – and I only really caught up with the band via the solo Alex Chilton single “Bangkok,” which had received heavy airplay in the early ‘80s on Vanderbilt University’s WRVU-FM station in Nashville. Nevertheless, Live At Lafayette’s Music Room sounds a lot like I had always imagined Big Star would sound like, the set list offering up plenty of jangly power-pop and British Invasion-styled rock ‘n’ roll. The album opens with “When My Baby’s Beside Me” from #1 Record, the song a perfect distillation of the band’s seldom-expressed romantic yearnings, with Chilton doing his best to sing the lines Chris Bell had perfected in the studio.
A new Chilton track, “She’s A Mover,” had been written for a solo project but was repurposed for the band. Delivered as a soulful but muscular rocker with fractured vocals, angular guitar, and an irregular but slightly funky rhythmic undercurrent, the song would later re-appear on Big Star’s second album, 1974’s Radio City. The teenage ennui displayed by “In The Street” is amplified by the raucous live setting, the song’s undeniable melody and propulsive percussion peppered with Chilton’s stinging guitar licks. The wistful ballad “Thirteen” is one of the shining gems of the Chilton songbook, its lyrics cutting through the songwriter’s cynical facade to reveal the heart of a romantic; Chilton’s acoustic fretwork enhances the song’s fragile emotion.
Of the cover tunes performed by the band this night, Gram Parson’s “Hot Burrito #2,” originally recorded by the Flying Burrito Brothers, is imbued with a ramshackle, late ‘60s Rolling Stones vibe with reckless percussion and shards of guitar rising through the muddy mix. The T. Rex obscurity “Baby Strange” is offered a solid reading, Stephens’ powerful drumbeats providing a foundation for Chilton’s jagged riffs and Hummel’s fluid bass lines. An inspired reading of Todd Rundgren’s “Slut” showcases the trio’s growing rock ‘n’ roll muscles, capturing the original zeal and odd meter of the song with a unique energy and pacing of its own. It’s with their original songs that Big Star really shines, though, as with Bell’s lovely “I Got Kinda Lost” or his Beatlesque “O My Soul” with its R&B-tinged melody, syncopated percussion, and jangly guitar (later revisited on Radio City).
The Reverend’s Bottom Line
Big Star’s Live At Lafayette’s Music Room includes in-depth liner notes written by noted rock critic and music historian Bud Scoppa, who places the performance in proper context amidst the swirl of rumour and myth that swirls around the band. A downloadable vintage interview with Chilton and bassist Andy Hummel by local radio DJ Jon Scott provides fans with a look behind the curtain. The CD’s sound quality is above-average, with a slight hollow echo to the performances, which is to be expected from any antique recording. Sounding more like a pretty good audience bootleg than a sterile soundboard recording, Live At Lafayette’s Music Room does a solid job of capturing the band’s live dynamic and preserving it for modern ears.
Although undeniably a major addition to the Big Star canon, Live At Lafayette’s Music Room raises as many questions as it answers. An important bridge between #1 Record (created as a foursome) and the band’s fractured 1974 sophomore effort Radio City (performed as a trio), Chris Bell’s absence is apparent in spite of his lingering presence on a large number of the 20 songs performed here. What might have Big Star achieved if Bell had remained and helped make Radio City a more cohesive band statement? What would be his contribution to the band’s live sound? Some things just weren’t meant to be known, perhaps. Live At Lafayette’s Music Room is nevertheless an entertaining and invaluable collection for those of us too young to have seen Big Star in the band’s prime. Grade: A- (Omnivore Recordings, released January 12, 2018)
Buy the CD from Amazon.com: Big Star’s Live At Lafayette’s Music Room
Also on That Devil Music.com:
Alex Chilton’s A Man Called Destruction CD review
Chris Bell’s I Am the Cosmos CD review
Big Star’s Nothing Can Hurt Me DVD review
Monday, January 8, 2018
CD Review: Alex Chilton's A Man Called Destruction (2017)
By the time that he returned to Ardent Studios in Memphis, Tennessee during the summer of 1994, Alex Chilton had already enjoyed a tumultuous and storied career. Joining blue-eyed soul band the Box Tops at the young age of 16, Chilton experienced the highs of the record biz as the band scored late ‘60s hits with classic songs like “The Letter,” “Soul Deep,” and “Cry Like A Baby.” After a brief foray exploring the possibilities of solo work, Chilton formed power-pop legends Big Star with like-minded musicians Chris Bell, Andy Hummel, and Jody Stephens. Big Star would deliver a pair of critically-acclaimed albums in 1972’s #1 Record and 1974’s Radio City (a third Big Star album would be released in 1978, years after the band’s break-up), but when commercial success seemed out of reach, Chilton re-started his solo career.
To say that Alex Chilton’s solo career was “checkered” is in no way an exaggeration. As Big Star’s posthumous influence and reputation grew and inspired bands like the Posies, the Replacements, and R.E.M., among many others, expectations soared whenever Chilton sojourned into the recording studio. For every acclaimed effort like 1985’s Feudalist Tarts there would be a sloppy, undisciplined work such as 1979’s Like Flies On Sherbet, Chilton often recording doomed, anarchistic and anachronistic albums for European labels charmed by his legend. Chilton even took a brief hiatus from music in the early ‘80s, washing dishes in a New Orleans restaurant, returning only to subsume his identity as a (mostly) anonymous member of Tav Falco’s Panther Burns. Chilton had largely beaten his personal demons by the time he went home and recorded A Man Called Destruction, and the long out-of-print gem has finally been restored to the Chilton catalog.
A Man Called Destruction is every bit as eclectic as the artist that recorded it, Chilton mixing up the rockin’ style of R&B that he’d perfected with the Box Tops with Big Star-styled power-pop and elements of blues, soul, gospel, and country music. Featuring original material as well as covers from Chilton’s big book of favorites, A Man Called Destruction was recorded with old friends like bassist Ron Easley and drummer Ron Garrison as well as a brace of local Memphis studio pros like keyboardists Al Gamble and Charlie Hodges and saxophonist Jim Spake. The result was an engaging, if often-confusing collection of sounds, none of them anywhere close to resembling “contemporary” in 1995, a year during which hip-hop and alt-rock ruled the charts.
For instance, Chilton’s cover of the Fats Domino hit “Sick and Tired” (originally written and recorded by Louisiana native Chris Kenner) skews towards a New Orleans big band sound, with a jazz-flecked rhythm track providing locomotion behind Chilton’s spirited Mardi Gras vocals. The original “Devil Girl” got plenty of college radio airplay back in the day, the song’s low-slung groove, sultry lyrics, and smoky vocal delivery matched with syncopated rhythms and Chilton’s skronky, chaotic fretwork. I never cared much for the loopy “What’s Your Sign Girl,” Chilton’s fatback guitarplay outshining his goofy vocals, but a cover of his pal Keith Keller’s “Lies” is a muscular rocker with explosive percussion and blistering six-string work.
Jimmy Reed’s “You Don’t Have To Go” is provided a reverent, bluesy reading with Chilton’s surprisingly skillful harp playing. The instrumental “Boplexity” is a wild, swinging affair, with Charlie Hodges’ excited keyboard-pounding and Chilton’s mighty fine chicken-pickin’ reminding these ears of Booker T & the M.G.’s trailblazing mix of blues, jazz, and R&B whereas a cover of the Jan & Dean B-side “New Girl In School” is appropriately whimsical, Chilton delivering his best Brian Wilson vocal impersonation while an extended guitar solo moves the surf-pop ditty dangerously close to leather-clad garage-rock turf. “Don’t Know Anymore” is a jazzy, late-night dirge with more than a little blues in the grooves, sparking some flashy guitar licks and accompanied by icy blasts of horn.
The album-ending “Don’t Stop” is the kind of power-pop creation that Chilton defined with Big Star – melodic, but with ramshackle guitar and the sort of joyous sonic construction that would inspire a hundred bands in the 1980s and ‘90s. The Omnivore Recordings reissue of A Man Called Destruction tacks seven previously-unreleased bonus songs onto the original track list, including an outtake of “Devil Girl” with double-tracked vocals that heighten the song’s surrealistic malevolence. Chilton’s original “You’re My Favorite” is a rockabilly-tinged romper-stomper with exhilarating guitar riffs and propulsive rhythms while “Please Pass Me My Walkin’ Shoes” is a similarly-flavored 1950s throwback with a Carl Perkins heart and a Chicago blues soul that features raucous fretwork and an overall reckless vibe. A mash-up of the flighty “Why Should I Care” – a jazzy pastiche of British dancehall rhythms – with the somber, dark-hued “It’s Your Funeral” is not as odd a pairing as one might think at first, two sides of the same coin as it were.
One of Alex Chilton’s final studio albums, A Man Called Destruction can also easily be considered one of his best recordings overall. Chilton’s joyful performances at Ardent Studios provide insight into his love of music of all stripes while spotlighting his vastly underrated guitar skills. The cult rocker seldom sounded as happy, inspired, and motivated as he does playing on these tracks, Chilton willing to discard the mythology that had grown up around him like so much kudzu vine to simply play what his heart desired, and the results speak for themselves. Eclectic it may be, but A Man Called Destruction displays Chilton’s immense if often-unused talents like few albums in the artist’s catalog, bolstering his status as the man who launched a musical revolution with the sound of his guitar and expressive vocals. Grade: A (Omnivore Recordings, released August 24, 2017)
Buy the CD from Amazon.com: Alex Chilton’s A Man Called Destruction
Also on That Devil Music.com:
Big Star’s Nothing Can Hurt Me movie review
Chris Bell’s I Am The Cosmos CD review
To say that Alex Chilton’s solo career was “checkered” is in no way an exaggeration. As Big Star’s posthumous influence and reputation grew and inspired bands like the Posies, the Replacements, and R.E.M., among many others, expectations soared whenever Chilton sojourned into the recording studio. For every acclaimed effort like 1985’s Feudalist Tarts there would be a sloppy, undisciplined work such as 1979’s Like Flies On Sherbet, Chilton often recording doomed, anarchistic and anachronistic albums for European labels charmed by his legend. Chilton even took a brief hiatus from music in the early ‘80s, washing dishes in a New Orleans restaurant, returning only to subsume his identity as a (mostly) anonymous member of Tav Falco’s Panther Burns. Chilton had largely beaten his personal demons by the time he went home and recorded A Man Called Destruction, and the long out-of-print gem has finally been restored to the Chilton catalog.
Alex Chilton’s A Man Called Destruction
A Man Called Destruction is every bit as eclectic as the artist that recorded it, Chilton mixing up the rockin’ style of R&B that he’d perfected with the Box Tops with Big Star-styled power-pop and elements of blues, soul, gospel, and country music. Featuring original material as well as covers from Chilton’s big book of favorites, A Man Called Destruction was recorded with old friends like bassist Ron Easley and drummer Ron Garrison as well as a brace of local Memphis studio pros like keyboardists Al Gamble and Charlie Hodges and saxophonist Jim Spake. The result was an engaging, if often-confusing collection of sounds, none of them anywhere close to resembling “contemporary” in 1995, a year during which hip-hop and alt-rock ruled the charts.
For instance, Chilton’s cover of the Fats Domino hit “Sick and Tired” (originally written and recorded by Louisiana native Chris Kenner) skews towards a New Orleans big band sound, with a jazz-flecked rhythm track providing locomotion behind Chilton’s spirited Mardi Gras vocals. The original “Devil Girl” got plenty of college radio airplay back in the day, the song’s low-slung groove, sultry lyrics, and smoky vocal delivery matched with syncopated rhythms and Chilton’s skronky, chaotic fretwork. I never cared much for the loopy “What’s Your Sign Girl,” Chilton’s fatback guitarplay outshining his goofy vocals, but a cover of his pal Keith Keller’s “Lies” is a muscular rocker with explosive percussion and blistering six-string work.
Boplexity
Jimmy Reed’s “You Don’t Have To Go” is provided a reverent, bluesy reading with Chilton’s surprisingly skillful harp playing. The instrumental “Boplexity” is a wild, swinging affair, with Charlie Hodges’ excited keyboard-pounding and Chilton’s mighty fine chicken-pickin’ reminding these ears of Booker T & the M.G.’s trailblazing mix of blues, jazz, and R&B whereas a cover of the Jan & Dean B-side “New Girl In School” is appropriately whimsical, Chilton delivering his best Brian Wilson vocal impersonation while an extended guitar solo moves the surf-pop ditty dangerously close to leather-clad garage-rock turf. “Don’t Know Anymore” is a jazzy, late-night dirge with more than a little blues in the grooves, sparking some flashy guitar licks and accompanied by icy blasts of horn.
The album-ending “Don’t Stop” is the kind of power-pop creation that Chilton defined with Big Star – melodic, but with ramshackle guitar and the sort of joyous sonic construction that would inspire a hundred bands in the 1980s and ‘90s. The Omnivore Recordings reissue of A Man Called Destruction tacks seven previously-unreleased bonus songs onto the original track list, including an outtake of “Devil Girl” with double-tracked vocals that heighten the song’s surrealistic malevolence. Chilton’s original “You’re My Favorite” is a rockabilly-tinged romper-stomper with exhilarating guitar riffs and propulsive rhythms while “Please Pass Me My Walkin’ Shoes” is a similarly-flavored 1950s throwback with a Carl Perkins heart and a Chicago blues soul that features raucous fretwork and an overall reckless vibe. A mash-up of the flighty “Why Should I Care” – a jazzy pastiche of British dancehall rhythms – with the somber, dark-hued “It’s Your Funeral” is not as odd a pairing as one might think at first, two sides of the same coin as it were.
The Reverend’s Bottom Line
One of Alex Chilton’s final studio albums, A Man Called Destruction can also easily be considered one of his best recordings overall. Chilton’s joyful performances at Ardent Studios provide insight into his love of music of all stripes while spotlighting his vastly underrated guitar skills. The cult rocker seldom sounded as happy, inspired, and motivated as he does playing on these tracks, Chilton willing to discard the mythology that had grown up around him like so much kudzu vine to simply play what his heart desired, and the results speak for themselves. Eclectic it may be, but A Man Called Destruction displays Chilton’s immense if often-unused talents like few albums in the artist’s catalog, bolstering his status as the man who launched a musical revolution with the sound of his guitar and expressive vocals. Grade: A (Omnivore Recordings, released August 24, 2017)
Buy the CD from Amazon.com: Alex Chilton’s A Man Called Destruction
Also on That Devil Music.com:
Big Star’s Nothing Can Hurt Me movie review
Chris Bell’s I Am The Cosmos CD review
Friday, January 5, 2018
Stax Singles, Vol. 4: Rarities & the Best of the Rest box set
Craft Recordings – the catalog division of Concord Music – has announced the upcoming release of Stax Singles, Vol. 4: Rarities & the Best of the Rest. The whopping six-CD box will be available on February 9th, 2018 and will feature a wealth of long-gotten single B-sides and other rarities exploring the legendary record label’s explorations in rock, pop, blues, soul, and gospel music from 1960-1975.
Offering recordings from the catalogs of both Craft and Rhino Records, who jointly control Stax’s masters, Stax Singles, Vol. 4: Rarities & the Best of the Rest features four new in-depth essays by music journalist Lee Hildebrand, writer and music historian Alec Palao, and box set co-producers Bill Belmont and Rob Bowman, who is also the author of the excellent Soulsville USA: The Story of Stax Records. This fourth volume of material from the Stax vaults follows box sets released in 1991, 1994, and 1994 and takes a look beyond the label’s R&B chart hits to dig into the crates and resurrect singles from Stax subsidiaries like Ardent and Hip (rock); Chalice and Gospel Truth (gospel); and Enterprise (country) as well as instrumental and blues tracks from the pre-Stax Satellite Records imprint.
Stax Singles, Vol. 4: Rarities & the Best of the Rest collects singles from over 60 diverse artists including the Staple Singers, Big Star, the Bar-Kays, Don Nix, Rufus and Carla Thomas, the Cobras, Mable John, Eddie Floyd, William Bell, the Mad Lads, Sid Selvidge, Bobby Whitlock, Billy Lee Riley, Larry Raspberry and the Highsteppers, and many others. The new box set caps off a year-long celebration of Stax Records’ 60th anniversary by a unique industry partnership between Craft and Rhino that included over fifteen vinyl reissues of R&B classics like Rufus Thomas’s Walking the Dog, Sam & Dave’s Soul Men, Carla Thomas’s Carla, and Otis Redding’s Live In Europe, an exclusive Record Store Day ‘Black Friday’ release pressed on red vinyl.
Buy the box on Amazon.com: Stax Singles, Vol. 4: Rarities & the Best of the Rest
Also on That Devil Music.com:
Carla Thomas - Stax Classics CD review
Isaac Hayes - Stax Classics CD review
The Dramatics - Stax Classics CD review
Sam & Dave - Stax Classics CD review
Offering recordings from the catalogs of both Craft and Rhino Records, who jointly control Stax’s masters, Stax Singles, Vol. 4: Rarities & the Best of the Rest features four new in-depth essays by music journalist Lee Hildebrand, writer and music historian Alec Palao, and box set co-producers Bill Belmont and Rob Bowman, who is also the author of the excellent Soulsville USA: The Story of Stax Records. This fourth volume of material from the Stax vaults follows box sets released in 1991, 1994, and 1994 and takes a look beyond the label’s R&B chart hits to dig into the crates and resurrect singles from Stax subsidiaries like Ardent and Hip (rock); Chalice and Gospel Truth (gospel); and Enterprise (country) as well as instrumental and blues tracks from the pre-Stax Satellite Records imprint.
Stax Singles, Vol. 4: Rarities & the Best of the Rest collects singles from over 60 diverse artists including the Staple Singers, Big Star, the Bar-Kays, Don Nix, Rufus and Carla Thomas, the Cobras, Mable John, Eddie Floyd, William Bell, the Mad Lads, Sid Selvidge, Bobby Whitlock, Billy Lee Riley, Larry Raspberry and the Highsteppers, and many others. The new box set caps off a year-long celebration of Stax Records’ 60th anniversary by a unique industry partnership between Craft and Rhino that included over fifteen vinyl reissues of R&B classics like Rufus Thomas’s Walking the Dog, Sam & Dave’s Soul Men, Carla Thomas’s Carla, and Otis Redding’s Live In Europe, an exclusive Record Store Day ‘Black Friday’ release pressed on red vinyl.
Buy the box on Amazon.com: Stax Singles, Vol. 4: Rarities & the Best of the Rest
Also on That Devil Music.com:
Carla Thomas - Stax Classics CD review
Isaac Hayes - Stax Classics CD review
The Dramatics - Stax Classics CD review
Sam & Dave - Stax Classics CD review
Labels:
Big Star,
Carla Thomas,
CD reissues,
Don Nix,
Eddie Floyd,
Larry Raspberry,
Rufus Thomas,
Sid Selvidge,
Stax Records,
The Bar-Kays,
William Bell
Location:
Buffalo, Rust Belt, USA
Monday, January 1, 2018
New Music Monthly: January 2018 Releases
Welcome to the New Year (2018 for those of you keeping score)! After a couple months of diminishing returns on new music, January brings a tentative return to form for major and minor labels alike. Although the marquee names are few and far between, the new month brings new blues from stars like Tinsley Ellis and Curtis Salgado, reissues of classic LPs by Fleetwood Mac and 6 String Drag, and welcome archive releases by the Remains, Big Star, Rising Storm, and Frank Zappa and much, more more! So count up your pennies and get ready to buy some new tunes to get you through the January winter weather...
If we wrote about it, there'll be a link to it in the album title; if you want an album, hit the 'Buy!' link to get it from Amazon.com...it's just that damn easy! Your purchase puts money in the Reverend's pocket that he'll use to buy more music to write about in a never-ending loop of rock 'n' roll ecstasy!
JANUARY 12
6 String Drag - High Hat [vinyl reissue] BUY!
Big Star - Live at Lafayette’s Music Room BUY!
Black Rebel Motorcycle Club - Wrong Creatures BUY!
Denny Doherty - Of All the Things: The Complete ABC/Dunhill Masters BUY!
Tinsley Ellis - Winning Hand BUY!
The Remains - Live 1969 BUY!
Rising Storm - Calm Before... BUY!
Curtis Salgado & Alan Hager - Rough Cut BUY!
Joe Satriani - What Happens Next BUY!
JANUARY 19
Black Label Society - Grimmest Hits BUY!
Ry Cooder & David Lindley - Two Long Riders BUY!
Fleetwood Mac - Fleetwood Mac [deluxe reissue] BUY!
Joe Perry - Sweetzerland Manifesto BUY!
They Might Be Giants - I Like Fun BUY!
Walking Papers (w/Duff McKagan) - WP2 BUY!
Frank Zappa - Munich 1980 BUY!
JANUARY 26
Backtrack Blues Band - Make My Home In Florida BUY!
Calexico - The Thread That Keeps Us BUY!
Country Joe & the Fish - The Wave of Electrical Sound BUY!
Ty Segall - Freedom's Goblin BUY!
Album of the Month:The Remains' Live 1969 is a long-overdue live album by the legendary '60s-era rockers. Recorded at the legendary Boston Tea Party, the band tears through a high-energy set list that includes covers of "Hang On Sloopy" and "Johnny B. Goode" along with a smattering of originals. The band had been broken up for better than two years but got together for a one-night-only show that is sourced from recently-discovered tapes and pressed on CD and vinyl for long-suffering fans.
If we wrote about it, there'll be a link to it in the album title; if you want an album, hit the 'Buy!' link to get it from Amazon.com...it's just that damn easy! Your purchase puts money in the Reverend's pocket that he'll use to buy more music to write about in a never-ending loop of rock 'n' roll ecstasy!
6 String Drag - High Hat [vinyl reissue] BUY!
Big Star - Live at Lafayette’s Music Room BUY!
Black Rebel Motorcycle Club - Wrong Creatures BUY!
Denny Doherty - Of All the Things: The Complete ABC/Dunhill Masters BUY!
Tinsley Ellis - Winning Hand BUY!
The Remains - Live 1969 BUY!
Rising Storm - Calm Before... BUY!
Curtis Salgado & Alan Hager - Rough Cut BUY!
Joe Satriani - What Happens Next BUY!
JANUARY 19
Black Label Society - Grimmest Hits BUY!
Ry Cooder & David Lindley - Two Long Riders BUY!
Fleetwood Mac - Fleetwood Mac [deluxe reissue] BUY!
Joe Perry - Sweetzerland Manifesto BUY!
They Might Be Giants - I Like Fun BUY!
Walking Papers (w/Duff McKagan) - WP2 BUY!
Frank Zappa - Munich 1980 BUY!
JANUARY 26
Backtrack Blues Band - Make My Home In Florida BUY!
Calexico - The Thread That Keeps Us BUY!
Country Joe & the Fish - The Wave of Electrical Sound BUY!
Ty Segall - Freedom's Goblin BUY!
Album of the Month:The Remains' Live 1969 is a long-overdue live album by the legendary '60s-era rockers. Recorded at the legendary Boston Tea Party, the band tears through a high-energy set list that includes covers of "Hang On Sloopy" and "Johnny B. Goode" along with a smattering of originals. The band had been broken up for better than two years but got together for a one-night-only show that is sourced from recently-discovered tapes and pressed on CD and vinyl for long-suffering fans.
Labels:
#newreleases,
6 String Drag,
Big Star,
Country Joe & the Fish,
Frank Zappa,
New Music Monthly,
The Remains,
Tinsley Ellis
Location:
Buffalo, Rust Belt, USA
Monday, November 6, 2017
CD Preview: Big Star’s Live at Lafayette’s Music Room
Omnivore Recordings has become the source for all things related to legendary Memphis rockers Big Star. From 2009’s Grammy® Award-winning box set Keep An Eye On The Sky and Alex Chilton solo albums to the rescue and reissue of Chris Bell’s recording history, Omnivore has provided great fan service to long-suffering Big Star fanatics. The tradition continues in 2018 when the label releases Live at Lafayette’s Music Room, a long-lost Big Star live disc plucked from the depths of the band’s archive.
The tale is the stuff of legend for the Big Star faithful – in May 1973, the band played a single promotional concert for the Memphis Rock Writers Convention at the city’s Lafayette Music Room. Their incredible performance created a legion of fans among the critical cognoscenti, who subsequently extravagantly hyped the band’s lone album, #1 Record, to a largely indifferent public. Largely unknown to the casual fan, however, is that Big Star played the same venue several months earlier, opening for R&B legends Archie Bell & the Drells, a show caught on tape for posterity.
Originally released as disc number four of Keep An Eye On The Sky, that early Big Star performance will be released by Omnivore on January 12, 2018 as Live at Lafayette’s Music Room in CD, digital, and double-album vinyl formats. Live at Lafayette’s Music Room has been provided new mastering and restoration from Grammy®-winning engineer Michael Graves and Grammy®-winning producer Cheryl Pawleski. The twenty-track collection features material from #1 Record and songs from the yet-to-be-recorded Radio City as well as covers of band favorite songs by Todd Rundgren, the Kinks, the Flying Burrito Brothers, and others.
All the various Live at Lafayette’s Music Room formats include a download of a previously-unissued 1972 interview with Alex Chilton and Andy Hummel with local radio legend DJ Jon Scott from Memphis’ FM 100. The package also includes new liner notes from noted rock critic and historian Bud Scoppa. Altogether, Live at Lafayette’s Music Room promises to be a welcome addition to the Big Star catalog, courtesy of Omnivore Recordings. Complete track list is below, along with video trailer and a link to buy this essential set from Big Star.
Buy the CD from Amazon.com: Big Star’s Live at Lafayette’s Music Room
Big Star’s Live at Lafayette’s Music Room track listing:
1. When My Baby’s Beside Me
2. My Life Is Right
3. She’s A Mover
4. Way Out West
5. The Ballad Of El Goodo
6. In The Street
7. Back Of A Car
8. Thirteen
9. The India Song
10. Try Again
11. Watch The Sunrise
12. Don’t Lie To Me
13. Hot Burrito #2
14. I Got Kinda Lost
15. Baby Strange
16. Slut
17. There Was A Light
18. St 100/6
19. Come On Now
20. O My Soul
The tale is the stuff of legend for the Big Star faithful – in May 1973, the band played a single promotional concert for the Memphis Rock Writers Convention at the city’s Lafayette Music Room. Their incredible performance created a legion of fans among the critical cognoscenti, who subsequently extravagantly hyped the band’s lone album, #1 Record, to a largely indifferent public. Largely unknown to the casual fan, however, is that Big Star played the same venue several months earlier, opening for R&B legends Archie Bell & the Drells, a show caught on tape for posterity.
Originally released as disc number four of Keep An Eye On The Sky, that early Big Star performance will be released by Omnivore on January 12, 2018 as Live at Lafayette’s Music Room in CD, digital, and double-album vinyl formats. Live at Lafayette’s Music Room has been provided new mastering and restoration from Grammy®-winning engineer Michael Graves and Grammy®-winning producer Cheryl Pawleski. The twenty-track collection features material from #1 Record and songs from the yet-to-be-recorded Radio City as well as covers of band favorite songs by Todd Rundgren, the Kinks, the Flying Burrito Brothers, and others.
All the various Live at Lafayette’s Music Room formats include a download of a previously-unissued 1972 interview with Alex Chilton and Andy Hummel with local radio legend DJ Jon Scott from Memphis’ FM 100. The package also includes new liner notes from noted rock critic and historian Bud Scoppa. Altogether, Live at Lafayette’s Music Room promises to be a welcome addition to the Big Star catalog, courtesy of Omnivore Recordings. Complete track list is below, along with video trailer and a link to buy this essential set from Big Star.
Buy the CD from Amazon.com: Big Star’s Live at Lafayette’s Music Room
Big Star’s Live at Lafayette’s Music Room track listing:
1. When My Baby’s Beside Me
2. My Life Is Right
3. She’s A Mover
4. Way Out West
5. The Ballad Of El Goodo
6. In The Street
7. Back Of A Car
8. Thirteen
9. The India Song
10. Try Again
11. Watch The Sunrise
12. Don’t Lie To Me
13. Hot Burrito #2
14. I Got Kinda Lost
15. Baby Strange
16. Slut
17. There Was A Light
18. St 100/6
19. Come On Now
20. O My Soul
Monday, October 2, 2017
CD Review: Chris Bell's I Am the Cosmos (2017)
Perhaps desiring to make his own music outside of the long shadow of Alex Chilton, Big Star co-founder Chris Bell left the Memphis cult band after the 1972 release of their debut album #1 Record. A classic slab of rock ‘n’ roll wax, the album’s influential, ahead-of-their-time power-pop tunes penned by Bell and Chilton sold poorly at the time and only after years of retrospection has #1 Record earned its legendary status. As co-writer of many of the album’s songs, as well as one of the band’s two singers and guitarists, Bell’s fingerprints are all over #1 Record and he was an integral part of the early Big Star sound.
After his departure from the band, Bell released only two songs before his tragic, accidental death in 1978 at the age of 27 years – “I Am the Cosmos” and “You and Your Sister” appeared as a single on Chris Stamey’s (The dB’s) Car Records label. Bell had also recorded several songs at the Château D’Hérouville in Paris as well as at Shoe Studios and Ardent Studios in his hometown of Memphis. Some of this material was released by Rykodisc in 1992 as the critically-acclaimed I Am the Cosmos CD; an expanded 2009 reissue nearly doubled the tracklist, adding alternative mixes and a handful of Bell’s pre-Big Star recordings. The Omnivore reissue of I Am the Cosmos offers the definitive version of this pop-rock gem, expanding upon the previous two releases by adding another ten tracks to the two-disc set, eight of them previously-unreleased and the other two only ever released on long out-of-print vinyl.
Bell’s scattered solo material largely follows the same melodic framework that he helped build with Alex Chilton for Big Star. The album’s title track and Bell’s lone single, “I Am the Cosmos” is a lofty, psych-drenched mid-tempo stunner with gorgeous miasmic guitars and wistful vocals. The B-side, “You and Your Sister,” is a gentle, pastoral, folk-drenched pop song with yearning lyrics and elegant fretwork with minimal backing. There are a lot of similarly mesmerizing moments on I Am the Cosmos, from the haunting beautiful guitar strum and wan vocals of “Speed of Sound” to the ethereal vocals afforded “Look Up,” a spiritual ballad with lovely acoustic guitar and lush instrumentation courtesy of an unnamed Mellotron player.
Bell was than a mere folkie balladeer, though. “Better Save Yourself” is a muscular, mid-tempo rocker with flaring guitars (reminding of Neil Young) and self-confident, hard-hitting drums. “Get Away” offers clattering vocals, piercing fretwork and feedback-tinged cacophony, resembling Big Star on steroids while “I Got Kinda Lost” is a clamorous pop-rock treat with hardy riffs, muffled vox, and cascades of percussion reminiscent of Cheap Trick’s best stuff. “Make A Scene” is the sort of cockeyed inventive and influential pop-rock gem that Big Star delivered with Bell’s scorching guitars accompanied by Ken Woodley’s bass and drummer Richard Rosebrough’s syncopated rhythms while “Fight At the Table” is a Beale Street-flavored, honky tonk-tinged number highlighted by Jim Dickinson’s raucous piano-pounding, former bandmate Andy Hummel’s steady bass line, and Carl Marsh’s raging saxophone.
The bonus disc accompanying I Am the Cosmos offers fans a wealth of alternative takes and various remixes mostly of interest to the Big Star completist. That’s not to say that there aren’t a few treasures to be found in the grooves, though…an extended version of “I Am the Cosmos” sounds like a DJ Screw production with drawled, trippy vocals, guitar solos, and an overall heavy lysergic vibe. Bell teams up with fellow Memphis music legend Keith Sykes on his “Stay With Me,” the innate chemistry of the two artists creating an ambitious mix of country twang and popish rock with angelic vocals; Bell’s guitar solo on the song is short but effective. A song featuring singer Nancy Bryan, “In My Darkest Hour,” is strangely alluring with Bryan’s sonorous vocals accompanied by only Bell’s fleet guitar playing. Bell reunites with Chilton for the studio outtake “Get Away,” a spirited instrumental with scraps of surf guitar, blustery drumbeats, and a fractured six-string solo or two to puncture the chaos.
The time is right for a critical reappraisal of Chris Bell’s small but notable body of work, as well as rediscovery of this tragic talent by a new generation of fans. Earlier this year, Omnivore released Looking Forward: The Roots of Big Star, a 22-track collection that features Bell’s early recordings with Memphis bands like the Wallabys, Rock City, and Icewater. In November 2017, the label will be releasing a massive six-album vinyl LP set that collects everything from Looking Forward and I Am the Cosmos along with a previously-unreleased interview with the artist.
As for Bell’s I Am the Cosmos, the album is a treasure, a masterful melding of melodic pop/rock, folkish sincerity, and rock ‘n’ roll energy that makes one wonder why it took almost 15 years after Bell’s death before these songs would be released on CD. At the end of the ‘70s, a Chris Bell solo album may have faced the same indignities as Big Star’s previous attempts at grabbing the brass ring, but as shown by I Am the Cosmos, the man had some great creative ideas, spinning gold from imagination and leaving behind some timeless, classic rock music. Grade: B+ (Omnivore Recordings, released September 15, 2017)
Buy the CD from Amazon.com: Chris Bell's I Am the Cosmos
After his departure from the band, Bell released only two songs before his tragic, accidental death in 1978 at the age of 27 years – “I Am the Cosmos” and “You and Your Sister” appeared as a single on Chris Stamey’s (The dB’s) Car Records label. Bell had also recorded several songs at the Château D’Hérouville in Paris as well as at Shoe Studios and Ardent Studios in his hometown of Memphis. Some of this material was released by Rykodisc in 1992 as the critically-acclaimed I Am the Cosmos CD; an expanded 2009 reissue nearly doubled the tracklist, adding alternative mixes and a handful of Bell’s pre-Big Star recordings. The Omnivore reissue of I Am the Cosmos offers the definitive version of this pop-rock gem, expanding upon the previous two releases by adding another ten tracks to the two-disc set, eight of them previously-unreleased and the other two only ever released on long out-of-print vinyl.
Chris Bell’s I Am the Cosmos
Bell’s scattered solo material largely follows the same melodic framework that he helped build with Alex Chilton for Big Star. The album’s title track and Bell’s lone single, “I Am the Cosmos” is a lofty, psych-drenched mid-tempo stunner with gorgeous miasmic guitars and wistful vocals. The B-side, “You and Your Sister,” is a gentle, pastoral, folk-drenched pop song with yearning lyrics and elegant fretwork with minimal backing. There are a lot of similarly mesmerizing moments on I Am the Cosmos, from the haunting beautiful guitar strum and wan vocals of “Speed of Sound” to the ethereal vocals afforded “Look Up,” a spiritual ballad with lovely acoustic guitar and lush instrumentation courtesy of an unnamed Mellotron player.
Bell was than a mere folkie balladeer, though. “Better Save Yourself” is a muscular, mid-tempo rocker with flaring guitars (reminding of Neil Young) and self-confident, hard-hitting drums. “Get Away” offers clattering vocals, piercing fretwork and feedback-tinged cacophony, resembling Big Star on steroids while “I Got Kinda Lost” is a clamorous pop-rock treat with hardy riffs, muffled vox, and cascades of percussion reminiscent of Cheap Trick’s best stuff. “Make A Scene” is the sort of cockeyed inventive and influential pop-rock gem that Big Star delivered with Bell’s scorching guitars accompanied by Ken Woodley’s bass and drummer Richard Rosebrough’s syncopated rhythms while “Fight At the Table” is a Beale Street-flavored, honky tonk-tinged number highlighted by Jim Dickinson’s raucous piano-pounding, former bandmate Andy Hummel’s steady bass line, and Carl Marsh’s raging saxophone.
The bonus disc accompanying I Am the Cosmos offers fans a wealth of alternative takes and various remixes mostly of interest to the Big Star completist. That’s not to say that there aren’t a few treasures to be found in the grooves, though…an extended version of “I Am the Cosmos” sounds like a DJ Screw production with drawled, trippy vocals, guitar solos, and an overall heavy lysergic vibe. Bell teams up with fellow Memphis music legend Keith Sykes on his “Stay With Me,” the innate chemistry of the two artists creating an ambitious mix of country twang and popish rock with angelic vocals; Bell’s guitar solo on the song is short but effective. A song featuring singer Nancy Bryan, “In My Darkest Hour,” is strangely alluring with Bryan’s sonorous vocals accompanied by only Bell’s fleet guitar playing. Bell reunites with Chilton for the studio outtake “Get Away,” a spirited instrumental with scraps of surf guitar, blustery drumbeats, and a fractured six-string solo or two to puncture the chaos.
The Reverend’s Bottom Line
The time is right for a critical reappraisal of Chris Bell’s small but notable body of work, as well as rediscovery of this tragic talent by a new generation of fans. Earlier this year, Omnivore released Looking Forward: The Roots of Big Star, a 22-track collection that features Bell’s early recordings with Memphis bands like the Wallabys, Rock City, and Icewater. In November 2017, the label will be releasing a massive six-album vinyl LP set that collects everything from Looking Forward and I Am the Cosmos along with a previously-unreleased interview with the artist.
As for Bell’s I Am the Cosmos, the album is a treasure, a masterful melding of melodic pop/rock, folkish sincerity, and rock ‘n’ roll energy that makes one wonder why it took almost 15 years after Bell’s death before these songs would be released on CD. At the end of the ‘70s, a Chris Bell solo album may have faced the same indignities as Big Star’s previous attempts at grabbing the brass ring, but as shown by I Am the Cosmos, the man had some great creative ideas, spinning gold from imagination and leaving behind some timeless, classic rock music. Grade: B+ (Omnivore Recordings, released September 15, 2017)
Buy the CD from Amazon.com: Chris Bell's I Am the Cosmos
Sunday, August 6, 2017
More great music from Chris Bell than you can handle!
Big Star co-founder Chris Bell left the band after the 1972 release of their debut album #1 Record. A legendary and influential slab o’ wax with great power-pop tunes penned by Bell and Alex Chilton, sales of #1 Record were miserable, and only in retrospect has the album earned its status as a rock ‘n’ roll classic. As co-writer of many of the album’s songs, as well as one of the band’s two singers and guitarists, Bell’s fingerprints are all of #1 Record and he was an integral part of the early Big Star sound.
In Big Star’s wake, Bell released only two new songs before his tragic, accidental 1978 death at the age of 27 years – a single on Chris Stamey’s (The dB’s) Car Records label, “I Am the Cosmos” b/w “You and Your Sister.” Bell had created a lot more music than was initially released, however, the singer, songwriter, and guitarist recording at the Château D’Hérouville near Paris as well as at Shoe Studios and Ardent Studios in his hometown of Memphis, Tennessee.
Some of these recordings were posthumously released by Rykodisc in 1992 as the critically-acclaimed I Am the Cosmos CD; an expanded 2009 reissue of the album by Rhino Handmade nearly doubled the track listing, adding alternative mixes and a handful of Bell’s pre-Big Star recordings. Bell’s legacy was explored further earlier this year with the release of Looking Forward: The Roots of Big Star by archival specialists Omnivore Recordings, a heady 22-track collection that includes Bell’s early recordings with Memphis pop/rock bands like the Wallabys, Rock City, and Icewater.
Looking Forward was just a taste of things to come however – on September 15th, 2017 Omnivore will release the definitive version of Bell’s unsung classic. The super-duper expanded reissue of I Am the Cosmos expands upon the two previous releases, the two-disc set adding ten more tracks to the set, eight of them previously unreleased and two only ever previously released on vinyl. The CD packaging includes updated liner notes from co-producer Alex Palao as well as Memphis author Bob Mehr and includes a bunch of rare, previously unseen photos. The original twelve-song version of I Am the Cosmos will also be reissued on cool-looking clear vinyl with a download card for all the bonus material.
If that’s not enough Chris Bell music for you fans, you can start saving your pennies now, ‘cause on November 24th, 2017 Omnivore will be releasing a six-disc vinyl box set titled The Complete Chris Bell. The first two LPs in the set are comprised of recordings previously released on CD as Looking Forward: The Roots of Big Star and Bell’s pre-Big Star band Rock City’s See Seven States. The remastered I Am the Cosmos will make up the set’s third LP with all of the bonus songs from the deluxe CD reissue presented on the fourth and fifth LPs as Outtakes & Alternates, the material making its vinyl debut.
The sixth LP of The Complete Chris Bell is exclusive to the vinyl box set and features a never-before-heard 1975 interview of Bell by Barry Ballard. The writer had interviewed Bell in London and allowed the use of his original tape for transfer and restoration for the set. The artist’s remarks on his solo recordings and his former band will provide music historians with new insights. The Complete Chris Bell was compiled by Grammy™ winning producer Cheryl Pawelski, Ardent Studios’ Adam Hill, and Alec Palao and was remastered by Grammy™ winning engineer Michael Graves with the vinyl cut on the original lathe at Ardent Studios.
Aside from a lot of great music, The Complete Chris Bell also includes a 20-page color booklet with liner notes by Palao and the aforementioned Bob Mehr (music critic for The Commercial Appeal newspaper in Memphis and author of the New York Times best-seller Trouble Boys: The True Story of the Replacements). The set also includes previously unseen photos and memorabilia as well as an excerpt from Rich Tupica’s upcoming book There Was a Light: The Cosmic History of Chris Bell and the Rise of Big Star. This vinyl box set will only be pressed one time, tho’ individual parts of it may be released if demand warrants, except for the London interview LP.
All of Omnivore’s Chris Bell projects have been developed with oversight by the artist’s estate and his brother, David Bell. With interest in Big Star and, by relation, Chris Bell continuing to grow (no doubt in response to Omnivore’s tireless advocacy), as well as the artist’s upcoming biography by Rich Tupica mentioned above, there’s never been a better time to discover the charms of the great Chris Bell!
Buy the music from Amazon.com:
Chris Bell’s I Am the Cosmos [deluxe CD]
The Complete Chris Bell [six-LP box set]
In Big Star’s wake, Bell released only two new songs before his tragic, accidental 1978 death at the age of 27 years – a single on Chris Stamey’s (The dB’s) Car Records label, “I Am the Cosmos” b/w “You and Your Sister.” Bell had created a lot more music than was initially released, however, the singer, songwriter, and guitarist recording at the Château D’Hérouville near Paris as well as at Shoe Studios and Ardent Studios in his hometown of Memphis, Tennessee.
Some of these recordings were posthumously released by Rykodisc in 1992 as the critically-acclaimed I Am the Cosmos CD; an expanded 2009 reissue of the album by Rhino Handmade nearly doubled the track listing, adding alternative mixes and a handful of Bell’s pre-Big Star recordings. Bell’s legacy was explored further earlier this year with the release of Looking Forward: The Roots of Big Star by archival specialists Omnivore Recordings, a heady 22-track collection that includes Bell’s early recordings with Memphis pop/rock bands like the Wallabys, Rock City, and Icewater.
Looking Forward was just a taste of things to come however – on September 15th, 2017 Omnivore will release the definitive version of Bell’s unsung classic. The super-duper expanded reissue of I Am the Cosmos expands upon the two previous releases, the two-disc set adding ten more tracks to the set, eight of them previously unreleased and two only ever previously released on vinyl. The CD packaging includes updated liner notes from co-producer Alex Palao as well as Memphis author Bob Mehr and includes a bunch of rare, previously unseen photos. The original twelve-song version of I Am the Cosmos will also be reissued on cool-looking clear vinyl with a download card for all the bonus material.
If that’s not enough Chris Bell music for you fans, you can start saving your pennies now, ‘cause on November 24th, 2017 Omnivore will be releasing a six-disc vinyl box set titled The Complete Chris Bell. The first two LPs in the set are comprised of recordings previously released on CD as Looking Forward: The Roots of Big Star and Bell’s pre-Big Star band Rock City’s See Seven States. The remastered I Am the Cosmos will make up the set’s third LP with all of the bonus songs from the deluxe CD reissue presented on the fourth and fifth LPs as Outtakes & Alternates, the material making its vinyl debut.
The sixth LP of The Complete Chris Bell is exclusive to the vinyl box set and features a never-before-heard 1975 interview of Bell by Barry Ballard. The writer had interviewed Bell in London and allowed the use of his original tape for transfer and restoration for the set. The artist’s remarks on his solo recordings and his former band will provide music historians with new insights. The Complete Chris Bell was compiled by Grammy™ winning producer Cheryl Pawelski, Ardent Studios’ Adam Hill, and Alec Palao and was remastered by Grammy™ winning engineer Michael Graves with the vinyl cut on the original lathe at Ardent Studios.
Aside from a lot of great music, The Complete Chris Bell also includes a 20-page color booklet with liner notes by Palao and the aforementioned Bob Mehr (music critic for The Commercial Appeal newspaper in Memphis and author of the New York Times best-seller Trouble Boys: The True Story of the Replacements). The set also includes previously unseen photos and memorabilia as well as an excerpt from Rich Tupica’s upcoming book There Was a Light: The Cosmic History of Chris Bell and the Rise of Big Star. This vinyl box set will only be pressed one time, tho’ individual parts of it may be released if demand warrants, except for the London interview LP.
All of Omnivore’s Chris Bell projects have been developed with oversight by the artist’s estate and his brother, David Bell. With interest in Big Star and, by relation, Chris Bell continuing to grow (no doubt in response to Omnivore’s tireless advocacy), as well as the artist’s upcoming biography by Rich Tupica mentioned above, there’s never been a better time to discover the charms of the great Chris Bell!
Buy the music from Amazon.com:
Chris Bell’s I Am the Cosmos [deluxe CD]
The Complete Chris Bell [six-LP box set]
Friday, June 2, 2017
CD Preview: Big Star’s The Best of Big Star
As the Reverend mentioned in an earlier post on an upcoming Alex Chilton LP reissue, interest in his legendary band Big Star has never been greater. Formed in Memphis, Tennessee in 1971 by singers, songwriters, and guitarists Chilton and Chris Bell along with bassist Andy Hummel and drummer Jody Stephens (the sole surviving member of the foursome), Big Star released three albums of intelligent, pioneering jangle-pop during the band’s short, unremarkable lifespan (i.e. 1971-1978).
Although Big Star never received the commercial fortune that was its due in a perfect world – critical acclaim doesn’t pay the bills, kiddies – the little cult band from the Bluff City would influence a generation of musicians to follow, from world-beaters like R.E.M. to fellow cult-rockers like the Replacements, and a lot of artists in-between. Largely thanks to the efforts of Omnivore Recordings and their quality reissues of albums like Chilton’s Free Again: The 1970 Sessions and the deluxe box set of Big Star’s Third as well as the popularity of the recent documentary film Big Star: Nothing Can Hurt Me, an entirely new generation of music-lovers is discovering what some of us stumbled across as teens during the early 1970s – Big Star is fab!
In just a couple short weeks – on June 16th, 2017 – Stax Records will release The Best of Big Star on CD, vinyl, and as a digital download as part of the label’s ongoing 60th anniversary year celebration. The sixteen-track collection includes material from all three of Big Star’s original albums: 1972’s #1 Record, 1974’s Radio City, and 1978’s Third, recorded in 1974 but released after the band’s break-up. The Best of Big Star features rare single edits of some of the band’s most beloved songs, including “In The Street,” “September Gurls,” and “Don’t Lie To Me.” The set includes new liner notes by Grammy® Award-winning music journalist and filmmaker Robert Gordon and, for you vinyl fanatics, will be released as a two-LP 45rpm album in a gatefold jacket pressed on 180gr vinyl at Memphis Record Pressing.
Big Star’s rock ‘n’ roll legacy is undeniable. Working with Ardent Studios producer John Fry, the band delivered three classic albums, beginning with #1 Record, which yielded enduring pop-rock songs in “Thirteen” and “In The Street” (later covered by Big Star acolytes Cheap Trick as the theme of That ‘70s Show). Radio City, recorded after the departure of band member Chris Bell, featured the classic “September Gurls” (later covered by the Bangles and Superdrag) while Third (also released, for some reason, under the title Sister Lovers) was recorded by Chilton and Stephens in ’74 after Andy Hummel’s departure but wasn’t released until 1978. Featuring contributions from Memphis musical legends like Steve Cropper and Jim Dickinson, Third has since come to be considered a landmark in rock ‘n’ roll.
In his liner notes for The Best of Big Star, Robert Gordon (no relation) writes that the band “fizzled before most anyone heard them, then when they seemed totally forgotten they began to exert more musical influence than most bands ever dream of…Big Star reminds us that great art lives, that immediate audience appreciation can’t be counted on and that it’s not about the brightness of the light but its beauty.”
The Best of Big Star track listing:
1. In the Street [single mix]
2. Don’t Lie to Me [single version]
3. September Gurls [single version]
4. Thirteen
5. Jesus Christ [single edit]
6. I’m in Love With a Girl
7. O My Soul [single edit]
8. Feel
9. When My Baby’s Beside Me
10. Take Care
11. Life Is White
12. Watch the Sunrise [single version]
13. The Ballad of El Goodo
14. Nightime
15. Back of a Car
16. Thank You Friends
Buy the CD from Amazon.com: Big Star's The Best of Big Star
Although Big Star never received the commercial fortune that was its due in a perfect world – critical acclaim doesn’t pay the bills, kiddies – the little cult band from the Bluff City would influence a generation of musicians to follow, from world-beaters like R.E.M. to fellow cult-rockers like the Replacements, and a lot of artists in-between. Largely thanks to the efforts of Omnivore Recordings and their quality reissues of albums like Chilton’s Free Again: The 1970 Sessions and the deluxe box set of Big Star’s Third as well as the popularity of the recent documentary film Big Star: Nothing Can Hurt Me, an entirely new generation of music-lovers is discovering what some of us stumbled across as teens during the early 1970s – Big Star is fab!
In just a couple short weeks – on June 16th, 2017 – Stax Records will release The Best of Big Star on CD, vinyl, and as a digital download as part of the label’s ongoing 60th anniversary year celebration. The sixteen-track collection includes material from all three of Big Star’s original albums: 1972’s #1 Record, 1974’s Radio City, and 1978’s Third, recorded in 1974 but released after the band’s break-up. The Best of Big Star features rare single edits of some of the band’s most beloved songs, including “In The Street,” “September Gurls,” and “Don’t Lie To Me.” The set includes new liner notes by Grammy® Award-winning music journalist and filmmaker Robert Gordon and, for you vinyl fanatics, will be released as a two-LP 45rpm album in a gatefold jacket pressed on 180gr vinyl at Memphis Record Pressing.
Big Star’s rock ‘n’ roll legacy is undeniable. Working with Ardent Studios producer John Fry, the band delivered three classic albums, beginning with #1 Record, which yielded enduring pop-rock songs in “Thirteen” and “In The Street” (later covered by Big Star acolytes Cheap Trick as the theme of That ‘70s Show). Radio City, recorded after the departure of band member Chris Bell, featured the classic “September Gurls” (later covered by the Bangles and Superdrag) while Third (also released, for some reason, under the title Sister Lovers) was recorded by Chilton and Stephens in ’74 after Andy Hummel’s departure but wasn’t released until 1978. Featuring contributions from Memphis musical legends like Steve Cropper and Jim Dickinson, Third has since come to be considered a landmark in rock ‘n’ roll.
In his liner notes for The Best of Big Star, Robert Gordon (no relation) writes that the band “fizzled before most anyone heard them, then when they seemed totally forgotten they began to exert more musical influence than most bands ever dream of…Big Star reminds us that great art lives, that immediate audience appreciation can’t be counted on and that it’s not about the brightness of the light but its beauty.”
The Best of Big Star track listing:
1. In the Street [single mix]
2. Don’t Lie to Me [single version]
3. September Gurls [single version]
4. Thirteen
5. Jesus Christ [single edit]
6. I’m in Love With a Girl
7. O My Soul [single edit]
8. Feel
9. When My Baby’s Beside Me
10. Take Care
11. Life Is White
12. Watch the Sunrise [single version]
13. The Ballad of El Goodo
14. Nightime
15. Back of a Car
16. Thank You Friends
Buy the CD from Amazon.com: Big Star's The Best of Big Star
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| Big Star photo courtesy Stax Records |
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